Cover of Keys to Temptation

Keys to Temptation

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Josh is looking to buy a new house, his girlfriend Millie’s friend Caitlin is a real estate agent and always had a thing for Josh when showing Josh round a house will she take advantage of having him to herself

Chapter 1: The Empty Foyer

The key felt cold and heavy in Caitlin’s hand, a modern intruder against the worn oak of the Tudor’s front door. She turned it, the lock yielding with a clunk that echoed into the cavernous silence beyond. Josh shifted his weight beside her, hands shoved into the pockets of his jeans.

“Place looks old,” he said, squinting up at the steep gables against the flat blue sky.“Century-old. They don’t build them like this anymore,” Caitlin said, pushing the door open. A sigh of trapped air, warm and dust-laden, washed over them.It smelled of old wood, of dried roses left in a vase long forgotten, of secrets. “Come on. Millie said you were looking for character.”

“She’s big on character,” Josh agreed, following her inside.

The grand foyer soared two stories, a shaft of muted sunlight falling from a stained-glass window high above, fracturing into pools of gold and deep blue on the wide-plank floor.Caitlin watched his face.His eyes, a warm brown, widened just enough. He was taking it in, this monument to a different time.Good.

“Original moldings,” she said, her voice dropping to a more intimate pitch, suited to the hush. She stepped closer to him, her hand coming to rest lightly on the sleeve of his jacket. She felt the solid muscle of his forearm beneath the fabric.“See the detail?Hand-carved. Every leaf, every curve.A lost art.”

Josh leaned in, his curly black hair almost brushing the plaster. She caught a faint scent of his soap, something clean and cedar-based, cutting through the house’s stale perfume.“It’s incredible,” he murmured, genuine appreciation in his tone. He straightened, and her hand fell away, but the space between them felt charged, thinner.

“The living room is through here,” she said, leading the way. Her heels clicked decisively on the wood, then muffled as they crossed a threadbare Isfahan rug the color of dried blood. The room was vast, empty save for a marble fireplace big enough to stand in. Sunlight streamed through leaded windows, illuminating galaxies of dust motes.“Imagine your furniture here. That big leather sofa you love. A football game on a huge TV right there.”

Josh chuckled, a low, easy sound.“Millie would never allow a TV that size. She’d want, I don’t know, a giant abstract painting or something.”

“Millie has wonderful taste,” Caitlin said smoothly, turning to face him.She let a playful smile touch her lips. “But a house needs a bit of the man in it, too. Otherwise, it’s just a showroom.” She walked toward the far wall, where a long crack snaked down from the ceiling to the chair rail.“Now, a word of caution. The old girl has her flaws.” She beckoned him over.“Come look at this.”

He came, standing close as she pointed. The crack was deep, a furrow in the pale plaster.“Settling,” she explained. “Or maybe something more. You’d need an inspector, of course.” She turned her head toward him.They were inches apart. Her perfume, something expensive and jasmine-heavy, deliberately chosen, enveloped them. She saw his nostrils flare slightly, his gaze leaving the crack to dart to her face, then to her mouth, then back to her eyes. A faint pink touched the tops of his ears.“The foundation?” he asked, his voice a little rough.He cleared his throat.

“Could be.” She didn’t move away.Her voice was a near-whisper. “Or it could just be a century of stories pushing at the walls. Houses like this… they absorb things.Arguments.Laughter.” She held his gaze. “Passions.”

Josh was very still.His broad shoulders seemed to block out the rest of the room. She could see the pulse at the base of his throat.The easy smile was gone, replaced by a look of focused uncertainty. He was fighting it, the good boyfriend, the steady man. But he was here, with her, in this empty, echoing space.Not with Millie.

“Caitlin,” he started, a tone of gentle warning.

She broke the spell with a soft, professional laugh, taking a deliberate step back.The distance felt suddenly vast.“Sorry,” she said, waving a hand. “I get carried away.I love history.Let’s see the kitchen. It’s been updated. Mostly.”

She turned, the silky lining of her blazer whispering, and walked out without looking back, knowing he would follow.The thrill was a live wire in her chest. He was tempted.More than tempted—he was aware.That was the crucial step.

The kitchen was a time capsule of the nineties: honey-toned oak cabinets, green granite counters, brass fixtures. “It’s functional,” she said, running a finger along the cool stone. “But imagine what you could do.Open it up.An island here. French doors to the garden there.” She leaned back against the counter, facing him. “Millie would love a garden.”

“She kills succulents,” Josh said, his smile returning, but it was tighter now. The earlier moment hung between them, unacknowledged but solid.

