Cover of Love, Loyalty and Revenge

Love, Loyalty and Revenge

Read the story

20 chapters · 32588 words · Read 0 times

Patrick Jane and Teresa Lisbon are married and working together for the FBI in Austin. While Patrick out of the country on a case, Teresa is abducted in the course of an investigation. Teresa ends up being taken with three other women to New York City, where she out smarts her captors and subdues them. Detective Kate Beckett and her team are on scene investigating a homicide they do not realize is related, when gunshots send them running. They arrive just in time to see Teresa fall unconscious from her injuries. Agent Cho arrives to help with the investigation, and things progress at a snails pace until Patrick Jane lands in NYC and chips begin to fall.

Characters

  • Tommy Lisbon — Tommy was Teresa's middle brother, who was killed by their father in a murder-suicide attempt when Teresa was a teenager.
  • Wayne Rigsby — Personality: Warm, straightforward, loyal, and deeply protective. Rigsby remains good-natured and somewhat emotionally transparent, but age, marriage, fatherhood, and running a business have made him more confident and grounded. He doesn’t possess Jane’s psychological finesse or Cho’s inscrutability
  • Grace Van Pelt — Personality: Grace is intelligent, warm, principled, and quietly formidable. The idealistic young agent remains underneath, but experience has given her sharper instincts, stronger boundaries, and considerably greater confidence. She is compassionate without being easily fooled and can move rapidly
  • Benjamin Rigsby — The young son of Grace Van Pelt-Rigsby and Wayne Rigsby, who calls Teresa 'Aunty Teresa' and drew her a crayon picture of the two of them.
  • Madeleine Rigsby — The young daughter of Grace Van Pelt-Rigsby and Wayne Rigsby, whom Teresa once held for three hours as a baby.
  • Feldman — A 52-year-old corporate accountant who managed transport accounts for a criminal organization and walked into the 12th Precinct seeking protective custody in exchange for ledgers exposing the operation.
  • Kurt Marheim — Feldman's assistant, an accountant of only a few years, who was killed the night of the warehouse raid after getting curious about the operation and delivering paperwork in person.
  • Erica Pratt — The property manager of the Red Hook warehouse who made four rapid phone calls at 3:42 a.m., hours before the raid warrant was requested, warning the operation to clear out.
  • Joseph Duarte — A delivery driver who runs a route out of the Red Hook building and left at 3:58 a.m. after receiving a call, according to his phone's location pings.
  • Victor Ruiz — A port operations coordinator with twenty-three years at the Port Authority who fled before dawn after a car came for him, leaving his desk cleared and locker empty.
  • Evelyn Mercer — Listed as managing member on two of the Delaware shells, she keeps money moving when a payment cannot be named. Feldman reported to her by memo.
  • Marcus Bellamy — Runs a firm doing site assessments and background screening, billing the holding group twelve thousand a month for eighteen months. His reports cover six addresses including Red Hook, and he wrote the guard rotation.

Chapter 16: The Authorization

The stairwell door swung shut behind her and the noise of the bullpen cut off at once, replaced by the flat slap of three sets of shoes on concrete. Kate took the steps two at a time, keys already out of her coat pocket, phone to her ear.

"Ryan," She spoke quickly into the phone, not slowing. "You call me the minute you get something I can put a car on. Not a neighbourhood. A street."

"That's not how the carrier gives it to you." Ryan's voice came over the line. "I get a tower. The tower covers—"

"Then give me the tower first and the street second."

"I'll call you the second I have anything," he said. "It just might be an area."

Behind Kate, Castle came down the last flight with his coat half on, one sleeve swinging. "Quick question about that," he said. "How usable is usable?"

Kate hit the lobby door with her shoulder and stepped out into the cold. "Explain it to him," she said, and then put her phone speaker so Castle could hear him.

"The first thing the carrier gives you is a sector," Ryan said. "That's maybe half a square mile. Then if the phone keeps talking they can narrow it, tower by tower, and if you're lucky you get an overlap."

"So the first number is a guess."

"The first number is a direction."

"Fine." Kate unlocked the sedan and dropped into the driver's seat. "Then we'll start driving toward the general area."

Cho got in beside her without a word. He pulled the belt across his chest, clipped it, and set his coffee cup in the holder, which was odd, because he had thrown the last cup away without finishing it.

"Where to?" he said.

