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Crown of Thirst

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An innocent but rebellious human maid has her world turned upside down when the politically married Vampire Queen and King turn her and take her as a shared Spoiled Concubine

Characters

  • Marta Sawyer — An older woman, a baker in the palace who taught Blair to knead dough in the palace kitchens. She acted like a grandmother to Blair while growing up in the Palace. She asked about Blair after her disappearance and is to write a letter to Blair.
  • Amelia Miller — A tall, pale dhampir maid with dark hair plaited close to her scalp. She is kind and observant, assigned as Blair's chamber maid. Blair hasn't yet gotten her to let down her guard but can see the maid is open to her kindness.
  • Dove Estara-Major — Dove is a confident, full Made vampire concubine who has been with her lover Arch Duke Dante Estara for seventy years. She is wise and kind, with strawberry blonde hair and a sexual confidence. Dante's Wife in all but Title. She offers Blair advice about the court and eternity. And becomes her frien
  • Arch-Duke Dante Estara — A tall, vampire with long silver hair and Forest Green eyes. The lines near his eyes speak of his centuries of smiling despite looking all of 28, He is 308 years old. He is Dove's husband and has been in love with her for seventy years. Their relationship started shakey as he took her for a concubin

Chapter 34: The Knock That Means It

The corridor to the Queen's wing smelled of beeswax and old stone. Blair walked it barefoot, her curls still damp, her silk slip clinging in places the towel had missed, and Lucien walked behind her without shoes either, having stripped off his boots at the door of his own wing like a man following a superstition.

"You realize," he said, "that in four hundred and fifty years I have never once crossed this hallway half-wet."

"Then log the occasion."

"I intend to. There'll be a plaque."

She stopped at the turn and looked back at him. Candlelight caught the silver in his hair and the wet ends of hers dripped onto her collarbone, and the sight of him trailing her like a devoted hound made her feel taller than her small frame had ever managed. "Rules," she said. "I knock. I talk. You stand there and be scenery."

"Scenery," Lucien repeated, wounded. "I am the King."

"Tonight you're the witness. The writ says so and so do I."

He inclined his head, one degree, and made a gesture like opening a door with the whole court behind it. She turned the corner.

The Queen's wing was warmer. It always was. The carpet here ran the color of dark wine, and the jasmine that Vespera kept in cut glass vases along the wall reached Blair before the door did, sweet and green and alive. Her heart beat once, and the twelve seconds of silence after it were filled with the sound of her own nerve assembling itself, brick by brick.

The door was black oak with iron studs, older than the palace around it. She had polished it once, as a scullery maid, on her knees with a rag, and Vespera had walked past her without a glance. She raised her fist.

The knock was hers. She had built it in the bath, out of the rhythm of Lucien's laugh, three quick and one slow and two soft, like a secret told against wood. It meant it's me, and I mean it. She gave the door all of it.

Inside, something moved. A chair pushed back. Footsteps, unhurried, unhurried in the particular way that meant the person behind them was very surprised and had decided not to show it.

The door opened. Vespera stood in the gap in a loose robe of ivory silk, her raven hair unbound down past her waist, her burgundy eyes going from Blair to the wet footprints on her carpet to the King of the realm dripping faintly on her hallway floor.

"It is not moonrise," Vespera said.

"My law doesn't keep your hours," Blair said. "I checked."

Something flickered across the Queen's face, there and gone, the corner of her mouth caught mid-curve before she could decide whether to permit it. "You wrote yourself a door into my wing and you're spending it tonight. My husband's exact words, I'd wager. He's grinning behind you like a man who has sold everything he owns and liked the price."

"He's been drafted as scenery."

"Step aside, scenery," Vespera said to Lucien, without looking at him, and then she stepped back from her own threshold, which she had done perhaps never in four hundred years, and left the way open. "Come in, both of you, before the hallway learns my business."

Blair crossed the threshold. The room wrapped around her, crimson velvet and jasmine, candles in gold dishes, the great bed hung in wine-dark silk. Vespera's chamber always smelled the way the word queen would smell if it had a scent, and standing in it in a damp slip with bare feet made her feel, briefly, eleven days old again.

She did not bow her head. She made herself not do it, made her spine hold, and Vespera watched her make the decision with an attention that felt like hands.

"You're wet," the Queen observed. "You're out of your King's day early. And you knocked on my door like a debt collector." She sank onto the end of the chaise, arranging herself in the way she arranged everything, silk pouring off her knees. "So. What has he broken this time?"

"Nothing," Blair said. "He fixed something. That's why I'm here."

"Then I am behind the times and hating it."

