Cover of The Doll's Trance

The Doll's Trance

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All characters over the age of 18. A woman confesses to her roommate that she's become addicted to hypnosis. She has begun to put herself into trance for longer and longer periods of time. While she is in trance she feels aroused, the more still and passive she is in trance the more aroused she feels. When she comes out of trance she orgasms. Her roommate asks her if she is into dollification, which she's never heard of before but quickly becomes obsessed.

Chapter 2: Midnight Research and the First Taste of Corruption

The silence in the apartment was a thick, velvety thing. From behind Maya’s door came the soft, regular rhythm of deep sleep. Clara sat cross-legged on her rumpled bed, the duvet tangled around her ankles, the blue light from her laptop screen painting her face in sterile shades. The ghost of that breathless arch in the armchair still twitched in her muscles, a clandestine echo.

Her fingers, cool and dry, tapped dollification into the search bar.

The first image was clinical. A woman, porcelain-skinned and vacant-eyed, propped in a chair. Mannequin poses. It was art, maybe. Then she clicked further.

The next gallery was different.

Her breath caught, sharp in her throat. A woman, painted like a bisque doll, joints deliberate, stared into nothing. A hand—not hers—gripped the porcelain calf, a thumb pressing into the hollow behind the knee. The caption read: Maintenance.

Clara’s own knees pressed together. A slow, warm thrill, entirely separate from her hammering heart, pooled low in her belly.

She fell down the rabbit hole with a quiet, desperate hunger. Each new tab was a doorway. Forums where people discussed silicone care routines, the psychology of objectification, the trust required. Photo sets of lifelike dolls in sunlit rooms, limbs arranged by an unseen artist. Then the other places, the darker, wetter corners of the web where the photography was less about light and more about use. Where the dolls were clearly breathing.

The idea—the core of it—unspooled in her mind, bright and hypnotic.

It wasn’t just the trance. It was what the trance could be for. A perfect, mental stillness. An evacuation of self. No performance, no anxiety, no clumsy thoughts. Just existence as a vessel. To be arranged. Painted. Made perfect. And then utilized. Her body, passive and obedient, responding to touches it didn’t have to initiate, pleasures it didn’t have to think about. The arousal was immediate, a dark flower blooming in the quiet of her. It was the ultimate, breathtaking release of control.

She read a firsthand account. I become the most beautiful thing on the shelf. My mind is clean, white static. When he picks me up, it’s like the first touch of god.

A shudder wracked her, so intense her teeth clicked. She shifted on the bed, the friction a shocking delight. Her hand drifted from the trackpad, down her own thigh. She imagined it wasn’t her hand. She imagined it was a hand that belonged to someone who saw her not as Clara, but as a delicate, complicated toy that had finally been wound to the perfect tension.

She found a video. A short, looped clip. A woman, glassy-eyed and impossibly still, was slowly dressed in elaborate, restrictive lingerie. The handler’s movements were methodical, caring. Then a close-up on the woman’s face—a single tear welled in her unblinking eye and spilled over, tracing a path through her powder. She didn’t move to wipe it away.

Clara’s own eyes stung. She was wet now, a soaked heat pressing against her underwear. The hum of the laptop, the distant groan of the building’s pipes, the smell of stale incense—it all fused into a single, buzzing frequency. Her art, those half-finished doll figures in her sketchbook, now seemed like premonitions. Prophecies in pencil and charcoal.

She typed in a new search, her movements frantic: self-hypnosis dollification triggers.

The results were a mix of academic jargon and illicit, forum-based tutorials. She devoured them. Words like “breakable,” “porcelain,” “wind-up key,” “display mode” leapt off the screen. They weren’t just words. They felt like keys themselves, cold and heavy, waiting to turn the lock of her own mind.

A floorboard creaked in the hall.

Clara slammed the laptop shut. The room plunged into near-darkness, save for the streetlight bleeding through the blinds. She sat frozen, a statue in the sudden gloom, her pulse a frantic bird in her neck. She listened. Only Maya’s soft, sleeping sigh.

The darkness behind her eyelids was now filled with neon afterimages: painted joints, vacant stares, possessive hands.

She opened the laptop again. The blue light hit her like a drug. She didn’t search for more. Instead, she opened a blank document. Her fingers flew, transcribing the most potent phrases, the clearest instructions. She was no longer just curious. She was mapping a descent.

The last thing she typed, as the night softened into its deepest hour, was a single line, a potential trigger phrase for her next session: “Good doll.”

She looked at the words. A final, powerful clench of pleasure, silent and severe, tightened her entire body. It left her gasping silently, head bowed over the glowing screen.

When she finally powered down, the room felt different. The shadows in the corners had new shapes. The silence wasn’t just empty; it was expectant. She crawled under the sheets, her body humming, her mind a whirlpool of still, porcelain dreams. She slept like that, curled tight, as the first grey light of dawn began to unpick the seams of the night.

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