"City Island first. That's where it came up last time."

Castle climbed into the back and had to fold his knees. "I could have driven. I'm a very good driver. Ask anyone."

"No."

They pulled out onto the avenue and Kate took the first light hard, running the wipers once to clear the film off the glass. The heater smelled like dust. Cho watched the buildings slide past on his side and did not fill the silence, which was not his habit. Usually he filled silence with something dry and useful. Today he just looked out the window.

Her phone rang on the console and she hit the speaker.

"It came back on," Ryan said. "It registered with a tower off the Henry Hudson, a couple of blocks south of the ship canal. That's a sector about eleven blocks long and four wide."

"Text me the box."

"It's already coming."

Kate took the next left and then the on ramp, and the car settled into the long northbound run. Traffic was thick and slow, brake lights smeared red all the way up the drive.

"Eleven blocks," Castle said from the back. "Do you know what that is? That's four thousand apartments. Two hundred businesses. A hospital, three schools and about nine thousand people, and any one of them could be sitting in a kitchen with that phone on the table."

"You're not helping."

"I'm establishing scale. It's a writer thing."

Kate reached the exit and came off the drive, and they were into the numbered streets with the lights coming on in the shopfronts. Ryan called again while she was stopped at a red.

"Better," he said. "It connected twice more. The overlap puts it near Broadway and the two-oh-seven. Maybe six blocks by two."

"Now we're driving toward a place."

"Wait."

She waited, engine idling, watching the crosswalk.

"It connected again," Ryan said. "Same area. It's in a building, or near one. I'd say three blocks."

Kate turned left and pushed up the avenue, past a laundromat and a bodega with its shutters half down. Cho straightened slightly in his seat and looked out at the sidewalk on his side, at a man walking a dog, at a woman hauling a grocery cart up a step.

"Is it still connected?" he said.

Kate glanced at him. It was the first thing he had asked since the stairs.

"Hold on," Ryan said. Keys clicked. Then nothing. Then keys again. "It's still on. It's still registering. You're inside a block of it, roughly."

"Roughly how many doors is that?"

"About forty."

Kate let the car roll forward another hundred yards and pulled in at a hydrant. She had one hand on the wheel and the phone in the other and she was already looking up the block at fire escapes, at a corner store, at a man on a stoop who had turned his head to watch the car stop.

"Anything else coming through?" she said.

"Give me a second."

The second stretched. Somewhere behind her a bus hissed at its stop and a delivery van honked twice for no reason. Castle leaned forward between the seats, and she could hear him breathing.

Then Ryan made a small sound, the kind he made when a screen changed on him.

"It just went dark."

"Dark how?"

"Gone. It dropped off the network. It's not roaming, it's not out of range, it's not in a dead zone, it's off." Ryan's typing came through thin. "Either somebody powered it down or they pulled the battery."

Kate stared at the street. Forty doors, and every one of them shut.

"How close did we get?" She asked.

"Close enough to know we are in the right place." Ryan said with what Kate felt was entirely too much positivity.

"But not close enough to knock." This came from Cho, the resignation heavy in his voice.

Kate struck the top of the steering wheel with her left hand in frustration. “Not close enough to know which door."

She put the car in park and turned the engine off. The heater dropped away and the cold came in through the glass, and she sat with her hands still on the wheel.

"In other words," Castle said, "whoever owns that phone is very good at disappearing about four minutes before we arrive."

Cho looked out the window. He didn't respond to that, and she hadn't really expected him to.

——

The bullpen smelled of scorched coffee and wet wool. Kate hung her coat on the back of her chair and didn't sit down.

Ryan had the carrier on hold with the receiver jammed against his shoulder. He shook his head before she asked. "It hasn't come back on. No registration, no ping, nothing."

"Keep the line open anyway."

"I'm keeping it open."

She stood and looked at the board. Delgado's letter was still pinned beside the envelope photograph with its nine flat lines, and the twelve names were still taped under the cabinet shot. Nothing had moved while she was gone.

Suddenly Esposito appeared at her elbow, his notebook open on his palm and a pen behind his ear.

"You want the burner or the dead man?"

"Dead man."

He sat on the corner of her desk. "I've been running Marheim since the first night, back when he was a John Doe in a warehouse and all we had on him was a decent suit."

"And?"