Blair looked at Lucien. He had taken up a place by the window with his arms crossed, and to his credit, and to her lasting astonishment, he was keeping his mouth shut. His eyes were burning, though. She could feel them on her back like low sun.

She turned back to Vespera.

"I told him something in the bath," she said. "And he said you'd want to hear it. He said you'd want to hear it word for word, and I thought about making him write it down for you, but some things shouldn't arrive on paper."

"Blair." Vespera's voice had cooled by one degree, the exact degree she used when she was bracing. "If you've been mistreated on his day, tell me now."

"You're bracing. Stop bracing. Nothing's wrong." Blair's hands wanted to fidget and she made them still. "Something's right, and it's terrifying, and I practiced this in a bathtub, so it's going to come out in the wrong order, and you're going to let me finish, because I'm a Lady Ravenwood and my law says I can knock."

The Queen's fingers, which had been laced loosely in her lap, went still.

"I want to really love you."

The words came out faster than she meant, so she planted her bare feet and said the rest at the speed of truth.

"Not the way I'm supposed to. Not as your concubine. Not as the spoiled little wife you feed by hand and schedule and sign into your line, though I love all of that too, I love that so much, I'd fight the Arch-Duke barehanded over the schedule. I mean past it. I mean under it. I want the real thing. The thing old poems lie about. I want to love you the way people mean it when they ruin their lives over it, and I want you to let me, and I want to do it out loud, on the record, standing here in a wet slip before the moon comes up."

Vespera did not move. The candles did. Their light shivered once across the frozen wine of her eyes.

"I don't know how to love a queen," Blair went on, because she had promised herself the whole speech and the whole speech she would give. "I don't know how to love a woman four hundred years old who could seduce the concept of loyalty if she got bored one afternoon. My lessons so far are swallowing and begging and sitting through tariffs. So you'll have to teach me the rest, slowly, the way you teach me everything. And I'll be infuriating. I'll steal glances I shouldn't. Turning me didn't fix that."

"No," Vespera said, very quietly. "It confirmed it."

Blair's breath caught. The same words, the same answer, from the other mouth. She had not expected the two of them to agree on her the way they agreed on tariffs and treaties, easily, as though it were obvious.

"Lucien told me something else," she said. "About a wedding feast. Three hundred years ago. About what you said when you were drunk on his family's oldest vintage."

The stillness in the Queen changed quality. It went from composure to watchfulness, and beneath the watchfulness something moved, some old thing turning over in its sleep.

"He had no right," Vespera said.

"He had every right. You're his oldest friend and I'm his wife and you're my wife, and there's nobody left to keep that sentence from." Blair took one step closer. The jasmine was stronger here, at the edge of the chaise, mixed with the warm clean smell that was simply Vespera. "You said the marriage was perfect and perfectly empty. You said if he ever found something to fill it, you'd want to watch it fill."

"I was drunk."

"You were honest. It's the same costume on you. I've seen you wear both."

Something happened then to the Queen's face that Blair would spend the next hundred years trying to describe. It was not a crack. It was not breaking. It was more like frost leaving a window, the whole pane of it going soft and clear at once, four hundred years of guardedness letting go in a single breath, because the breath had to go somewhere and it chose there. Her lips parted. Her burgundy eyes shone, actually shone, wet at the rims, and she looked, for one unguarded second, exactly her age.

"Say the rest," Vespera said. Her voice was not steady. She heard it and steadied it, and then let it go unsteady again, deliberately, like a woman putting down a weight she had forgotten she could put down. "Say all of it. I want it word for word. He was right. Gods rot him, he was right."

"I want a courtship," Blair said. "From both of you. A real one. Ridiculous and wasteful and slow. Flowers I can't name. Poetry in Old Valdorian, read badly on purpose so I'll laugh. Suppers for two. Gifts that are dumb, not just jeweled. I want you to woo me like I'm not already yours, because the writ says I'm yours and your spend was in the bathwater an hour ago, and I want to be won anyway. I want to fall. I want both of you to fall. I want the emptiness in this palace to fill so loudly the court can hear it from the gates."

Silence. Lucien by the window had gone completely still, and Blair knew without looking that his eyes were closed.

Vespera rose from the chaise.

She crossed the space between them in two strides and took Blair's face in both hands, thumbs on her cheekbones, and for a moment she only looked, reading her the way she read a treaty, line by line, hunting for the loophole, for the clause that would let her retreat.

There was none. Blair watched her find that out.

Then the Queen pulled her in.

