Cover of Gilded family

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A family of 3 powerful women, but they all hide secrets from one another and make promises behind each other's backs. The dynamic of the family on the outside is perfect, comfortable and fair. But sometimes, on the inside, there is conflict, secrets, tension and drama. Through all, there is one thing that will always come out on top: Love and devotion.

Chapter 6: Same mouth

Jess · the house · after dark

She'd stayed out longer than she meant to. That was the honest version of it. The less honest version — the one she'd been telling herself on the train home, watching her own reflection in the dark window — was that she'd lost track of time, which was technically true in the way that most things she told herself were technically true while being adjacent to the actual point.

The actual point was Diana.

She wasn't ready to walk back into the house and perform normalcy at the dinner table, or sit across from her mother in the living room and act like last night hadn't happened, like the cigarette hadn't happened, like Diana's voice hadn't been doing that particular cold-and-precise thing it did when she meant every syllable. Jess could hold her own in most situations. She could hold her own against Diana. But she needed a buffer — a few hours of her girls, loud music, somebody's kitchen, the group chat moving faster than she could read it — before she could walk back through that door and be fine about it.

She was fine about it now. Mostly.

She was still in her uniform, which was its own kind of statement — blazer pushed back off her shoulders, shirt untucked by the third hour, the Aldren crest slightly worse for the day it had been through. The silver bracelet was cold against her wrist from the night air. She took the front steps carefully this time, mindful of the rug, and pushed through the door into the warmth of the house.

It was quiet.

Not the quiet of people being elsewhere in the house — she knew that quality, the occupied silence of rooms with people in them doing their own things, the particular hum of it. This was the emptier kind. She stood in the foyer for a moment, instinctively reading the house the way she always did before she'd fully decided to, and registered: no Diana. Not the study, not upstairs. The ground floor had only one light on — the living room — and from it came the low, warm sound of music she didn't immediately recognise.

She relaxed, incrementally. Set her bag by the stairs. Moved toward the light.

Josie was on the couch.

Sprawled was the right word for it — one leg up, arm along the back, the particular boneless arrangement of someone who had fully committed to the piece of furniture and had no immediate plans to leave it. She was in dark trousers and a grey shirt, sleeves rolled, watch still on, the glass of whiskey resting against her knee with the easy familiarity of something she'd been holding for a while. The record player in the corner — Josie's, a thing Diana referred to as a deliberate provocation and Josie referred to as culture — was turning slowly, and it was that Jess could hear from the hall.

Josie looked at her.

Her smile was sharp at the edges in a way that was different from her usual version — not mean, but loose, unguarded, the smile of someone who had had enough whiskey to stop editing themselves and was finding this mildly entertaining.

"Nice of you to come home, princess," she said, the word landing with a glint to it, fond and pointed at once. Her free hand gestured, easy and expansive, at the empty house around them. "All to ourselves."

Jess looked at her. Then at the whiskey. Then at the empty house, which she now clocked properly — no Diana, no third presence, the specific absence of the person she'd been strategically avoiding.

"Where is she?"

"Office." Josie said it without inflection. Took a sip. "Apparently."

The apparently did a lot of work. Jess filed it.

She dropped onto the couch beside Josie — not at the other end, beside her, close enough that the warmth of her was immediately present, the familiar solid weight of her on the cushions. Josie didn't move to make room. She didn't need to. They'd been sharing sofas since Jess was small enough to fit entirely in the gap between Josie and the armrest, and the geometry of it had simply adjusted over the years without either of them deciding to adjust it.

They sat for a moment. The record turned. Outside, Chicago did what it did.

"Long day?" Josie said.

"Something like that."

"Still in your uniform."

"Observant."

Josie looked at her sideways — the loose, unhurried look of someone taking inventory without urgency. Then she held out the whiskey glass.

Jess looked at it. Looked at Josie.

Josie's expression said: I'm not asking twice. And also, underneath that, something warmer — you've had a day, kid. I know.

Jess took the glass and drank. The whiskey burned in the clean, clarifying way good whiskey did, and she handed it back and settled deeper into the couch and looked at the ceiling.