"And Feldman handed us the account number for the transport payroll. The vendor's audit trail came through this morning, soon as Gates signed the letter." He opened the notebook flat. "Five hundred and eleven sessions since January, all under Marheim's log-in."

Esposito pulled a sheet of paper out from the pages of his notebook and handed it to Kate. She took the paper out of his hand and unfolded it. Rows of dates and times and file references, most of them four or five minutes long.

"Nine years of the same nine entries," Esposito said. "Load fees, fuel, dock rentals. He could have done it in his sleep."

"So what's the exception?"

He reached over and put his finger on the last block of entries.

"Tuesday night. The night of his murder. One authorization, opened four times in ninety minutes. Nine eighteen, nine fifty-two, ten forty, eleven twenty-six." He took the pen back and capped it. "Then he logged out, got in his car, and drove to the docks."

Kate read the reference number twice. Eleven forty-two, dash nine.

"Find it in the ledger," she said.

Ryan was already typing. It took him a minute, and during that minute nobody in the group said anything except the man on the phone two desks over arguing about a delivery. Down the hall the coffee pot clicked off.

"Got it," Ryan said. "And it's strange."

"Strange how?"

"There's no load number on it. It's not on any manifest, it isn't on the DOT list, it isn't in the truck schedules." He scrolled with two fingers. "It's a single payment out of one of the Delaware shells, and that shell has exactly one entry in the whole book."

Kate moved to stand behind him. "How much?"

"Three hundred thirty-eight thousand."

Castle came up out of the spare chair hard enough that it scrapped over the floor.

"She said that number," he said. "Teresa said it out loud in my kitchen nine days ago. She didn't know where she'd heard it."

"Are you sure?"

"I wrote it in a notebook that night."

Kate looked from him back to the screen. "Every other transfer in that book is priced by the load. Nine thousand five, twelve with fuel and handling."

"Right," Ryan said. "This one has nothing on the other side. No route, no driver, no cargo. It's a payment out of a shell account for nothing at all."

"Now ask why a man opens the same page four times," Esposito said.

Kate turned to him. "Why does a man open the same page four times?"

"Because the first three times, he was hoping he'd read it wrong."

Kate put her hand flat on the desk next to Ryan's keyboard.

"Pull the normal ones," she said. "Ten from this quarter. Put them beside that authorization and show me what's different."

Ryan worked. The printer coughed out four pages by the break room and he brought them back warm, spread them on her desk, and taped two to the corner of the murder board next to the twelve names.

"Left column's ordinary," he said.

Kate read down it. Load fees. Dock rental. Warehouse payroll out of a Brooklyn account. Fuel and tolls for trucks running the I-95 corridor. Two motel rooms outside Savannah, booked by the week. A line marked documentation, four hundred a head, twelve heads. A line marked cargo handling that matched no cargo they had ever found.

"Codes," she said. "The documentation and the handling."

"Victim costs, we think. Papers and moving fees." Ryan tapped the truck lines. "Everything else is the machine. Fuel, wages, rent, tolls."

"And the authorization?"

Ryan dragged it into the middle of the screen. "Different authorization chain. Ordinary transfers go through the transport coordinator and get a second signature in the same shell. This one came out of a Delaware account and cleared at the top. No second signature."

"That's a one-signature payment."

"At three hundred and thirty-eight thousand, yeah. And the classification is different." He pointed at a field. "Everything else is logged as transport or operations. This one is logged as capital, unassigned. There's no load number, no driver, no route."

"Approval threshold?" Castle said. He had come around behind her shoulder and was reading the screen upside down. "Most books have a line where a payment has to be reviewed. Where's this one at?"

Ryan checked. "Ordinary payments over twenty-five thousand need two approvals. This one is thirteen times that and it needed one."

Castle straightened up and looked at the number again. "What did they buy?"

"Contraband," Ryan suggested. "Pharmaceuticals, guns, something moving through the same route with a bigger ticket. Or it's a single high-value shipment. One load, one buyer, cash up front."

Esposito had his arms crossed. "Nobody pays for a truckload of anything out of a shell that has one entry in nine years."

"When was it authorized?" Kate said.

Ryan read the date. Then he stopped and typed it into a search box and pulled up the case file, and the two dates sat next to each other on the screen.

"Nine days before the first van turned up in any of the three states," he said.

Nobody said anything for a second. Down the hall someone dropped a stack of files.

