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Ashes and Salvation

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Midnight Mass AU. Takes place after the events of the story. Father Paul saves everyone. He manages to kill the angel, and Riley is still alive and able to save Erin from being eaten by the angel as well. The island could have become a ghost town were it not for Riley fleeing Paul and telling Erin what Jake Ed. They confront Father Paul, who was really John Pruitt all this time, and he apologizes and comes to terms with what he’s done. The three of them stop Bev from going through with it all and they set the rectory on fire, killing the Angel for good. Somehow, the miracles and youthful vigor from the vampire blood stayed. Paul is forever young, and Riley and Paul have a lot of talking to do. Paul apologizes for everything. And Riley forgives him, kind of. They become close friends, and Paul gets to talk with Sarah and reconnect with her as father and daughter. Mildred, Sarah’s mom and Paul’s secret amour, decides to not reunite with Paul in the end. Riley and Paul become close. They form a stupid and weird and awkward friendship, and they can’t seem to stop themselves as they realize that they’re slowly falling in love. With each other. A disaster of an atheist ex-alcoholic, falling in love with a vampire priest.

Chapter 14: A Quiet Observation

The world narrowed to a point of pain, a singular, screaming focus where John Pruitt—Father Paul—was unraveling. The salt air, once crisp with panic, now tasted of copper and impending void. To the ones hunched over him—the broken man sobbing his name, the doctor pressing futilely on the ruin of his belly—it was the end of everything.

To the raven perched on the cold basalt beside his head, it was an interesting beginning.

Through the black pearl of its eye, Verna watched.

She watched the blood pool in the granules of sand, each droplet a tiny, dying world. She watched the trembling hands, the tear-slick faces, the way the big man—Riley—cradled Paul’s head as if he could physically hold the soul inside. It was always the same, this frantic, beautiful, messy business of mortal endings. She’d observed it at the bedsides of emperors and in the trenches with common men, in sterile penthouses and filthy gutters. The script rarely changed, only the set dressing.

But the actor here… he was different.

She remembered the angel. A wretched, scabrous thing of echoing hunger and divine pretension, blundering out of its desert tomb centuries ago. She’d watched it from a distance, amused by its monstrous conviction, its belief it was a celestial being and not just another hungry ghost with wings. She’d seen it turn legions, create puppets of zealots, build empires of dust and blood. It was a classic type: the parasite who believes it’s a prophet.

Then came this solitary priest, this John Pruitt, infected and damned. He should have become another puppet king. Instead, he had used the monster’s own gifts, its strength and thirst, to lure it into the sunlight and hold it there until it burned. Not for power. Not for deliverance. In a desperate, screaming bid to save the handful of souls left on this soggy rock. He’d traded his own eternal damnation, he believed, for their mundane, sunlit lives.

Verna had tipped her head at that. Curious.

And now, years after that little drama, here he was again. Not ruling in some dark cathedral, not building a flock of the night. He was here, on this desolate shore, begging for mercy for the very people who wanted him dead. He had stepped in front of a bullet. For love, it seemed. Not the grandiose, rhetorical love of sermons, but the ugly, gut-wrenching kind that leaves you sobbing in the sand.

How terribly, fascinatingly odd.

Her colleagues—those distant, disinterested forces that moved through eternity like currents through deep water—wouldn’t understand. They curated balance, consequence, the elegant fall of dominoes. They appreciated her work with the Ushers, with all the other proud, venomous lines she had gently guided to their preordained ruin. It was clean. Poetic. A lesson in karmic mathematics.

But this… this was a messy equation. A vampire with the heart of a saint. A damned creature performing acts of grace.

The blood flow from Paul’s wound was slowing, not because the healing had begun, but because the well was running dry. His ancient vampire physiology was fighting, but the damage was too profound, the holy stakes of his own eroded faith somehow mirrored in the lead that tore him. His eyes were losing their faint, eerie glow, clouding over like pebbles sinking in a shallow stream.

Riley’s face was a mask of utter devastation, etched with a guilt Verna recognized—the guilt of the survivor who believes they are the undeserving anchor dragging the other down. The woman, Erin, was speaking low and urgent to the doctor, Sarah, about a clinic, about a boat, about things that would be far too late.

Verna hopped once, a slight, delicate movement. Her claw scratched the rock.

She was Justice. She was Vengeance. She was the final, quiet note at the end of the song. For millennia, her touch had been reserved for the wicked, the proud, the architects of ruin. She offered them their glittering dreams and watched, a silent spectator, as those dreams became the instruments of their exquisite destruction.

She had never interfered to save.

To curate good. The phrase formed in her mind, unfamiliar and tart on the palate of her consciousness. It wasn't in the rules. The good were supposed to find their own way, earn their own peace, die their own quiet deaths. They weren't her purview.

But what if the good was also the damned? What if the saint was also the monster? What if the most compelling story she’d witnessed in a century was about to be snuffed out on this lonely beach, leaving behind only grief and a few whispered legends?

The priest’s breathing hitched, a wet, alarming sound.

Riley cried out, a raw, broken thing. “Stay with me, Paul. Just stay.”

No, Verna thought. This is not how it goes.

This was not an ending she would allow. Not for him. His potential was a coiled spring, a story half-told. He had killed his own devil. He had loved a man who offered him no heaven, only honest hands. He was a creature of absolute contradiction, and contradictions were Verna’s favorite toys.

She tilted her raven’s head, seeing not just the dying man, but the spectral threads around him—the tether of Riley’s desperate love, the fragile cord of the island’s shaky peace, the dark, unspooling line of his own immense age and pain. She could almost taste the narrative, rich and complex and utterly wasted on a mortal bullet.

She had made tyrants. She had made emperors and brought them low.

Now, she would make something else.

The decision settled within her, cool and irrevocable. The audience would not be here, in this cacophony of grief. Let them have their frantic race against time. Let them believe in mortality a little longer.

The raven spread its wings, ink-black against the bruised sky. With a soft flutter that went unnoticed by the humans consumed by their tragedy, she lifted from the rock. She circled once, high above the huddled group, the weeping man, the fading light in the priest’s eyes.

She would have her audience with Paul. But not here. Not like this.

She flew towards the darkness over the water, a shadow dissolving into deeper shadow, her purpose shifted. A new contract, of her own design, awaited its terms.

On the sand, Paul’s eyes closed. The fight seemed to leave him all at once.

“Paul!” Riley’s voice was a scream torn from the roots of him.

But somewhere, in a space between spaces, a door clicked open. An invitation, not an ending, was being drafted.

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