The record filled the room. The lamp in the corner threw everything amber.

"She's avoiding you," Jess said, to the ceiling. Not a question.

"Mm."

"Because of last night."

"Because of last night," Josie confirmed, with the equanimity of someone who had long since made peace with the specific pettiness of the person they'd married and found it, on balance, more endearing than not.

Jess turned her head to look at her. "You two are actually unbelievable."

"Thank you."

"That wasn't a compliment."

"I know." Josie took another sip. The sharpness of her smile had softened somewhere in the last few minutes into something more simply warm — the shift that happened when enough whiskey had loosened the last of the day's residue and what was left was just Josie, unedited, in her living room. "She'll be back by ten. She always comes back."

Said the way you said something that was so fundamentally true it had stopped requiring examination.

Jess looked at her for a moment longer. Then back at the ceiling.

The music turned. The lamp held its amber. And then Josie moved — not standing, just shifting, her hand coming up with a directness that had no preamble, her fingers finding Jess's chin and tilting it, gently but without asking, toward the hallway mirror visible through the living room doorway.

Jess let her. She wasn't sure why, exactly — maybe the whiskey, maybe the hour, maybe the specific quality of Josie's loosened state that made resistance feel beside the point. She looked at the mirror.

Her own face. End of a long day, uniform half-undone, hair escaping whatever she'd had it in since morning. The doe eyes, the honey waves, the —

"See that," Josie said. Her thumb moved, slow and deliberate, along Jess's upper lip. The cupid's bow. "Same fucking mouth as her."

It wasn't said meanly. It was said the way Josie said most things that mattered — quietly, directly, with a weight that came from actually meaning it.

Jess looked at her own mouth in the mirror. She'd heard this before, in passing — you have your mother's this, your mother's that, the comparisons people made when they didn't know which mother they meant and were usually pointing at Diana because Diana was the visible one. She'd heard it and filed it and never thought much about it.

Something about Josie saying it like this — thumb tracing the line of it like she was identifying something she'd been looking at for eighteen years — made it land differently.

"What else," Jess said. She wasn't sure what she was asking, exactly.

Josie let her chin go. Sat back. Looked at her with the loose, considering expression of someone with more to say than they usually let out and enough whiskey to let some of it move.

"That lip," she said, "is not just a shape. You know that, right?"

Jess raised an eyebrow.

"Diana can lie," Josie said, conversationally, like she was describing a weather pattern. "Beautifully. Completely. Through that exact mouth, without it moving wrong, without her eyes doing anything they shouldn't. I have watched her say things to people that were entirely untrue and I was standing right there knowing they were untrue and even I—" she paused, something flickering across her face that was fond and slightly rueful, "—even I had to concentrate to remember."

Jess was very still.

"And you," Josie said, pointing at her with the hand that held the glass, "did the same thing. Last night. Across that desk. Lit a cigarette and looked your mother dead in the eye and didn't flinch once." She shook her head slowly, the loose smile back. "Pretty mouth. Steady eyes. Didn't give her a single thing."

"She started it," Jess said.

"She absolutely did," Josie agreed, without hesitation. "I'm not saying she didn't. I'm saying you held your own and you did it the exact way she would have done it and neither of you noticed because you were too busy staring each other down."

Jess looked at the mirror again. At the mouth Josie had just traced. At the face she'd been living in for eighteen years without particularly examining it from this angle.

"What else do I get?" she said. Quieter this time.

Josie was quiet for a moment. The record reached the end of its side and the needle lifted, and the room went to just the sound of the city outside and the two of them on the couch in the amber light.

"The way you walk into a room," Josie said. "You don't announce yourself. You just arrive and then you're there and suddenly the room has a different shape. That's hers." She paused. "The reading people — you clock things other people miss. You always have. That's hers too."

"The grudges?" Jess offered.

Josie laughed. Properly, the warm version, the one she didn't produce in rooms with other people in them. "That one's contested."

"The pettiness."

"She's going to say that's mine."

"Is she right?"

Josie considered this with more genuine seriousness than the question perhaps required. "Possibly," she said. "Jointly."