The hug was not elegant. That was the thing Blair would remember, later, all her life. Vespera Ravenwood, who did everything with a weapon's grace, crushed Blair against her silk and her jasmine with her arms locked and her face buried in her damp curls, and shook. Just slightly. Just enough that Blair felt it through her whole body, the small tremor of a woman four centuries hungry being handed bread she had stopped believing existed.

"You absurd little creature," Vespera said into her hair. Her voice was wrecked and she let it be. "Eleven days. You've been alive eleven days and you walked into my wing and knocked on my door and did in ninety seconds what three hundred years of marriage never managed."

"To be fair, I had a very good teacher for knocking."

"You invented that knock tonight."

"Lucien's laugh has three beats in it. Did you know? Fast, fast, slow. I built it into the wood."

Vespera pulled back just far enough to look at her, her hands still framing Blair's face, and she was laughing, actually laughing, and there were tears in it and she was letting them sit there, unfanned, unhidden, in front of her husband and her wife and the candlelight.

"Three beats," she said. "He does. Four hundred years and I never once counted them."

"That's because you never held him while he laughed."

"No," Vespera said softly. "That's because I never held him."

Across the room Lucien opened his eyes. The look that passed between the two monarchs over Blair's head was one she had no part in and no right to and witnessed anyway, three hundred years of a perfectly empty marriage looking at the thing that had walked in and filled it, and Vespera extended one hand to her husband without turning her head, and he crossed the room and took it, and the three of them stood in the jasmine and the candlelight like a knot tied in one motion.

"Then it's law," Vespera said at last, her thumb stroking the back of Lucien's hand and her other hand still on Blair's jaw. "The courtship. Both of us. A hundred years, since she's demanded a figure."

"A hundred is a round number," Lucien said. "I'd have said ninety."

"You'll say a hundred and like it. I'm outvoted in my own chamber and savoring it." She looked back down at Blair, and the frost was gone from her face for good now, Blair could see, melted down to something younger and more dangerous. "But understand what you've asked for, wife. I have never courted anyone. Four hundred years. I have seduced, purchased, commanded, and inherited. I have no idea how to be won and less idea how to win. I will be terrible at it."

"Good," Blair said. "Be terrible at it where I can watch."

"I will be reckless about it." Vespera's mouth curved, and the curve had an edge to it, the edge Blair had first seen across a solar desk when she was a maid holding a stolen book. "The court has never seen me reckless. There are duchesses who will faint. There are duchesses who should make arrangements. I am going to fill your Princess days with things no queen has ever done for anyone, and I am going to do it in public, and when Dante Estara asks me why, I am going to tell him the truth, which will kill him."

"What truth?"

"That I am in love with my wife and she is teaching me the word."

Blair's heart beat once, and the twelve seconds after it were the fullest of her short life. She reached up and pushed a lock of raven hair off the Queen's cheek, the first time she had ever initiated a touch on that face, and Vespera let her, eyes closing briefly under the touch like a cat receiving tribute.

"Then start now," Blair said. "No time like the present. What's the first gift?"

Vespera opened her eyes. "You want it tonight."

"I knocked, didn't I? It's me, and I mean it."

The Queen studied her a moment, and then released her, and crossed to the marble mantel where a small iron-bound chest sat that Blair had never once seen opened. Vespera's fingers moved over the lock without a key, some old blood-craft, and the lid came up.

She brought back a book.

It was small, older than the palace, its leather gone soft and dark as dried blood, and she laid it in Blair's bare hands with the ceremony of a crown being set down.

"My mother's," Vespera said. "The only thing I kept of her. Valdorian love poems, the ones with the parts the priests cut. I read them at four hundred and have never once read them aloud to anyone." She touched the cover once, and took her hand away. "You'll return it when you've learned them by heart. That is your first gift and your first assignment and I will know if you cheat."

Blair looked down at the book. It weighed nothing and everything. "Vespera."

"Mm."

"I'm going to be so good at loving you it'll be embarrassing."

"I know," the Queen said. "That's what terrifies me. Sit down, both of you. The moon's an hour out, my King's day is legally stolen, and I want to hear the bath conversation from the beginning, every word he got and every word he didn't." She turned to Lucien, and her smile was the old imperious one and the new soft one braided together. "You're scenery. Sit. But first," she caught Blair's wrist, and her burgundy eyes went down to the damp curls, the bare feet, the smile fighting its way onto Blair's face, "first you'll tell me the knock again. Slowly. I intend to learn it by heart too."

Blair rapped it once against the air between them, three quick and one slow and two soft, and the Queen's mouth curved as though she had just been handed a kingdom in miniature.

"There," Vespera said. "That's mine now. That knock is law in this wing forever, and anyone who hears it and doesn't open that door answers to me."

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