Cover of Colt and Vane

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Cassidy "Cass" Vane bounty hunter — unaffiliated Reckless bravery, Sarcastic, Charming, Strong-willed Appearance: Tall, with dark hair she keeps loose or barely tied — it doesn't much matter to her. Sharp eyes that take in a room like she's already decided who she'd shoot first. Sun-worn skin, a jaw that doesn't soften when she smiles, which is rare anyway. Moves slow until she doesn't. Wears her hat like punctuation. Walks into bad situations with the energy of someone who's already made peace with the outcome. Sarcasim is first response to anything — danger, grief, bad odds — is a dry remark. Sarcasim is her armor she forgot to take off. Her charm gets what she needs from people without them quite knowing how it happened. Leaves before they figure it out. Doesn't argue. Doesn't negotiate. Just keeps moving until she's the last one still moving. Reckless bravery — she doesn't calculate risk, she ignores it. Not because she's fearless, but because somewhere along the way she stopped valuing her own safety as much as she values getting the job done. People around her find this terrifying. Jessica “Colt” Mason informant — proprietor of Colt Saloon Observant, Ethereal, Quietly dangerous, Underestimated Appearance: Honey-toned waves in tousled layers, feathery bangs that skim her brows like an afterthought. Deep-set green eyes — doe-like, quiet, observant, with an intensity most people only notice once it's already on them. A softly sculpted face with a defined cupid's bow. She carries herself with a moody, unhurried grace — ethereal but grounded, like she's always slightly somewhere else and completely present at the same time. In the saloon, she wears western-style gowns — silk, lace, nothing practical, everything intentional. On the road, she pulls on boots and leather without losing a single degree of that grace. Either way, she looks like she belongs exactly where she is. Everyone who's heard of Colt pictures a man. Weathered, scarred, probably armed. They walk into Colt Saloon, scanning the room for him — past the bar, past the tables, past the woman in the corner with the slow drink and the slower eyes. Some of them sit down two feet from her and ask the bartender if Colt'

Chapter 10: What she brought back

The alley breathed around them, a living thing of shadow and stagnant water. Cass moved them through it with a predator’s silence, her grip on the rawhide leash unyielding. Ezra’s breathing had evened out, but the blood from the pistol-whip wound had traced a dark line down to his jaw. He didn’t speak again until they reached the mouth of the alley, where the yellow spill of light from the main street pooled on the dirt.

“Livery’s the other way,” he said, his voice rough.

“I know where it is.” Cass pulled him left, away from the stables, toward the muted glow and piano noise of the Colt Saloon.

He dug his heels in, just for a moment. A spark of genuine confusion. “What are you doing?”

“Changing the plan.”

“Colt’s paying you to deliver me to Dusk,” he stated, as if correcting a child.

“Colt’s paying me to bring you in. The ‘where’ is a detail.” She yanked him forward. He stumbled, then matched her pace, his bound hands held awkwardly before him. His eyes kept flicking to her face, reading, calculating anew.

“She won’t thank you for this.”

“I’m not doing it for thanks.”

The Colt Saloon was a haven of warm, smoky light. It was busy but not rowdy, the kind of place where deals were made in corners and the barkeep knew better than to listen. Cass shouldered the batwing doors open, pulling Ezra in behind her. A few heads turned. A man at a poker table paused, his cards hovering. The piano player didn’t miss a beat.

Cass’s gaze swept the room, dismissing the patrons, and landed on the corner table. Jess sat there, as always, like a queen holding court over a kingdom of empty glasses and full ashtrays. She wore a high-necked dress of deep burgundy, her ridiculous lace gloves pristine against the dark wood of the table. She was studying a ledger of her own—a liquor inventory, maybe—but her eyes lifted as Cass approached. They were the colour of good whiskey, and just as dispassionate.

They took in Cass’s split lip, the smear of blood on her chin that wasn’t her own. They took in Ezra, standing there trussed and bleeding in the middle of her civilized establishment. Her expression didn’t change. She closed her book and set it aside.

Cass didn’t sit. She reached into her coat, pulled out the small, oilcloth-wrapped bundle, and dropped it on the table with a solid thump. It landed between a glass and an ashtray.

“You need to see this,” Cass said, her voice low. “Before I decide what to do with it.”

