Cover of Lamia: Re-Imagined

Lamia: Re-Imagined

Read the story

2 chapters · 4100 words · Read 0 times

At 5'4", 119 pounds with androgynous features , 19 year old Jeremy had forged a living doing off the wall modeling jobs that called for someone out of the ordinary. He found today's shoot to be intriguing, as it was for the world-famous fantasy photographer Zak Curtis, who was renown for his very real looking fantasy shoots. He'd had to look up what the legend of Lamia, the subject of the shoot, was, and found the story of a Queen turned into a half snake-half woman creature by a vengeful Greek goddess, fascinating. It wasn't until arriving on the set though, that he found out that Zak had re-imagined the myth, and wanted him to be the lamia. To wear the so realistic looking snake's tail. Jeremy had heard the rumors about Zak's models, but was far too intrigued to be concerned about it.

Chapter 1: Crossing the Threshold

The air in Zak Curtis’ studio tasted like dust and forgotten stories. Not musty, exactly, but thick with the scent of aging paper, dried glue from a thousand props, and something faintly metallic lingering underneath. It hit me the moment I pushed open the heavy industrial door, a stark contrast to the sterile agency halls I’d left behind. My sneakers squeaked on the polished concrete floor, the sound swallowed almost instantly by the sheer volume of the space. Not loud volume, but space volume. Cavernous. Like stepping into the ribcage of some slumbering mechanical beast.

Green track lights cast long, distorted shadows from metal rafters high above. Everywhere I looked, things lurked. Not junk. Artifacts. A taxidermied raven with glass eyes that seemed to track me. A life-sized marionette missing an arm, draped in frayed velvet. Shelves groaned under the weight of antique cameras, disassembled clockwork, masks from cultures I couldn’t name. Photographs lined the far walls, massive prints under spotlights. A woman with skin like cracked porcelain, holding a beating heart that looked terrifyingly real. A child floating underwater, tangled in glowing wires. Zak’s work. Surreal. Pulse-pounding. The kind that made you look away only to be dragged right back.

"Jeremy. On time. Refreshing."

The voice was low, gravel scraped over velvet, coming from the gloom near a backdrop of draped black velvet. Zak Curtis materialized like smoke, stepping into a shaft of green-tinged light. Late fifties, maybe? Hard to tell. Gaunt face etched with deep lines, eyes like chips of obsidian, glittering with unnerving focus. He wore black, head to toe, the fabric worn soft. His presence was a physical pressure, making the studio feel suddenly smaller, denser.

"Mr. Curtis," I managed, my own voice sounding too young, too thin in this space. I shifted my small duffel bag. "Thanks for having me."

He didn’t offer a hand. Just stared. His gaze was a physical thing, cool and assessing, tracing the line of my jaw, the fall of my hair, the slightness of my frame. It wasn't lecherous. More like... appraising raw material. "The Lamia shoot," he stated, not a question. His black eyes flickered towards a heavy, claw-footed table dominating the center of the cleared shooting space. "Your costume."

My breath hitched, catching in my throat. Laid out with deliberate care on the scarred wood wasn't fabric. It was a tail.

Not a cheap Halloween prop. This was... visceral. A serpentine coil longer than I was tall, thick as my waist at the base, tapering to a delicate point. The scales shimmered with an iridescent sheen – deep emerald greens, oily blacks, flashes of blood-red copper – catching the low light and seeming to shift color as I moved. It looked less like something made and more like something shed. Beside it lay a fitted torso piece of the same scale pattern, designed to wrap seamlessly around a human waist.

"Whoa." The word escaped me, a soft exhale. The rumors about Zak Curtis – the whispered warnings from other models about shoots that felt too real, locations that defied logic, the sheer intensity that bordered on the uncanny – suddenly felt less like gossip and more like a tangible chill creeping up my spine. But beneath the prickle of apprehension, a fierce spark of curiosity ignited. This was different. This was the edge.

"Lamiae," Zak corrected, his voice devoid of inflection. "Serpent women. Seducers. Destroyers. The line between beauty and terror is their domain." He gestured towards the tail. "Put it on. Carefully. The scales are fragile. And alive."

Alive? The word hung in the charged air. Not literally, obviously. But the effect was immediate. My hand, seemingly of its own volition, reached out. My fingertips brushed the cool surface.

A jolt, electric and cold, shot up my arm. Not pain. A shiver. A resonance. The scales felt impossibly smooth, yet textured with minute ridges. Cool, but thrumming with a latent energy that vibrated against my skin. It felt less like touching latex or silicone and more like touching the flank of some immense, dormant creature. The boundary between the prop and the living world dissolved for a dizzying second. The hum of the distant equipment faded. The shadows on the walls seemed to writhe.

