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The Garden of Obedience

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Abel is a young guy in his mid twenties and the head of a quickly growing mostly self sustaining mostly female secluded sex cult. They're located on their own large plot of farm land, that his first member bought, she's early retiree billionaire who has a massive fetish for being owned and treated as lesser, she gives Abel the money he needs to keep cult running smoothly. They have their own farm, water source, running water, generator and everything else they need to live relatively comfortably. The main idea of the cult is that every member is subservient to Abel, striving to serve his every whim and need, everything from general service, to cooking his food, to sexual entertainment. The ultimate goal for any member is to have sex with Abel, while Abel makes them do whatever depraved acts he wants for them to win his favor.

Characters

  • Abel Gaines — The charismatic and calculating leader of a secluded agricultural commune. He orchestrates the group's internal hierarchy, maintaining absolute authority over his followers through a mix of psychological conditioning and sexual control.
  • Karin Larsen — A recent addition to the cult, he serves as a highly visible example of the group's hierarchy and Abel's ability to reshape identity to suit his pleasure. He is entirely focused on gaining Abel's attention, often performing menial or humiliating tasks in the hopes of being chosen for sexual service.
  • Margot Fontaine — The daughter of the cult's primary benefactor, she initially joined the commune out of a desperate, youthful crush on Abel, but has since found a chilling sense of purpose in total submission. She acts as an overseer of the communal farm, ensuring that the labor of others meets the high standards re
  • Nia Mensah — A high-ranking member of the collective responsible for managing the farm's daily output and enforcing Abel's behavioral standards. She is fiercely competitive with the other members for Abel's attention.
  • Odette Fontaine — The primary patron and financier of the cult. As a billionaire philanthropist who retired early, she views her subjugation to Abel and his sexual ignoring of her as the ultimate fulfillment of her beta fetish, finding deep release in being treated as a lesser pay pig.
  • Vera Marsh — A newer recruit tasked with the communal kitchen and maintenance of the living quarters. She is deeply infatuated with Abel and desperate to prove her worth through perfect domestic service, performing her chores with a mix of culinary precision and submissive zeal.
  • Bambi — The newest member of the cult she used to be a famous movie star, but after hearing about the cult and reading about them she was smitten. She changed the course of her life, she got implants, plastic surgeries, butt lifts and much more with the goal of getting the ideal bimbo body. She then abandon
  • Amanda — A young woman of about nineteen, with mousy brown hair in a practical braid, wearing a plain grey shift. She joined the cult a day before Bambi and was initially uncertain but discovered a love for being watched.
  • Daniel — A guarded man in his mid-thirties, travel-worn, with a calculating gaze. He is protective of his siblings and skeptical of The Garden. He's well built, with distinct practical muscles, his brown hair cut into a short buzz cut.
  • Rachel — A young woman in her mid-twenties, bright-eyed and hungry for something real. She is thoughtful and introspective. She's petite, and pale but with bright green eyes and braided red hair.
  • Samuel — A young man in his mid-twenties, eager and unguarded. He is quick to embrace new experiences. He's about average on everything, average height, average weight, average looks, common black hair and non distinct brown eyes.

Chapter 10: The First Audience

The door was heavier than it looked. Samuel put his shoulder into it, and the iron-banded oak swung inward on a slow, groaning hinge, releasing a wall of scent that rolled out over him like something breathing. Incense. Sweet, resinous, the kind of smoke that coated the tongue and settled behind the eyes. He blinked into the dark and found almost nothing to blink at.

Odette came through beside him, light on her feet for a woman her age, and the doors whispered shut behind them. The sound of the latch was soft, but it echoed anyway, off wood and stone and something deeper, and Samuel felt the closing like a hand pressed flat to the back of his neck.

He could make out a little now that his eyes were adjusting. The hall stretched away from him like the inside of a cave, high-beamed and hollow, thick with smoke that hung at chest height and turned the single lantern near the far wall into a wavering smear. Wooden floorboards ran the length of it, worn smooth, glinting faintly where the light touched them. And beyond the lantern, raised on a low dais of dark timber, there was the shape of a chair.

Not a chair. A throne. Carved, high-backed, empty.