Jess smiled. The real version, the one she didn't hand out freely — it arrived without her deciding to let it, which was the only way it ever arrived, and she felt Josie clock it the way Josie clocked most things about her, quietly and without making a production of it.

Josie looked at her. The sharpness was fully gone now, the whiskey having done its work, and what was left was just the warmth — the specific warmth that was the most private version of Josie, the one that didn't come out in public, the one that had been the constant background temperature of every room in Jess's life for as long as she could remember.

"She drives me absolutely insane," Josie said, conversationally. "Every day. Without fail."

"I know," Jess said.

"And everything I just described—" Josie gestured, vaguely but with feeling, toward the mirror, toward the mouth, toward the qualities she'd just listed, "—is exactly why." A pause. "Also exactly why I haven't stopped."

Jess looked at her.

"Twenty-two years," Josie said. "Of that mouth telling me things I already knew and making me feel like I was hearing them for the first time." She shook her head again — the same rueful, helpless motion as before, the gesture of someone who had long since surrendered to a particular fact about their life and made a home in the surrender. "You're going to do that to someone, you know. Exact same thing."

Jess didn't answer.

She looked at the mirror for a long moment — at the face she'd been given, assembled from two people without her input, the features distributed in ways she'd never particularly interrogated. The mouth that was Diana's. The eyes that were Josie's. The specific arrangement of all of it that was somehow entirely hers.

She thought about Diana across the desk last night. The composure of her. The cold blue eyes that hadn't looked away once. The thing underneath the composure that Jess had been circling for years without being able to name it — and here was Josie, on a Tuesday evening with two fingers of whiskey, describing it like it was simply true. Like it was simply something you said.

Jess looked at her. At the easy sprawl of her, the glass loose in her hand, the record player silent now in the corner. The most unguarded version of Josie she'd ever been in the room with — and she'd been in the room with a lot of versions. This one was different. Softer at the edges. More willing to let things be seen.

She leaned into her shoulder. Just slightly. Just enough.

Josie's arm came around her without discussion, the way it always had, and they sat in the amber light of the living room while the city moved outside and the house held its breath around them and somewhere across Chicago, Diana was in her office being petty about something that was, Jess suspected, at least partially about her.

Same mouth, Josie had said.

Same everything, Jess was starting to think.

The thought should have been simple. Comforting, even — the idea of resemblance, of inheritance, of being made of people you loved. And it was those things.

But it was also, in the part of her mind that kept the folder, something else. A thread she hadn't pulled yet. The beginning of a question she didn't have the ending to.

She filed it there, carefully, and let herself stay in the warmth of Josie's arm for a little while longer.

Then Josie moved — the deliberate shift of someone concluding something, the arm around Jess loosening as she straightened. She pressed her lips to the top of Jess's head, unhurried, the way she'd done since Jess was small enough that she had to lean down considerably further to reach. The gesture hadn't changed. Just the distance.

"Bed," she said. Into her hair. Not a question.

Jess didn't argue. She was more tired than she'd realised, the day having caught up with her somewhere in the amber warmth of the living room, and she unfolded herself from the couch and found her feet and picked up her blazer from where it had ended up on the cushion beside her.

She looked at Josie once from the doorway. Josie was already leaning back into the couch, glass settled against her knee, looking at nothing in particular with the expression of someone who had somewhere to be in their own head and was heading there.

"Don't stay up too late," Jess said.

"Go to bed, Jess."

She went.

Her footsteps went up — past the second floor landing, the soft close of her bedroom door, the particular silence that meant she was in for the night. Josie listened to it the way she listened to most things in this house: completely, without appearing to.

Then she settled back, and waited, and didn't have to wait long.

Josie · the house · 10 mins after Jess went to bed

The front door opened at nine fifty-three.

Josie knew the sound of it — the specific weight of Diana's hand on the handle, the way she closed it behind her with the same quiet precision she applied to most things, never a slam, never careless. She heard her in the foyer. The set of keys on the table. The pause that meant she was reading the house the same way Jess had — registering the living room light, the record player silent, the whiskey glass visible from the hall.

Then Diana appeared in the doorway.