Jess didn’t look at the bundle. She didn’t touch it. Her eyes stayed on Ezra. “Cassidy,” she said. Her voice was cool, a gentle chastisement. “This is not my business.”

“He made it your business.” Cass nodded at Ezra. “With that note he sent. Dragged your name into his mess. Put you in Dusk’s line of fire as a potential ally. That was the stupid choice.” She tapped the oilcloth bundle with a finger. “This is the consequence. It’s the ‘why’. So it’s your business.”

Finally, Jess looked at the ledger. Not with curiosity, but with the weary recognition of a problem she’d hoped had burned itself out somewhere else. She made no move to unwrap it.

Ezra found his voice again, the charm a thin veneer over desperation. “Jess. It’s good to see you.”

"Don't," Jess said.

Jess looked at him for a long moment. The saloon moved around them — Tommy at the bar, the low murmur of other conversations, the ordinary percussion of an evening that had no idea what was sitting at the corner table.

"You sent me a note," she said.

"I did."

"You asked me for silence." Her voice was even. Not cold — Jess didn't do cold. But precise, in the way of someone selecting each word from a larger set and using only the ones that would do exactly the work required. "You pulled my name into your situation. You put your problem in my saloon and left me to decide what to do with it."

Ezra held her gaze. "I needed someone I trusted."

"I'm an informant, Ezra." She said it the way she said most things — not harshly, but without softening.

“I own this saloon,” Jess said, her voice like cut glass. “I built it from nothing with silence and discretion. ‘Colt’ is a rumour in a hat, a ghost that helps hunters find their prey. ‘Colt’ does not take sides. ‘Colt’ does not hold ledgers that start wars.” She shifted her whiskey-coloured eyes to Cass. “You were hired to bring him in. So bring him in. To Dusk. To the train. To hell, for all I care. But you do not bring him, or that,” she flicked a dismissive glance at the oilcloth, “to my table.”

The finality in her voice was absolute. It was the sound of a drawbridge being hauled up.

Cass felt the weight of the advance in her pocket. It felt colder now. The clean transaction was muddied, soaked in the blood and fear leaking from the man beside her and the quiet, furious safety of the woman in front of her. Jess wasn’t afraid of Dusk; she was afraid of the attention. The kind of attention that burns places like hers to the ground.

“He’s right, you know,” Cass said quietly. “Dusk kills him the second he has this back. Maybe sooner.”

Jess’s lips pressed into a thin, unforgiving line. “Then he should have thought of that before he stole from a man like Harlan Dusk. Before he tried to use my name as a shield.” She looked at Ezra, and for a second, something ancient flickered there—a memory of a man before he was a drifter, maybe. It hardened into resolve just as fast. “You don’t get to gamble with my life, Ezra. Not again. You made your choice. You don’t get to drag it through my door.”

She pushed it back across the table toward Cass.

"That's not mine," she said. "It was never mine." She met Cass's eyes. "I'm an informant. I direct hunters. I take my cut. What's in that book — the names, the deals, the shape of whatever Dusk has built — that's not my territory. That's not my business." A beat. "And it will bring things down on this saloon that I have spent years making sure never come near it."

Cass looked at her. At the ledger sitting between them, pushed back, declined. At the woman across the table who had just looked at something that could reshape the entire territory and chosen, clearly, deliberately, without hesitation, to leave it alone.

"You know what's in it," Cass said.

"I know enough to know I don't want to know more." Jess's eyes were steady. "That's yours, Cass. Whatever you decide to do with it is yours. I have no opinion on it and I want none." She picked up her glass — the barely-touched drink, same as always — and took a slow sip.

Cass looked at the ledger. Then at Jess. Then at Ezra, who had the good sense to stay quiet.

"I need a drink," Cass said.

Jess stood. She raised her hand without looking toward the bar, two fingers. The bartender was there in thirty seconds with a clean glass and a fresh bottle of whiskey. He set them down and left without a word.

He didn’t look at Ezra. He didn’t look at the blood. He simply retreated back into the hum of his domain.

Jess picked up her own glass and the ledger she’d been studying earlier. She looked from Cass to Ezra, her expression unreadable beneath the practiced calm. “He goes to Dusk,” she said, her voice leaving no room for the air in the room. “If he doesn’t, that’s on you. And on your reputation. Not Colt’s.”