Cho had been at the edge of the group with his coffee. At the date, he moved. He came in close and stood at Kate's shoulder and read the screen from top to bottom, and then he read it again.

Kate let him. She turned back to Ryan.

"Run the victims," she said. "Show me how they move through the book."

Ryan pulled the victim pages and started taping them along the bottom of the board. He talked while he worked, one card at a time.

"Acquisition first. Six hundred to two thousand, depending on where they're taken and who does the grabbing. Then a holding location, which is rent and food and one guard, all of it small money. Then warehouse processing. That's where the ID and the victim number get assigned, and there's a line item for it, plus the documentation fee."

He put up a photograph of the cabinet page with the twelve names.

"Then group transport. They never move one at a time. Six to twelve in a load, one truck, one driver, one manifest with a false cargo code." He added the last card. "Then destination. That's where the money comes in, and there's always a payment structure. Deposit, balance on delivery, sometimes a return if the buyer refuses."

Kate looked at the row. It was a clean sequence, all of it priced, all of it ordinary.

"Now Teresa," she said.

Ryan put nothing up. He went back to his chair and typed and scrolled and typed again, and the printer stayed quiet.

"You haven't found her yet," Kate said.

"That's not the problem." He turned the screen so she could see it. "I found her transportation. Three legs, three invoices, all paid. I found the vehicle, which was a separate van, not the group truck. I found two extra men on the payroll for eight days in a Brooklyn motel, and their names aren't on any key rack. I found a driver who never appears anywhere else in nine years of records."

"Then where's her file?"

"There isn't one." Ryan scrolled back through the sequence and pointed at each empty place. "No victim number. No group assignment. No processing fee, so she never went through a warehouse the way the others did. No destination code. And no resale structure. Nothing on the payment side that matches what they do when they sell a person."

Castle had stopped moving entirely. He was looking at the board, at the row of cards that made a chain, and then at the gap where the fourth card should have been.

"They transported her through the organization," he said, "without putting her into the organization."

Ryan nodded once and kept going.

"She was moved alone, every leg. Extra personnel assigned to her specifically, on a separate payroll line. Her costs ran about three times what a normal transport costs." He opened one more field and read it flat. "And the final leg isn't logged as transport. It's logged in the notes as private transfer."

Kate looked at Esposito. He was looking at the floor.

Cho hadn't said a word since the date. That was the thing. He was standing perfectly still with his coffee in his hand, and the coffee was going cold, and he was reading the screen with an expression she had seen on him exactly once before, the afternoon the Delgado letter came out of the envelope. He wasn't obviously angry. He was quiet. Kate had known him a month and she had already learned which one meant what.

Castle had gone silent too. He did that when the pieces fit, and he was doing it now.

Kate walked back to the board and stood in front of it. Kurt Marheim. Twenty nine years old, an accountant with a decent suit and three years of identical entries.

"He wasn't investigating anything," she said. "He was closing the books."

"Right," Ryan said.

"He found a line that wouldn't sit with the other lines. Out of a shell account that shouldn't have had anything in it. He opened it four times in ninety minutes because he kept thinking he'd misread it." She turned around. "And then he printed whatever he could and drove to the docks to hand it to somebody in person, because he didn't trust a phone."

"And somebody killed him that night," Esposito said, "and turned the office over looking for what he printed."

"He found the paperwork for Teresa’s abduction," Kate said. "That's what he found."

Ryan's phone buzzed against the desk. He glanced at it and then at Kate and held up one finger.

"That's the vendor," he said. "The audit package came with an archive. It's been sitting in the file for three days marked fuel reconciliation, twenty nineteen, and it's corrupt. Half the entries won't open."

"Can you read any of it?"

"I've been trying. It's a backup of Marheim's own folders, and about forty percent of the files are damaged." He was already typing. "Give me a minute."

The minute went long. Kate stayed on her feet. Cho stayed where he was. Castle took the spare chair and didn't rock it, which was somehow worse than if he had.

"Okay," Ryan said. "I've got one attachment open."

He clicked it. The screen filled with a document header and then an image loaded from the top down, line by line, and then it was whole.

A woman looked out of the monitor. Straight shoulders, dark hair, a field office backdrop, the flat lighting of a personnel camera. Green eyes that were tired even then, in a way Kate recognized from a month if watching her sleep in Castle's spare room.

Kate knew her before Ryan said the name.

"That's her," she said.