Coat still on. Bag still over her shoulder. She looked at Josie on the couch. At the glass. At the second glass Josie had rinsed and left on the coffee table, which wasn't quite erasing its own evidence. Her eyes came back to Josie.

"Jess?"

"Bed," Josie said. "About ten minutes ago."

Diana set her bag down. Hung her coat in the hall and came into the living room — not to the couch, to the armchair across from it, which told Josie something about where she was. She sat. Reached up and removed her glasses, folded them, set them on the side table. The day, in her private accounting, had ended.

The lamp threw amber across both of them.

"You didn't have to stay at the office," Josie said.

"I had work."

"You had pettiness."

A pause. "Perhaps," Diana said. Which from her was a full and complete confession.

"Avoiding it doesn't make it smaller," Josie said. "Last night was a misjudgment. It's done. We move forward." She leaned forward, elbows on knees. "But I need you to hear something first."

Diana looked at her. Listening — the real version.

"That girl," Josie said, "has your mouth."

Diana was very still.

"Not just the shape. The way she uses it. Last night she sat across that desk and she held your eye and she gave you nothing — not a flinch, not a blink — and she did it the exact way you would have done it. Through that exact mouth." Josie shook her head. "I was in that doorway watching you stare each other down and I genuinely could not tell you which one of you was going to blink first."

Something moved through Diana's expression. Not suppressed — just absorbed, the way she absorbed most things that landed with weight.

"She walks into a room," Josie continued, "and the room changes shape. She reads people before they've finished their first sentence. She's three steps ahead and she doesn't let you see it." A pause. "She can lie through that pretty mouth without it moving wrong. Completely. Beautifully. I watched her do it last night and even I had to concentrate to remember it was a performance."

Diana said, very quietly: "I know."

"She's you," Josie said. "In ways she doesn't know yet. In ways that are going to serve her and in ways that are going to cost her, the same way they've served and cost you. And you sitting across a desk testing her — that's not two people in conflict. That's one person looking in a mirror and not recognising the reflection."

Diana looked at her hands. The composure was there — it was always there — but the edges of it had softened in the way they only did up here, in this house, in this room, with this specific audience of one.

"Do you remember," Josie said, her voice dropping into something quieter, "when she was small — four, five — and you had that run of late nights? Three weeks, working late every night, home after she was already in bed."

Diana looked up.

"She stopped letting me put her to sleep," Josie said. "Every night I'd do the whole routine — stories, music, everything — and she'd just lie there. Eyes open. 'I'm not tired.' She was exhausted, you could see it in her face, but she wouldn't go. Three nights I couldn't figure out what was wrong with her."

She paused. Diana had gone very still.

"Fourth night," Josie said, "I came downstairs at half past ten. And she was in your chair. In the study. Sitting in it with her feet not reaching the floor, her head tipped back against the armrest. Completely out." Her voice was steady but only just. "She hadn't said a word about it. Hadn't told me that was what she was doing. She'd just decided she was going to wait for you — and she'd gone down there and sat in your chair and waited until her body gave up."

The room held it.

Diana's expression had done something it almost never did. It had simply opened — not broken, not fallen apart, just the composure made irrelevant for a moment, set aside the way you set aside something you didn't need when no one required it of you.

"I carried her up," Josie said. "She didn't wake. And you came home twenty minutes later and I told you and you went straight back downstairs." A beat. "I watched you from the stairs. Sitting in that chair in the dark."

"I didn't know you saw that," Diana said. Barely above a murmur.

"I know."

A long silence. The kind that had something living in it.

Josie stood. Crossed the room and sat on the arm of Diana's chair — the same way she'd sat on the office chair that morning, one hand on the backrest behind her. Close. Present. Not going anywhere.

"She is our daughter," Josie said. "As much as we love each other — and I need you to understand I mean that in the largest possible sense — we love her that much. Exactly that much." She looked at Diana directly. "And nothing that happens between the two of you — no stand-off, no cigarette, no test — is bigger than that. You hear me?"

Diana looked at her for a long moment.

Then she reached up and took Josie's hand from the backrest. Held it. Looked at it the way she occasionally looked at things she wasn't going to say anything about but needed a moment with.