Samuel stopped walking. He had expected something. A greeting, at least. A room full of people. Some kind of welcome to match the way Odette had talked at the gate, all purpose and promise and that strange, peaceful certainty. Instead there was only smoke and silence and an empty seat, and his own breath going shallow in his chest.

"Come forward."

The voice came from somewhere left of the throne, low and unhurried, so calm that it took Samuel a moment to understand it had been words at all and not just the hall settling. He turned his head, trying to find the source, but the smoke swallowed the corner where the sound had come from. A man's voice. Easy. Not raised, not commanding, exactly, though it was a command. Just a man who had no reason to speak louder.

Odette touched his elbow. Lightly, two fingers, the way you'd steer a horse you trusted. Then she let go and stepped past him, and Samuel watched her walk the length of the hall without hurry, her long dress brushing the floor, until she reached the dais and turned and stood against the wall behind the throne, hands folded, face composed. She did not look at him. She looked straight ahead at nothing, and somehow that was worse than being watched.

So he was alone out here. Him and the smoke and the voice.

"Closer," it said.

Samuel made his feet move. The boards creaked under him, and each creak seemed to measure the distance he still had to cross. The smoke thinned a little as he went, and the lantern's light found the throne properly at last, and the carving on the back of it, and the man who was not in it.

Abel stood beside the dais, one shoulder against the carved armrest, arms folded loosely over his chest. Tall, lean, dark hair cropped short. Grey linen tunic, dark trousers, the whole look so plain that it made the throne behind him look like the only ornament in the room. He was watching Samuel with an expression of unhurried interest, like a man watching weather move in across a field. He did not look like a prophet or a monster. He looked like somebody who had already decided how this was going to go and had made peace with waiting for him to catch up.

Samuel stopped a few paces off and lifted his chin. "You're Abel."

"I am." A small pause. "You're Samuel."

"That's right."

"Rachel and Daniel are outside."

"Yes."

Abel nodded once, unsurprised, and let the silence stretch. The smoke drifted. Somewhere high up in the rafters something ticked, settling. Samuel felt the weight of the room pressing in on him, every beam, every dark recess, the smell of it in his throat, and he understood, without being told, that this was the test. Not the question. The pause after it. The waiting. He was supposed to fill it, and he suspected that filling it was the wrong answer.

He didn't fill it.

Abel's mouth moved, almost a smile, and he gestured with two fingers at the floor a few feet in front of the dais.

"Kneel."

The word dropped into the silence and sat there. Samuel's jaw shifted. He looked at the boards, then back up at Abel, then over at Odette standing at the wall, still and serene, and he thought of the long drive, and the things they had sold, and the way Rachel had said maybe this is it. He thought about how easy it would be to laugh. He didn't laugh. He also didn't kneel, not yet, and the not-yet stretched out to a length that felt like a choice.

"Daniel wouldn't do this," he said.

"No," Abel agreed. "He wouldn't. He's outside composing an argument. You're inside, deciding what you actually want. That's the difference between you and him, and it's the reason I asked for you first."

Samuel stared at him. The flattery landed somewhere under his ribs before he could catch it, warm and unwelcome, and he realized he was pleased. He hated that he was pleased. He was twenty-five years old and he had spent the last four years guessing at everything, chasing feeling after feeling across three states, and Abel had just told him, in one sentence, exactly who he was.

"It's not a trick," Abel said, when he still hadn't moved. "I'm not going anywhere. Neither is the floor. But I'd rather you decided quickly than theatrically, if it's all the same."

Samuel looked at Odette. She had turned her head, just slightly, and there was something in her face he couldn't name. Not pity. Not encouragement. A kind of patient certainty, as if she had knelt on that same patch of floor once, in a dress a little shabbier than this one, and found exactly what she had come for. Whatever she was, she wasn't sorry.

He lowered himself down. One knee, then the other. The floorboards were harder than they looked and colder than the room, and the incense smoke dipped around his face as he went down, and then he was kneeling in front of the throne with his hands on his thighs, and Abel standing over him, looking down, no longer a shape in the dark but a man, whole and close, his shadow falling across Samuel's knees.

The silence held. Samuel kept his eyes up. He wasn't going to give him the floor as well.