Castle stood up and looked at the photograph and then, deliberately, at Cho. Cho didn't move. He didn't blink. He looked at the screen the way he looked at a suspect across a table.

Ryan scrolled down. Underneath the photograph, in the same plain type, six lines of text.

TERESA LISBON

CONFIRM IDENTITY

ALIVE

NO SUBSTITUTE

HOLD FOR PRIVATE TRANSFER

The bullpen noise kept going on around them. A phone rang two desks over and got picked up. Somebody laughed near the elevator.

Nobody in the group said a word.

Kate read it again, twice, and then a third time, and stayed on the first two words. A photograph they hadn't taken in New York. A photograph that had been sitting in a federal system since before Teresa Lisbon ever set foot in this city.

Over the next few minutes the group broke apart. Esposito went back to his desk and sat down and didn't open the marina maps. Ryan stayed at his keyboard with his hands off it. Castle drifted to the window and stood there with his back to the room.

Cho stayed at the board. He stood in front of the twelve names and the cabinet photograph and the six lines of text, and he studied them.

Kate watched him for a while. She poured herself a glass of water she didn't drink, checked a message she already knew the content of, and finally walked over and stood beside him.

"Cho."

"Yeah."

"What are you thinking?"

He didn't look away from the screen. "We need to find out who authorized the payment."

"That's what we're doing."

"We need to do it faster." He picked up his coffee, which was cold, and set it down untouched. Then he walked back to his temporary desk off to the side, sat down in the chair, and opened his notebook to a blank page.

"We’re not going to solve it tonight," Castle said from the doorway.

Kate looked up. He had his coat over his arm and his keys already out. Esposito was still at his desk, hunched over the marina maps like they might have changed while he wasn't looking.

"Say what?"

"Whatever this is. It will still be here in the morning when we are all rested and able to think clearly." He tipped his head toward Cho's desk. "You coming?"

Cho stood up and grabbed his coat from the back of his chair. “He’s right.” Is all he said as he walked out the door.

Kate looked at the file folder on the corner of her desk. Teresa Lisbon's federal photograph, printed, sitting inside it.

"Yeah."

The drive took eleven minutes and neither of them said much. Castle kept the radio on low, drummed two fingers on his knee and didn't once make a joke, which was its own kind of comment. Kate parked in the alley behind the loft and they came up the back stairs.

The lights were down in the living room. Grace Van Pelt sat at the long table with her laptop open and a mug of tea beside her. When they entered she looked up with the flat, quick assessment of somebody who had spent years on a job where doors opened without warning.

"Long day?" she observed. The concern in her eyes told Kate everything she needed to know. The woman was worried that Kate had come by to keep working on something and that she was burning herself out.

"Just checking in." Kate hung her coat on the hook. "How's she doing?"

Grace turned, the laptop halfway shut. "Better than yesterday. Every day she's a little more like herself. She argued with Martha about taking her own dishes to the sink tonight. Martha let her win, which, I have a feeling, is not something Martha does."

"And that means something?"

"It means she's got opinions again." Grace smiled and rubbed her eye. "She's only measuring herself in memories. That's what she thinks recovery is. She doesn't notice there rest of it."

Castle came through with a glass of water and stopped. "The rest of it?"

"She ordered me to bed tonight." Grace picked up the mug and sipped her tea. "Straight out. Told me I looked dead on my feet and that she'd sick Martha on me if I didn’t."

Kate raised an eyebrow. "What did you say?"

"I said no." Grace set the mug down. "And she gave me a look."

"A look."

"A glare. A specific one." Grace leaned back in her chair. "Like she was filing me under a heading and the heading was 'idiot.'"

Kate smiled before she could stop herself. "Does Teresa Lisbon actually have a glare? A glare people know about?"

"Oh, absolutely." Grace laughed, low. "There's a version of it that means you're about to get yelled at and a version that means she's already made her decision and you should stop talking."

"You have one too," Castle called from the hall. His bedroom door was half open and he was somewhere in the dark behind it. "It's more of an eyebrow thing."

Grace turned to Kate with her eyebrows up, deliberately.

"See?"

"I don't have a glare."

"You have a glare."

Kate shook her head and pushed off the table. "I'm just going up to check on her."

"She went to bed about two hours ago," Grace said. "So she's probably asleep. It won't hurt to look in."

