Cover of 庄园里的活体改造

庄园里的活体改造

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这是一个恐怖故事。一群男大学生受邀参加郊区庄园中的奢华晚会。他们到达庄园后,主人为他们准备了各种精美的衣服,有的是晚礼服,有的是中世纪贵族服饰,有的是汉服,温顺的仆人帮他们换上衣服,还给他们化妆和打理头发。男大学生们在主人的教导下学习贵族礼仪,白天像贵族一样社交、跳舞、高谈阔论,他们晚上住在单人的奢华大房间里。男主本来怀着崇敬的心态,可是渐渐的他觉得氛围有些怪,有些同行的男大学生突然变了性子,有的人感觉没什么活人感。他开始探寻庄园的秘密,并在这个过程中找到了像他一样偷偷探寻秘密的队友。原来这是一个改造活人的庄园,被主人盯上的人会被改造成奴隶,但改造的方式还未知。晚会的氛围逐渐恐怖起来,有人撞见有的男大学生被拖进了神秘房间,剩下的男大学生四散奔逃,避免被抓住,但他们还是逐一被抓住了,包括男主的朋友。主角在逃跑的过程中撞见各种恐怖的景象,是那些被抓住的大学生,有的男大学生被扒去衣服,有的男大学生身上插着怪物的黑棒,有的男大学生喷洒蜡油被做成不会动的雕塑,有的男大学生被吊在空中身体扭曲成无法做出的动作,有的男大学生嘴巴大张塞入管子将孵化怪物的胚胎注入胃里,有的男大学生被注入未知液体身体闪闪发光,有的男大学生脊椎被抽出体外雕刻成艺术品,有的男大学生被化为一层皮成为装饰品。最后主角还是掉进了陷阱,一个神秘人出来用面具附上男主的脸再也摘不下来,主角被控制也被泡在液体里改造,既改变主角的身体,也改变主角的精神,最终主角也成为了恐怖庄园中豢养的奴隶怪物。

Chapter 14: The Trapdoor

The scrape of stone was a knife drawn slowly from a sheath. Chen Zixuan didn’t think. He moved.

He lunged for the rounded archway, the matchbox spilling from his trembling hand, the few remaining sticks scattering into the dirt. The culvert yawned ahead, a throat of absolute black. He could hear, faintly, the drip of water ahead. Escape.

He took three frantic steps into the tunnel. The fourth step met no resistance.

A sickening crack of rotten wood. The world dropped out from under him. A strangled cry tore from his throat as he plummeted, arms flailing, into a void that swallowed light and sound. He landed in a chaos of snapping, splintering impacts.

The air was punched from his lungs. He lay stunned, gasping in the thick, earthy dark. Pain lit up his side where he’d landed on something hard and angular. Something dug into his thigh. He tried to move, and a cacophony of dry, rustling clicks answered him, a nest of brittle insects stirring.

He fumbled, patting the ground around him. His fingers closed not on dirt, but on a smooth, long cylinder. A femur. He traced its length to a complex nest of smaller bones. A pelvis. A ribcage.

He was sitting in a nest of skeletons.

He recoiled, scrambling backward, and his hand slammed down onto a skull. The cranium rolled with a hollow, grinding sound, coming to rest against his ankle. A hysterical whimper escaped him. He clamped a hand over his own mouth, tasting dirt and blood.

Above, the faint square of dim light from the cellar was a world away. He heard the soft, precise footfalls of leather soles on stone. They stopped at the edge of the pit.

“Young Master Chen?”

The 管家’s voice was unchanged. Polite. Vacant. It filtered down, clean and dry as bone dust, utterly at odds with the wet, organic dark of the pit.

Zixuan held his breath. His heart was a wild thing trying to break his ribs.

“The master dislikes dust in undisturbed places,” the voice continued, conversational. “You have stirred up a great deal of dust.”

A beam of light speared the darkness. A modern, electric torch. It swept across the pit, methodical. It illuminated the horror in freeze-frames.

A skeletal hand, delicate finger bones splayed. A jacket, moth-eaten and fused to a spine. A stack of three skulls in a corner, like grisly pottery. The light passed over Zixuan’s hiding spot—he had pressed himself into a recess, behind a mound of earth and rib cages. The beam lingered for a moment on the fresh splinters of the rotted wood cover he’d fallen through.

“The original insulation,” the 管家 mused, his voice devoid of curiosity. “It was meant to deter rodents. It seems it serves its purpose still.”

The light withdrew.

Zixuan waited, ears ringing. He heard no movement to leave. He heard the sound of fabric shifting. The 管家 was sitting. Waiting.

Panic was a cold flood in his gut. He was trapped. Caged with the remains of men who had, decades or centuries apart, made the same desperate choice he had. The tallies on the wall above were their final, futile mathematics of hope.

His fingers, probing blindly in the dirt beside him, touched something that wasn’t bone. It was cloth, but coarser. Canvas. A satchel, rotted but mostly intact. He pulled it toward him, movements infinitesimally slow. The rustle was masked by the constant, almost imperceptible trickle of water somewhere in the pit.

He felt inside. A canteen, empty. A small, rusted knife. And a book. A slender, leather-bound notebook, like the ones in the study but smaller, a personal diary. It was swollen with damp, the pages glued together. With agonizing care, he pried the cover open. The beam of the torch swept across the pit again in a slow arc, forcing him to freeze.

When it passed, he angled the book toward the sliver of light from above. The ink was blotted, but a few phrases, written in a tight, desperate hand, were legible.

He calls it refinement. It is not. It is a grafting. A silencing. The music is not music. It is a signal. It tells the silver in our blood how to grow.

The wine. It’s in the wine. That’s the vector. The first toast is the welcome. The second is the covenant. I didn’t drink the second. I poured it into the potted orchid. He knew. He always knows.

The servants are not loyal. They are consensus. A single mind in many broken bodies. The 管家 is the oldest. He holds the pattern. Break the pattern.

The cellar is not an exit. It is a diagnosis. He watches to see what you will do. The true way is not out. It is through. The heart of the house. The music room. The piano is the transmitter. Shatter the keys.

The last entry was a single, smudged line, the penmanship dissolving into a frantic scrawl:

The bones are not the failed. They are the refused. They said no. He let them keep their no. He let them keep it here.

A new sound came from above. A soft, rhythmic tapping. The 管家 was drumming his fingers on the stone floor of the cellar. It was a patient, idle sound. It was the sound of a man with all the time in the world, waiting for a rat to exhaust itself.

Zixuan looked at the bones surrounding him. They were not art. They were not posed in screaming elegance. They were dumped, discarded. They had said no. Their punishment was to be forgotten in a hole, not transformed into decoration.

A cold, clear resolve cut through his terror. Dying down here, becoming another anonymous tally, was just another kind of acceptance.

He had to get back up. Not to the cellar, but past it. The heart of the house. The music room.

He looked at the walls of the pit, visible in the next pass of the torch. They were rough earth, shored up in places with old brick and timber. His eyes, adjusting, traced a line of those timbers, set like ladder rungs into the soil, leading up to the broken lip of the cover. They were rotten, but they had held the skeletons. They might hold him, if he was quiet, and fast.

The tapping from above stopped.

“Young Master Chen,” the 管家 called down, his tone almost gentle. “The master has asked for you. He is ready to begin your fitting. It is inconsiderate to keep an artist waiting.”

Zixuan stuffed the small, damp notebook into his jacket. He closed his hand around the rusted knife. He looked at the bones, the final, steadfast citizens of this dark republic of refusal.

He took a deep, silent breath of the dead air, and began to climb.

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