Cover of Eden's New Flame

8 chapters · 10417 words · Read 0 times

Y/n “Red” Fuentes is a woman born with a dick, curly temp fade, 6’0, 35 years old, green eyes, African American mixed with Puerto Rican. Marilyn “Madam” DeVille (All The Queens Men) the owner of Club Eden, male exotic dancer club in Alanta, calls Y/n in for a job.

Chapter 1: The Offer

The air in Madam’s office tasted expensive. Aged whiskey, the faintest trace of clove cigarettes, and something floral—jasmine, maybe—clung to the velvet drapes and the plush Persian rug underfoot. Y/n sat in a leather wingback chair that seemed to swallow sound, facing a wall of mahogany. The desk between her and Marilyn DeVille was a lake of polished wood, reflecting the single, dramatic beam of light cutting through a gap in the blackout curtains. Beyond the window, Atlanta’s skyline pulsed, a constellation of cold, corporate lights.

Madam didn’t look up at first. She was writing in a ledger, the scratch of her fountain pen the only noise besides the distant, subterranean thump of music from the club below. Her hair was a waterfall of dark silk, her scarlet power suit tailored to celebrate every curve. Finally, she set the pen down, closed the ledger, and leaned back. Her eyes, a calculated shade of warm brown, traveled over Y/n with the efficiency of a scanner.

“Y/n Fuentes.” Madam’s voice was a purr, smooth and low. “Six feet even. Former 91B, Army. Honorable discharge. Your references say you can fix anything with an engine and most things with a pulse.”

“They’re not wrong.” Y/n kept her voice even, relaxed into the chair. She’d been in rooms with scarier people than a club owner, even one who looked like she’d been carved from ambition and vintage Chanel.

“I heard other things, too.” Madam lit a cigarette with a slim, silver lighter. The flame caught in her green eyes. “Rumors, really. Whispers about a particular… piece of equipment. Something that isn’t standard issue.”

A cold, flat calm settled over Y/n. She’d heard this song before, in different keys. She didn’t flinch. Just held that gaze. “My resume lists my skills. Maintenance. Security. Logistics. Nothing there about equipment specs.”

Madam smiled, a flash of perfect white. She slid a single sheet of paper across the desk. It glided silently over the polish. “A standard performer’s contract. Top rate. You’d start tonight.”

Y/n didn’t touch it. She let her eyes drop to the paper, then back up. “There’s been a misunderstanding. I don’t perform. I make problems go away. I keep things—and people—running. Or I keep them safe. That’s the job.”

“The job,” Madam said, tapping ash into a crystal tray, “is whatever I say it is. And I’m saying the fantasy my clients pay for is getting stale. I need a revolution on my stage. You are a revolution waiting to happen.”

“I’m a mechanic.”

“You’re a once-in-a-lifetime novelty,” Madam corrected, her purr hardening at the edges. “Do you know what the ladies who come here truly want? They want to be astonished. They want to see something they can’t have, can’t even imagine having. You have it. I want to sell it.”

Y/n felt the old, familiar walls slide into place. The defensive humor faded from her expression, leaving something quieter and harder. “So I’m a novelty. A talking point for your clients. ‘See the girl with the dick.’ That your big revolution?”

“My revolution,” Madam said, leaning forward, her elbows on the desk, “is about power. It’s about showing them something so confident, so utterly in command of its own appeal, that it rewires what they think desire is. You walk onto my stage with that swagger you’ve got, and you don’t ask for their attention—you take it. That’s power. And power, my dear, is the only commodity that never depreciates.”

The speech was good. Practiced. Y/n had to give her that. She’d probably used a version of it on a dozen pretty, desperate kids. Y/n wasn’t desperate. She stood up, the chair sighing behind her. At her full height, she looked down at the seated woman. The city lights silhouetted her.

“I fix broken things, Madam. I don’t become them. Thanks for the offer.”

She turned to leave.

“Sit down.”

The words weren’t shouted. They were delivered like a verdict. Y/n paused, her hand halfway to the doorknob.

“I didn’t call you in here because I have a stage light that needs wiring,” Madam continued, her voice cooling to a chill. “I called you because I have a problem that needs fixing. One of my best earners. A kid named Leo. Sweet face, great physique, crowd favorite. He’s gotten himself tangled up with a… client. A regular with more money than sense and a nasty possessive streak. The kind of woman who thinks a tip buys a soul.”

Y/n didn’t turn around, but she listened.

“This woman,” Madam said, “has decided Leo is her private property. She’s waiting for him after shifts. Sending gifts to his apartment. Last week, she shoved one of the other boys for brushing Leo’s arm on stage. My bouncers are good, but this woman has lawyers. She has connections. She’s a gray-area problem. Scaring her off the old-fashioned way brings complications I don’t need.”

Now, Y/n turned. Madam was watching her, the cigarette forgotten.

“You said you make problems go away,” Madam said. “So make her go away. Not with your fists. With your presence. You start tonight. On the stage. Not as a novelty. As a statement. You walk out there, and you own that room so completely, you make Leo—and every other male dancers in this building—look like a boy. You become the apex predator in the cage. This client? She’s a hyena. She preys on the gentle. She’ll see you, and she’ll understand, on a bone-deep level, that Leo is not the prize she thought he was. You’ll redirect her… fixation. And then, you’ll manage it. You’ll control it. You’ll be the new, unattainable object of her fascination, and you will use that to keep my boy safe.”

The hum of the air conditioner filled the silence. The bass from below was a steady heartbeat.

“You want me to be bait,” Y/n said.

“I want you to be the solution I pay for,” Madam countered. She opened the ledger again, flipped a page. “Your salary, for fixing this problem, is triple the top rate on that contract. You do maintenance on the side, if you want. But your primary function, for the next month, is to be a phantom. A distraction. A shield. You have the tools. I’ve seen your type before. You carry yourself like you’ve already won every fight you might ever have.”

Y/n looked at the contract on the desk. At the city throbbing beyond the window. She thought of Leo, some scared kid getting stalked by a rich creep. She thought of triple rates. She thought of the sheer, audacious gamble of it.

Madam watched the calculations happening behind Y/n’s eyes. She smiled, but it wasn’t warm. It was the smile of a dealer sliding a chip across the felt. “Well, mechanic? Can you fix this or not?”

The distant music swelled, bleeding through the floor. A decision crystalized, not in a flash, but in a slow, sure settling. Y/n walked back to the desk. She didn’t sit. She placed her palms flat on the cool wood, leaning over it, putting herself in Madam’s space.

“I’m not a dancer. I’m not a novelty. I’m the thing that happens when your polite solutions fail,” Y/n said, her voice low and clear. “You get one month. The money clears upfront, every week. I set the boundaries. I define the interaction. You pull my strings, you breathe a word of those ‘rumors’ to a client, and I walk. And your hyena problem? It becomes your hyena mess.”

Madam held her gaze for a long, tense moment. Then, she picked up the fountain pen. Without a word, she drew a line through the printed salary on the contract and wrote a new, staggering number in its place. She spun the paper around and pushed it forward.

The blood-red ink glistened under the light, still wet. The bass from Club Eden thumped up through the soles of Y/n’s boots, a relentless, calling rhythm. The city waited. The stage waited. The problem waited.

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