The stairs creaked in the same three places they always did. The hallway was dark except for the thin line of light from the bathroom door at the end, and Kate put her hand on the spare room's handle and turned it slowly, an inch at a time, so it wouldn't click.

The bed was empty.

She got the door open another few inches, her chest already tightening, preparing to call out to everyone that Teresa had vanished. Then the armchair by the window came into the light.

Teresa sat in it with her knees up, wearing a housecoat that was the color of oatmeal and far too big for her, cuffs swallowed past both hands. Her hair was wild around her shoulders, pushed up on one side from the pillow. She was watching the city below her.

"I'm sorry," she said, without turning. "I scared you."

Kate let out the breath. "How did you know I was here?"

"You stopped breathing."

Kate crossed the room and sat on the edge of the bed, behind her, where the mirror over the dresser caught both of them in the dark. Teresa's face in the glass was small and bare and looked about nineteen years old. It happened in unguarded moments, and it happened more often than Kate expected.

"I promise I'm not hiding in any closets," Teresa said. "In case that's what you came up for."

The tone was dry. Kate sat with it a moment, deciding whether to answer the joke or the thing under it. She answered the thing.

"I don't know what I'd do," she said. "If everything awful in my life decided to take over my dreams. I think I'd stop sleeping."

"I wish that was an option."

Kate let the quiet sit. Downstairs something clinked, and outside the window the small red dots of tail lights travelled down dark ribbons of roadway.

"I can't imagine what it's like for you," Kate said. "That's not a line. I've been sitting with it since you woke up in that hallway and I still can't."

"You keep coming back to it."

"I do."

Teresa said nothing. In the mirror her thumb moved against the arm of the chair, back and forth.

"I wonder sometimes," Kate said, "whether we'd have been a lot alike. If we'd met before all this."

Teresa's reflection tilted slightly. Not a nod, not quite.

"For me, control is security," Kate said. "That's not a pretty answer but it's the true one." She laughed quietly, at herself more than anything. "I don't even like hearing myself say it. But I've never known how to manage any other way. Being the first one to the answer. Drawing the line and not crossing back over it. Being the one who makes the call, who'll put everything on the table for something she believes in. That's most of who I am. If somebody took the independence out of me, or the memories that make me sure about any of it, I don't know who'd be left in the chair."

She stopped.

"I don't think I'd survive it," she said. "Honestly."

The silence went on long enough that Kate decided Teresa was finished talking for the night. Then Teresa spoke, quiet and careful, like she was reading the words off something far away.

"I feel things I don't understand." Her thumb had stopped. "The other night Martha had the news on and there was a story about a man who killed his wife. And I felt this. This surge. Right here." She touched the front of the housecoat. "Anger. And then a second thing on top of it, which was I had to put it down. I had to get it under control before anyone saw."

"You haven’t said anything."

"I don’t know what to say." Teresa pulled the cuffs down over her knuckles. "There are two of me arguing in my mind all the time. The logical one tells me to keep going. That it's my responsibility. That I owe it to myself to get the person I used to be back, so I can look after the people I love." A short breath of a laugh, no humour in it. "I don't even remember who they are. I'm sitting here feeling duty bound to protect strangers."

Kate waited.

"The other one shows up with the feelings," Teresa said. "It screams sometimes. If the memories coming back are this bad, why am I trying to get to the rest of them?" She turned her face a fraction toward the glass, not enough to meet Kate's eyes in it. "I don't know if the agent thing will come back. I don't know if there's anything under there to come back to. I don’t even know what kind of person I am. What does it say about me that what I remember most is standing over dead bodies and watching people die? And the guilt gets so bad sometimes it eats away at me.”

She looked out the window again. Two windows down in the high rise across from them, somebody's television was flickering blue through a blind.

"Right now I'm imagining walking out that door," she said. "Getting on a bus. Disappearing into some city that's never heard of me." A long breath out. "And before I get anywhere with it, the other one reminds me that people like me don't get to walk away."

She wiped her cheek with the heel of one swallowed hand, quick, like she was clearing something off her face rather than crying.

"I don't even know what I'd be walking away from." Her voice was steady and thin. "I don't fit in my old life. I don't fit in this room. There's a whole future out there full of people who are apparently wonderful, and I can't remember a single one of their faces." She stopped. "I don't belong anywhere."

Kate sat behind her for a while. The radiator ticked. The television two windows down went dark and the street went back to orange.