I snatched my hand back, flexing my fingers. My heart hammered a frantic rhythm against my ribs. Zak watched me, that obsidian gaze unblinking. A ghost of something – satisfaction? Anticipation? – flickered in the depths of his eyes.

"Problem?" The question was flat, challenging.

I swallowed, forcing the sudden dryness from my mouth. The fear was still there, a cold knot in my stomach. But the curiosity… the sheer, magnetic pull of the strangeness… it was stronger. This was why I’d taken the job. Why I’d ignored the whispers. To touch the weird. To be the weird.

"No problem," I said, my voice steadier than I felt. I met his gaze, letting the spark in my own green eyes flare. "Just… feeling the vibe. Now what?"

Pointing to a screen, Zak said, "strip down. You'll need to be naked to put on the costume. But first, we'll do the makeup."

The screen Zak indicated was little more than a freestanding panel of stained canvas, offering minimal privacy in the vast, shadowed studio. My fingers felt clumsy on the zipper of my hoodie. The air, already cool, seemed to seep directly onto my skin as I stripped down to my boxers. Goosebumps prickled my arms and legs. I folded my clothes neatly, placing them on a dusty stool beside the screen – a small act of normalcy in this increasingly abnormal space.

Two assistants emerged from the gloom like silent wraiths. Both wore black smocks, their faces impassive. One carried a large, professional makeup case; the other held a tray laden with jars of pigment, brushes, and sponges that looked disturbingly organic. They didn’t speak, just gestured wordlessly towards a heavy, antique barber’s chair positioned under a cluster of blindingly bright work lights. Its cracked leather looked like dried skin.

I sat, the cold leather biting through the thin cotton of the robe. The assistant with the makeup case moved first. Her fingers were cool and precise as she tilted my chin up, studying my face under the harsh light. She started applying a thick, cold base that smelled vaguely of clay and chemicals, smoothing it over my forehead, cheeks, down my neck. It dried quickly, tightening my skin. Another layer followed, thinner, almost translucent, designed to create an unnaturally smooth canvas. Her movements were efficient, detached. Like painting a mannequin.

The other assistant began mixing pigments on her palette – deep, iridescent greens, oily blacks, flashes of copper. She dipped a fine brush and started tracing intricate patterns around my eyes, elongating them upwards towards my temples. The brush tip was feather-light, yet each stroke felt deliberate, almost invasive. I kept my eyes closed, focusing on the scent of the pigments – earthy, metallic, strangely alive.

Then, I heard it. A low, vibrating buzz. Like an angry insect trapped against glass.

My eyes snapped open just as the second assistant stepped behind the chair, holding a pair of gleaming silver clippers. Before I could process it, she placed a cold, steadying hand on the crown of my head and pushed me gently forward. The buzzing intensified as she brought the clippers to the nape of my neck.

"What the hell?" I jerked upright, panic flaring hot in my chest. My hand instinctively flew up, knocking her hand away. The clippers whined angrily in the sudden silence. "What are you doing? You didn't say anything about shaving my head!"

My unruly brown hair was my signature. My shield. My me. The thought of losing it, here, under these alien lights, sent a wave of visceral dread crashing through me. I stared wildly at Zak, who had been observing silently from the edge of the light pool, his hands clasped behind his back.

His obsidian eyes didn't waver. "The cranial cap," he stated, his voice devoid of apology or warmth. Flat. Matter-of-fact. "For the Lamia's scalp. It must adhere perfectly, without seams, without bulk beneath the wig. Hair interferes." He gestured vaguely towards the serpentine tail lying on the table. "Precision is paramount. The illusion demands it. Your hair will grow back."

The illusion demands it. His words hung in the air, cold and absolute. My gaze darted from his impassive face to the clippers, then to the intricate scales already painted around my eyes – scales that suddenly felt less like makeup and more like the first layer of a transformation I hadn't fully consented to. The assistants waited, statuesque. The studio felt colder, the shadows deeper. The taxidermied raven seemed to leer.

My heart hammered against my ribs. Fear screamed run. But beneath it, that stubborn, reckless curiosity flared brighter. The challenge. The strangeness. The sheer, terrifying commitment Zak demanded. Could I become something else entirely? Could I shed Jeremy, even temporarily?

I took a shaky breath, the cold base makeup cracking slightly around my temples. My fingers clenched on the worn leather armrests. Slowly, deliberately, I leaned forward again, exposing the back of my neck. My voice, when it came, was tight but clear. "Do it."