"I hear you," she said.

Josie squeezed once.

"I told her."

Diana looked at her. "You told her."

"Sat her in front of the hallway mirror and showed her." Josie's mouth curved at the corner — the memory of it, Jess's face in the lamplight going still and considering. "She didn't know what to do with it. Which makes sense, because it's not just a shape, is it."

Diana said nothing. Listening.

"You can lie through that mouth," Josie said. "Beautifully. Completely. I've watched you do it in rooms full of people who had no idea, and I was standing there knowing, and even I had to concentrate to remember." She paused. "She did the same thing last night. Across your desk. Lit that cigarette and didn't give you a single thing."

Diana was very still.

"Pretty mouth," Josie said. "Steady eyes. Same ones you use. She got them from somewhere."

A long moment. The lamp held its amber. Outside a car moved along the street, headlights crossing the ceiling briefly and then gone.

"The way she walks into a room," Josie continued. "Doesn't announce herself. Just arrives and the room has a different shape. That's yours. The way she reads people — clocks things before anyone else has registered them. Hers." She let that settle. "And the planning. The fact that she'd already thought about where to hide it, how to hide it — that's not impulsive. That's considered. That's yours too, Diana, whether you want it to be or not."

Diana looked at the middle distance. At nothing. At everything.

And then, very quietly, she said: "She sat there the whole time."

"The whole time," Josie confirmed.

"Didn't flinch."

"Not once."

Something moved through Diana's face — the complicated thing, the one Josie had watched her work through in the office that morning, made of exasperation and pride and something that had no clean name. It was more visible here, without the glasses, without the audience, without the register she maintained in every other room.

"She's infuriating," Diana said. With enormous, helpless, unmistakable tenderness.

"She's eighteen," Josie said. "She's yours. What did you expect?"

Diana looked at her then — properly, the way she looked at Josie when she wasn't performing anything, when it was just this room and this hour and the two of them at the end of a day that had been what it had been. The look that had no version in public. That belonged only here.

Josie held it.

"She's ours," Josie said. Gently. Firmly. The two words that had contained more than any others for the last eighteen years. "And we love her as much as we love each other. Which is a lot, Diana. Which is the whole thing."

Diana breathed out. Not a sigh — something more deliberate than that. The breath of someone setting something down.

"Don't let it," Josie said. "Whatever she does. Whatever we disagree about. Don't let it get in the way of what we have. Any of it — her, us, this." She looked around the room briefly — the house, the life in it, the three of them in it. "We built something good."

Diana looked at her for a long moment. The city glowed softly through the window behind her. Somewhere above them, on the second floor, the thin line of light under Jess's door had gone dark — she was asleep, or close to it, the day finally finished.

Diana stood. Crossed the room. And sat down beside Josie on the couch — close, the way she sat when there was no performance required and proximity was simply what she wanted — and leaned her head against her shoulder in the quiet, uncomplicated way of someone who had been doing this for twenty-two years and had no plans to stop.

They sat like that for a while — Diana in the chair, Josie on the arm of it, the house quiet around them and one light still on upstairs where Jess was probably not yet asleep, probably lying in the dark with the balcony door cracked and the city coming in and whatever she'd collected tonight turning slowly in that patient mind of hers.

Their daughter. Made of both of them. Still waiting, in her own way, the same way she'd always waited — for things to make sense, for the shape of things to become clear. Sitting in chairs that had always been hers even before she'd known to claim them.

"She got the stubbornness from you," Diana said. Quietly. Into the room.

Josie's chest moved. The real laugh, the quiet one. "Jointly."

Diana said nothing. But she turned her hand over in Josie's and held it properly, and that was its own answer, and the lamp held its amber, and outside Chicago did what it always did, and the house kept the three of them the way it always had — close, and warm, and full of the things they didn't say, which were the same things, underneath, as the things they meant most.

Diana looked at the ceiling in the direction of the second floor. One more moment.

Then she stood, and held out her hand.

"Come to bed," she said.

Josie took it.

And the house let them go upstairs, and held its quiet, and kept everything safe until morning.

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