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The Devil's Darling

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15 chapters · 18773 words · Read 1 times

Jennie Kim is the definition of korean beauty Standard. She has black silky long hair, 90 degree shoulders, tiny waist, dark brown gorgeous feline eyes, she stands at 5‘4“, cute nose, full lips, perfect skin. She has small but perky breasts that she is insecure about. Leonid Manoban has an ethereal beauty that gives off fuckboy vibes though he isn’t. Leonid has black short beautiful curls that jennie loves to play with or pull on, dark brown eyes, beautiful pale skin, tall, athletic body with defined muscles and prominent veins and gifted with a massive dick with heavy balls. Leonid has tattoos and wears a lot of piercings and rings. Jennie’s family is extremely rich and her dad has a lot of influence. Jennie and leonid are dating but leonid doesn’t know Jennie‘s true side. In front of others Jennie a sweet , smart and kind girl, she is the president of student council that every one loves, she is ready to help at any moment, but it is only a facade. Jennie hides her psychotic side, she is a stalker, a murderer, a psychopath and unstable person. Her family knows her true face but instead of putting her into asylum, they help Jennie with her crazy plans and help to hide the evidences. Jennie fell in love for the first and last time and it is leonid, she never felt like this before. She shows him only her best side and she is afraid that leonid will find out about her horrifying reality. Just the thought or the sight of him makes her melt with love and tenderness that Jennie has for Leonid. Leonid was born in russia and hates his accent. He has a deep and sexy voice. Leonid smokes and takes drugs but Jennie doesn’t mind. He lives in a small dorm room at the campus and works at a restaurant as a waiter. He is not very affectionate person but he tries to tolerate Jennie‘s extreme clinginess because he loves her too.

Chapter 7: Velvet and Devotion

The neon strip above Leonid’s bed buzzed like a trapped insect, casting a sickly blue glow over the landscape of his dorm. It caught the empty vodka bottle, the scattered philosophy texts, the crumpled pack of cigarettes on the floor. Jennie stood in the center of it, her silhouette precise against the chaos. She could still smell Mia’s vanilla, a ghost in her nostrils, clinging to the air between them.

“Your room is a disaster,” she said, her tone light, chiding. A perfect girlfriend’s tone.

“It’s lived in,” he grunted, kicking a pair of jeans aside. He sat on the edge of the bed, the springs protesting, and lit a cigarette. The first exhale was a grey plume that curled into the neon light. He looked exhausted, beautiful, hers.

She moved to him, stepping into the space between his knees. Her fingers went to the hem of his black t-shirt. “Lift,” she whispered.

He obeyed, raising his arms. She pulled the soft cotton up and over his head, unveiling the mapped territory of his skin. In the jagged light, his tattoos seemed to shift—the intricate lines of a serpent coiled around his ribs, the stark Cyrillic script across his collarbone, the moth with spread wings over his heart. She pressed her lips to the moth, feeling his heartbeat against her mouth. A steady, vital rhythm. Hers to still or to protect. The thought was a dual-current of adrenaline and profound calm.

His hands came up, not to push her away, but to cradle her face. His thumbs brushed her cheekbones. “You’re shaking.”

“I’m cold,” she lied. It was the white-hot focus burning through her, the need to overwrite the café, the ponytail, the laugh. To brand him with this version of her, the only real one he was allowed to know.

He stood, urging her back until her calves hit the bed. He undressed her with a methodical slowness that felt like worship, each button on her blouse a deliberate revelation. The cool dorm air prickled her skin. When his gaze lingered on the bare curve of her breasts, she felt the old, familiar pang of insufficiency—too small, not enough. But his eyes were dark, not with criticism, but with a hunger that made her feel vast, all-consuming.

He laid her down on sheets that smelled of him, of smoke and his particular salt. He knelt over her, a pale giant etched in ink and shadow. The neon buzzed. A siren wailed somewhere in the city night, a distant, lonely sound.

He entered her with a groan that was half relief, half surrender. There was no haste. It was a deep, slow claiming, a piston-drive of connection that forced the world to recede. The cluttered room, the lurking plans, the phantom scent of vanilla—all dissolved into the raw, damp physics of their joining. Each measured thrust was an apology she hadn’t asked for and a promise she desperately needed. Her legs locked around his waist, her heels digging into the small of his back. Her fingers traced the raised lines of scars she’d never asked about, the ridge of his spine.

He murmured against her temple, words she didn’t understand, the Russian a low, guttural music. It was the language of his dreams, his private pain. She coveted it.

“What did you say?” she breathed, her voice fractured.

He stilled for a second, buried deep inside her. “Nothing. Stupid things.”

“Tell me.”

Another thrust, harder, knocking a gasp from her lungs. “I said you feel like… like coming home. And I hate home.” The admission was rough, torn from him.

It unspooled her. The tenderness that lived only for him flooded her chest, a violent, radiant ache. She came with a silent cry, her body arching, her vision spotting with the blue neon and the darkness behind his eyes. He followed, his own release a shuddering collapse, his forehead dropping to her shoulder, his breath hot and damp on her skin.

For a long time, there was only the sound of their breathing syncing, of the persistent electrical hum. The moonlight had crawled across the floor, a silver knife between the shadows.

She lay curled into him, her head on his chest, listening to the thunder of his heart slow. Her finger traced the swollen veins on the back of his hand where it rested on her hip. They were like rivers on a map. Her mind, against her will, supplied the image: the cold, dark river north of town, its patient current.

“You’re thinking too loud,” he mumbled, his voice thick with near-sleep.

“About the Browning poem,” she said instantly, the lie smooth and scholarly. “The one Mia asked about. ‘Porphyria’s Lover.’ He strangles her with her own hair. To keep the moment perfect. To make sure she’s always his.”

Leonid was silent for a beat. “It’s a poem about a crazy person, Jen.”

“Is it?” she said, her voice a whisper in the dark. “Or is it about love that’s too absolute for the world to understand?”

He didn’t answer. His breathing deepened. She watched the rise and fall of his chest, the way the moth on his heart seemed to breathe with him. The love she felt was a physical weight, a lodestone in her gut. It was the only true thing about her.

But outside this room, the world was full of interference. Of smiling girls with bouncing ponytails. The absolute needed to be protected. It required a cleanliness, a silence.

She pressed one last kiss to his tattoo, a seal. Her mind, crystalline and calm, was already working. Not the river. Too distant, too traceable. The old botanical gardens, closed for renovation. The greenhouses with their broken panes and rotting fragrant blooms. Plenty of soft earth. And hair, long hair, was such a useful tool.

As Leonid sank into sleep, Jennie lay awake, plotting the preservation of their paradise. The next masterpiece would be one of quietude. A permanent solution to a temporary noise. She would weave the silence herself, strand by strand.

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