The assistant’s hand returned, firmer this time. The cold metal touched my skin. The buzz roared, drowning out my own frantic heartbeat. I felt the vibration travel through my skull as the clippers bit into my hair. Dark strands fell silently onto the black drop cloth at my feet, piling like discarded shadows. The sensation was profoundly alien – the sudden chill on my scalp, the scrape of metal against skin, the sheer vulnerability of it. Each pass of the clippers felt like a piece of my familiar self being sheared away.

I kept my eyes fixed on the coiled serpent tail across the room. Its iridescent scales seemed to shimmer more intensely under the studio lights, as if responding to the sacrifice happening just feet away. The painted patterns around my eyes felt heavier now, like a mask settling into place. The scent of pigments and chemicals filled my nostrils, thick and cloying.

The buzzing stopped. A final, chilling scrape. The assistant stepped back. Her counterpart immediately moved in, her fingers now coated in a clear, viscous adhesive. It smelled sharp, medicinal. She began applying it meticulously to my newly exposed scalp, the cold gel spreading in slow, deliberate circles. The sensation was intimate, violating, necessary.

Zak watched, a faint, unreadable curve touching the corner of his thin lips. He picked up the cranial cap – a seamless, flesh-toned silicone cap designed to mimic a bald scalp. It looked unnervingly real. He approached, holding it like a sacred relic.

"Hold still," he murmured, his voice barely above the hum of the studio lights.

The cap settled onto my head, cool and heavy. His fingers pressed it down firmly, smoothing it over every contour of my skull, sealing the edges with practiced precision near my hairline and the base of my neck. It adhered instantly, pulling my skin taut. I felt sealed. Trapped within a new layer of unreality. My reflection in the makeup mirror propped nearby was jarring – a stranger with painted serpent eyes and a disturbingly smooth, alien scalp.

The assistant lifted the Lamia wig. It wasn't hair. It was a cascade of sculpted, resinous strands mimicking wet, coiling serpents, each one meticulously painted with the same iridescent scales as the tail. Heavy. Sinister. Alive with captured light.

As she lowered it onto the cranial cap, the weight settled, pressing down. The resinous coils brushed my neck, cool and unnatural. Zak adjusted the fit with sharp, precise tugs, ensuring every sculpted serpent strand fell perfectly.

He stepped back, his black eyes sweeping over me from head to toe – the painted face, the sealed scalp, the serpentine hair. A slow, chilling smile spread across his gaunt features, devoid of warmth, filled only with a terrifying, predatory satisfaction.

"Perfect," he breathed, the word hanging in the thick air like a spell. "The Lamia stirs." His gaze snapped to mine, pinning me in the chair. "Now we begin."

The words hung in the air, thick as the studio dust. "Now we begin." It wasn't an invitation. It was a command. Zak’s obsidian eyes remained locked on mine, that unsettling smile still playing on his lips. The serpentine wig felt impossibly heavy, the resinous coils cool against my neck and shoulders, shifting slightly with every breath. My reflection in the makeup mirror was utterly alien – the painted scales around my eyes, the disturbingly smooth expanse of the cranial cap, the cascade of sculpted snakes framing my face. Jeremy felt… distant. Packed away.

One of the silent assistants moved towards the claw-footed table where the tail lay coiled. The other assistant, the one who’d wielded the clippers, unfolded a large, thick blanket – dark grey, industrial-looking – and laid it flat on the cold concrete floor near the draped black velvet backdrop. She smoothed it with impersonal hands.

Zak gestured towards it with a sharp tilt of his chin. "Position. Prone."

My stomach tightened. Prone. Face down. Vulnerable. The painted scales on my face felt like they were cracking as I frowned. "On the floor?"

"Where else?" Zak’s voice was flat, impatient. "Take off the robe first."

One of the assistants took the robe, leaving me naked as I dropped to my knees and then stretched out on my stomach.

"Now, lay still," Zak commanded, as one of the assistants straddled my legs and lifted them at my knees, while the other one began pulling the tail on to me. Once started, my legs were lowered and they began pulling the tail up my legs.

It was a sensation unlike any I had ever felt before, as my legs became further and further engulfed by the costume they seemed less and less like two separate appendages and more like a part of the long sinuous tail that stretched out behind me.

Then it happened.

The warmth began at my waist, where scales met skin, slowly building as it traversed along the length of my new appendage. I could feel new neural paths being formed as my body adjusted from walking to slithering.