“Then you’d do the gardening,” Caitlin said, pushing off from the counter.“There’s a study. Dark wood paneling.Very masculine.” She led him down a dim hall, the floorboards creaking underfoot. The study was a cave of walnut and leather-smell, built-in bookshelves empty and yawning.“Your sanctuary,” she murmured.

This time, when she approached him to point out a detail in the carving of the mantel, she let her whole arm brush against his. He didn’t pull away.He was watching her profile, his breath slow and deliberate.

“Josh,” she said softly, turning.“Be honest.Do you see yourself here? Really see it?”

He was quiet for a long moment.The house seemed to hold its breath. “I don’t know,” he said finally.“It’s a lot.It feels… big. For two people.”

“It’s a forever home,” she said.“For building a future. For… room to grow.” She let the implication hang.Children.A life. The life Millie probably sketched out in her orderly planner.“It has space for all your potential, Josh. All of it.”

His phone buzzed in his pocket, a harsh, digital vibration in the silent room. He flinched, stepping back as if scalded. He pulled it out, and Caitlin saw the screen light up with a photo of Millie, smiling, her arms around him at some barbecue. The caption read “MY LOVE 💕”.His thumb hovered over the screen. He didn’t answer it. He looked from the phone to Caitlin, a war playing out behind his eyes.The good man.The restless heart.The phone stopped buzzing. The silence rushed back in, thicker now.“You should get that,” Caitlin said, her voice kind, understanding. She was the helpful realtor, nothing more. “It might be important.”

“It’s just Millie,” he said, but he shoved the phone back into his pocket as if it burned. He ran a hand through his curls, looking anywhere but at her. “This is… this is a big decision.I need to think.”

“Of course you do,” she said, starting toward the door. “Let’s see the master suite. Then I’ll let you ponder in peace.”

The upstairs hallway was shadowy, the only light coming from the stained-glass window at the far end. The doors to the bedrooms stood open like dark mouths. The master was at the end, a large, square room with a bank of windows overlooking the tangled back garden.The air here was closer, warmer.

“No en suite in the original build,” Caitlin said, walking to the center of the bare room.Her heels sank into the thick carpet.“But the adjoining room could easily be converted. It’s just a matter of… vision.”

Josh lingered in the doorway, a dark silhouette against the hall light.He seemed reluctant to enter this final, most intimate space. “It’s a great house, Caitlin.Really. You’ve done an amazing job showing it.”

“It’s my pleasure,” she said. She stood in the middle of the empty room, bathed in a square of afternoon sun.She turned a slow circle, her arms slightly spread. “Just imagine it.The bed here.Your things there. The morning light right there.” She stopped, facing him. “It’s a blank canvas.”

He finally stepped inside, his large frame making the room feel smaller.He was looking at the windows, at the garden, anywhere but at the imagined bed. He was fighting so hard it was almost endearing.

“Josh,” she said, her voice barely audible.He turned toward her.

She simply looked at him, all pretense of professionalism gone from her expression. She let him see it—the years of private glances, the latent want, the opportunity that this empty, whispering house provided.No words this time.Just the offer.

He took a step toward her.Then another. The floorboard under his foot groaned loudly, a shocking sound in the quiet.He stopped dead, blinking as if waking up. The color drained from his face.He looked, suddenly, like a boy caught somewhere he shouldn’t be.

“I can’t,” he breathed, the words full of real anguish. “Millie…”

“I know,” Caitlin said softly, the picture of compassionate regret.She hugged her clipboard to her chest, a shield. “It’s okay.It’s a big, emotional purchase. It stirs things up.”

He nodded, grateful for the escape she offered.He backed toward the door. “I should… I should go. I need to call her back.”

“I’ll lock up,” Caitlin said, her smile gentle and unassuming.“Take your time.The offer stands. The house… and my help… will be here when you’re ready.”

He gave her one last, desperate look, then turned and walked quickly down the hall, his footsteps a hurried retreat on the creaking stairs.

Caitlin waited, listening until she heard the distant thud of the heavy front door closing.The house settled back into its profound silence.

She walked to the dusty window and looked down.A moment later, Josh emerged into the late afternoon light, striding toward his car. He didn’t look back at the house.He was almost running.

She smiled, a slow, private curving of her lips.He hadn’t said yes.

But he hadn’t said no, either.And he’d felt it, that crack in his own foundation. That was enough for a first showing. The rest, she knew, was just a matter of time and the right pressure applied to the right weak point. She pulled out her phone, not to call, but to open the notes app.She typed a single line under his name: Tudor. 4:17 PM.Crack in the plaster. A record of the first, fine fracture.

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