Kate stayed where she was on the edge of the bed, hands on her knees, watching the two of them in the glass.

"Then I'll tell you something," she said. "Since it's dark and there's nobody else in the room."

Teresa didn't answer. Her thumb moved back and forth along the arm of the chair, one slow stroke against the fabric.

"If I’m right about us being alike," Kate said, "then we probably carry the same things around. I have a list. It doesn't live anywhere except in my head, and it's longer than I would ever say out loud."

The radiator ticked twice and went quiet.

"I feel responsible for people. Not only the ones I love. Not only my team." Kate looked down at her own hands. "Every person I pass on the street. The woman with the stroller in the crosswalk. A kid sitting on a stoop at eleven at night. They have no idea what walks around in this world next to them. They don't know there are men who would sell a girl for the price of a used car. I know. That's the whole difference between them and me."

Teresa's reflection stayed very still.

"So I carry it for them. That's what I tell myself it is. And some days it's so heavy I can't lift my arms." Kate heard her own voice go flat and didn't try to fix it. "You said the guilt eats at you. It does. If I let it, it would drive every scrap of hope out of me. Some weeks it gets close."

She reached over and straightened the edge of the quilt on the bed, a thing that didn't need doing.

"There's blood on my hands," she said. "That's not a figure of speech. I've made calls that got people killed. I've had men on my team take a bullet because I sent them into a room. I've stood in a hospital corridor and told a wife her husband wasn't coming home, and I did the telling because I was the one who put him there. I carry every one of those the way you'd carry a broken bone. It doesn't heal right. It just stops hurting when I'm busy."

Teresa turned her head a fraction. Not enough to see Kate, only enough that her profile caught the light from the street.

"You don't say that to anyone," she said.

"No."

"Why are you saying it to me?"

"Because you're sitting in a chair at midnight deciding you're a bad person," Kate said. "And you're wrong about that. It's the one thing on your list I can answer."

She went quiet then and let the room do the talking. The building settled. Two floors down, a door closed and someone laughed on the street and the laugh went off toward the avenue. Teresa's breathing came slow and shallow, the ribs holding it back at the bottom of every breath, a small catch at the end of each one.

Kate listened to it for a while. It was the sound of somebody still here.

"You're worried about what kind of person you are," she said. "That has an answer, and it's simple. None of this would be happening to you if you weren't good. A woman who'd sold people, who'd hurt people, who'd walked away from the ones who needed her, she wouldn't sit in the dark feeling sick about a news story. She wouldn't be drawing some stranger's face on a legal pad all night trying to remember who she owed. You feel it because there's something in you that answers to it. That's not a flaw. That's the whole woman."

Teresa's hand had stopped moving.

Kate stood up. Her knee cracked and she put a hand on the dresser to steady herself, then crossed to the door. Her fingers found the cold brass of the handle.

"Think about it," she said.

She had the door open two inches and the hallway light lying thin across the floorboards when Teresa said her name. Quiet. Almost under her breath.

"Kate."

Kate stopped. "Yeah."

"Don't say anything to Martha about tonight." The housecoat rustled as Teresa shifted in the chair. "I need you to keep it between us."

Kate turned back. "Why?"

"Because I quit this morning." Teresa's voice had a dry edge on it now, the same tone she'd used about the closets. "I told her I was done. I told her I was staying in that bed until somebody carried me out of it." A short pause. "She took every blanket off me. All of them. Then she stood there holding them and told me that next time she'd take the blankets and turn the air conditioning up as well."

Kate laughed before she could help it. It came out low and real, and it was the first easy thing that had happened to her all day. "That does sound like Martha."

"It was forty degrees in this room. I had to get up to find a sweater."

"She's very effective."

"She's a menace." Teresa pulled the cuffs of the housecoat down over her knuckles. "So don't tell her. I'd like to sleep past six tomorrow. If she thinks I'm brooding, she'll be up here at dawn with a hairbrush and a speech."

Kate put her palm flat on the door frame, half out in the hall already. "I won't say a word."

"Thank you."

"Good night, Teresa."

"Good night."

Kate pulled the door to and stood on the landing a second, listening. The chair creaked once as Teresa settled back into it, and then there was nothing but the radiator and the city and the small steady thread of Grace's television downstairs. She went quietly down the three steps that creaked and the rest that didn't.

Read on DreamPress