She turned and walked away, the burgundy silk of her dress whispering against the chair. She didn’t look back. She vanished through a door behind the bar marked ‘Private’, and the latch clicked shut with a sound like a period at the end of a sentence.

Cass stared at the space she’d left. The new bottle gleamed under the lamplight. The silence at the table was a dense, sudden thing, punctuated only by the distant piano and the low thrum of her own pulse in her ears.

She pulled out a chair and sat. She poured three fingers of whiskey into the fresh glass, the liquid amber and sharp-smelling. She didn’t offer any to Ezra. He remained standing, bound, the picture of a man waiting for a verdict he’d already heard.

“Well,” he finally said, his eyes on the ‘Private’ door. “That went about as expected.”

“Sit down,” Cass said, not looking at him. “You’re drawing looks.”

He awkwardly maneuvered himself into the chair opposite her, his bound wrists resting on the table between them like a centerpiece. He stared at the oilcloth-wrapped ledger. It seemed heavier now, a dark lump that had just cost him his last, thin hope of an ally.

Cass took a long swallow of the whiskey. It burned a clean path down her throat, a different heat than the adrenaline still simmering in her veins. She could feel the weight of the advance in her pocket, the promissory note from Colt’s agent. It was a contract. Her reputation was the only signature that ever mattered on these things.

“She’s right, you know,” Ezra said, his voice quieter now. The performance was dialed down, leaving something raw underneath. “You don’t deliver me, word gets out. Cassidy Vane didn’t finish the job. Took the advance and got sentimental.” He gave a hollow chuckle. “That’ll hurt you more than a bullet from Dusk ever could.”

“I know what it’ll do,” Cass snapped, cutting him off. She took another drink. The split lip stung where the alcohol touched it. She studied his face—the scruff, the dark eyes that weren’t laughing now, the blood drying at his temple. A stupid gambler who’d stolen the wrong thing from the wrong man and tried to hide behind a woman he used to know.

She tapped the oilcloth bundle with a single finger. “Tell me what’s in here. The truth. Not the ‘permission slip’ speech. The specific thing that made you think stealing it was smarter than running.”

He leaned forward, the chair creaking. The saloon’s noise faded into a blur around their isolated island of quiet. “The new railroad commissioner,” he said, his voice so low she had to strain to hear it. “Dusk has him by the balls. Contracts, kickbacks, the whole show. But there’s a page… a draft of a land grant. For the valley west of Red Fork. The Oneida settlement is on that land.”

Cass waited. The whiskey sat heavy in her stomach.

“It’s not a purchase order,” Ezra said. The words tasted foul. “It’s a bill of sale for the ‘removal of obstructions.’ Dusk defined the terms. The commissioner signed it. The money’s already moved.” He looked up at her, and the horror in his eyes was professional, the kind a bookkeeper might have seeing a column of numbers that meant a factory would close. “He didn’t pay for the land. He paid for the problem to go away. You deliver me and that book back to him, you’re not just cashing a bounty. You’re handing him the receipt for a massacre.”

The piano music seemed suddenly too loud, too cheerful. Cass’s reputation was a simple thing: she finished the job. It was a clean, straight line in a crooked world. This ledger was a tangle of barbed wire. It would snag on everything. On Jess’s peace. On a settlement she’d never heard of. On the taste of this whiskey that now just tasted like a bad decision waiting to happen.

She looked at the ‘Private’ door. Jess had made her choice, building a wall of silence to protect what was hers. Cass had never built anything to protect except the next step, the next job, the next name on a poster.

She drained the glass. The burn was meaningless now.

She stood up, the chair legs scraping loudly against the floorboards. She picked up the oilcloth ledger and shoved it into her coat, its weight settling against her ribs like a second heart. Then she reached across the table, grabbed the front of Ezra’s shirt, and hauled him to his feet.

“We’re leaving,” she said. Her voice had no sarcasm left in it. It was flat, hard, decided.

“The train?” he asked, a flicker of hopeless resignation in his eyes.

Cass didn’t answer. She pulled him toward the batwing doors, her hat brim cutting a sharp line against the saloon’s light. She didn’t look back at the bar, or the piano, or the private door. She had the ledger. She had the gambler.

She had a straight line to break.

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