Slowly I rose, not on legs, but on a sinuous coil of scaled flesh, my mind a cyclone of strange new feelings and sensations. The tail – my tail – it wasn't a costume; it was real, it was me. From the waist down, I was now serpent. The thick muscle beneath the shimmering scales shifted and bunched as I instinctively tried to balance, sending ripples along my length. The sensation was profoundly alien – a deep, internal pressure, a constant awareness of coiled potential where my legs used to be. There was no sense of hips or knees, legs or feet, just this new, sinuous reality.

"Mr. Curtis, Zak, I... I can't feel my legs," I said in a voice that sounded like someone else to my ears.

"Of course you can't," he replied. "You no longer have legs," Zak said, the words slicing through the thick, charged air. His voice wasn't loud, but it carried the finality of a slammed door.

My breath hitched, a dry rasp scraping my throat. No legs. The concrete floor pressed cold and unyielding against the scaled length of me. Where my thighs, calves, ankles, feet should have been… there was only this. A dense, powerful coil of muscle sheathed in shimmering green-black scales. I tried to wiggle my toes. Nothing. Not even a phantom itch. Just a profound, alien awareness of the heavy, sinuous weight fused to my hips.

Panic bubbled, icy and sharp, in my chest. "Zak... what is this? This isn't... this isn't a costume." My voice sounded thin, reedy. Unrecognizable. My hands scrabbled uselessly against the cold floor, fingers brushing the edge of the thick grey blanket. "I can feel it. I can feel... the floor. The pressure. Like it's me."

"Because it is you. You ARE the Lamia. You see Jeremy, my photoshoots look real, for the simple reason, they are real!"

“You see Jeremy, my photoshoots look real, for the simple reason, they are real!” Zak’s voice cut through the rising tide of panic crashing inside my skull. His obsidian eyes held mine, not a flicker of remorse or madness, just cold, terrifying certainty. “The illusion isn’t about tricking the camera. It’s about altering the subject. Permanently.”

The air vanished from my lungs. Permanently. The word ricocheted. My hands flew down, clawing at the point where my skin met scales. It wasn’t a seam. It wasn’t adhesive. It was smooth, seamless transition. My flesh became the scale. The cool, iridescent surface was my skin. The heavy muscle beneath, dense and powerful, coiled and shifted with my frantic breaths. It wasn't a costume I could peel off. It was me. From the navel down, I was serpent.

"No!" The denial ripped from my throat, raw and desperate. "Undo it! Reverse it! Get this off me!" I tried to lurch upwards, to scramble away on limbs that no longer existed. Instinct screamed run, but the mechanics were gone. My upper body heaved forward, my hands slapping uselessly against the cold concrete, while my tail… my tail… remained a heavy, uncooperative log behind me. I only succeeded in twisting awkwardly, the unfamiliar muscles bunching and sliding in a way that felt grotesque, unnatural. The sculpted serpent wig shifted, resin coils brushing my neck like a cold caress.

Zak watched my flailing, utterly unmoved. He circled me slowly, a predator assessing trapped prey. "Reverse? My dear boy, that's the antithesis of the art. True transformation is irrevocable. The permanence is the power. The authenticity is the terror." He stopped, his gaze sweeping over my altered form with chilling admiration. "Look at you. No CGI trickery. No prosthetics that might peel under heat. Just… pure, living nightmare."

The assistants stood like statues flanking the velvet backdrop. Their silence was complicity. Their blank faces hid whatever thoughts they had about witnessing someone’s humanity being stripped away. One held a large-format camera now, its lens a dark, unblinking eye pointed at me.

"Please," I choked out, tears pricking at the corners of my eyes, threatening to smear the painted scales. My voice sounded wrong. Thinner. Higher. Terrified. "Zak, I didn't agree to this! You didn’t tell me! You shaved my head, you glued that… that cap on me, but this? This is monstrous!"

"Consent?" Zak tilted his head, a parody of curiosity. "You signed the agency release. Pages of dense legalese acknowledging the 'experimental nature' of my work, the potential for 'significant physical engagement,' the waiver of all rights to the resulting… form." A thin smile touched his lips. "You were intrigued. You craved the edge. The 'weird'. Don't pretend otherwise now that you’ve found it. You stepped into the crucible, Jeremy. The transformation was always the point."

That was when I felt the pressure in my chest. Building, pushing outward, two mounds of flesh jutting out from my altered body. Even as I tried to process this latest transformation, I could feel my tongue begin to change, longer, thinner, the end, split into a serpent-like fork.

Then, as I feared, I could feel the wig on my head fuse with my scalp, the twisty tendrils coming alive. I was transformed!

Read on DreamPress

Write your own erotic story with AI