Abel looked at him for a long moment. Then he reached out and set two fingers under Samuel's chin, not roughly, and turned his face a fraction, this way and that, reading him the way you'd read a page. His hand was warm. The ring on his middle finger was cold.

"Good," he said at last, and let go. He walked around to the throne and settled into it, leaning back with an air of command, while Odette remained by the wall, both of them watching him from different positions, both of them lit and unlit by the same lantern, and Samuel knelt on the cold boards between them with the smoke going thin and the rafters ticking, and waited to be told what came next.

Then Abel lifted one hand off the armrest and flicked it, a small loose gesture, the kind you'd use to brush away a fly. And Odette began to undress.

Samuel did not understand at first that the gesture had been aimed at her at all. He was still kneeling on the cold boards with his eyes up, still feeling the two fingertips against his chin, and when Odette's dress rustled he looked over out of reflex, expecting her to leave the room. She did not leave the room. She unfastened the braided cord at her waist and let it drop, and the cream cotton fell away from her shoulders without ceremony, and she stepped out of it and folded it once, neatly, and set it on the floor beside her feet.

She was fifty-two, and she stood naked against the wall like a woman who had never once in her life been ashamed of the length of her own body. Full and soft and pale in the lantern light, silver hair catching at the temples, hands hanging loose at her sides. She looked straight ahead at nothing. At the far wall. At a point in the dark somewhere past Samuel's shoulder. She did not look at him, and she did not look at Abel, and she did not shift her feet or cross her arms or do any of the things a person does when they are cold or exposed or embarrassed. She simply stood.

The smoke moved around her. The boards creaked once, the house settling, and Samuel realized he'd stopped breathing.

"What do you think of her?" Abel asked.

The question was mild. Almost idle. Samuel kept his eyes on Odette because he did not know where else to put them, and he made himself actually answer, because it was clear that a thrown-away answer would be worse than a slow one.

"I envy her," he said.

"Go on."

"I don't understand her." He shifted his weight on his knees. "I mean, I get the shape of it. She believes something and she acts like it's true, all the way down, no part of her holding back. That's what I envy. I've never believed anything that way in my life." He watched her ribs move with her breathing, steady, slow. "But I don't understand how you get there. How a person lets go of that much. What's in it for her."

Abel was quiet a moment. When Samuel risked a glance up, the man looked almost pleased, the way a teacher looks at a student who has asked the right wrong question.

"Come here," Abel said, and this time the wave was smaller, two fingers, a curl.

Odette crossed the floor. Her bare feet made almost no sound on the wood, and she stopped close, close enough that Samuel had to tip his head back to keep her face in view, and then she was standing over him with her crotch level with his eyes, and the incense was nothing next to what he could smell now, warm and salt and unmistakably wet, the inside of her thighs glistening in the lantern light. She didn't touch him. She didn't look down at him. She stood there like a wall, and Samuel knelt in front of it with his hands flat on his own thighs and his heart going hard, and understood, without being told, that this was another test, and that the answer was not to reach for anything.

"Odette," Abel said. "Tell him what you do around here."

Her voice when it came was level and unhurried and nothing like a woman being humiliated. It was the voice of a chief financial officer giving a briefing.

"I am the first devotee," she said. "I came before the others, and the land is mine; I bought it and signed the deed over to Abel within a month of meeting him. I am the principal source of money. Everything you see here, the fields, the well, the generator, the pipes, the glass in the kitchen window, it comes out of what I gave and what I still give. Beyond that I work. I keep the ledgers, I do the southern field work three days a week, I collect the plate at meals." A pause. "I am also the oldest here. It is understood that I am not admired. That is my position, and I hold it more firmly than any of the others hold theirs."

Samuel's mouth had gone dry. He wanted to say something, some acknowledgment, and he swallowed instead.

"Next," Abel said. "Tell him what you do for me."

"I do nothing for you," Odette said. "That is the point, and I would like him to hear it said clearly." Her abdomen moved as she spoke, slow and even. "Abel does not take me to his bed. He does not touch me. In three years I have not been brought into the church for anything but cleaning. He allows me to kneel at the edge of the rituals and look. He lets me be near him, some evenings, and then sends me away. Once, in the first year, he told me I was his, and that a thing that is owned does not pleasure itself. I have not come since. Not once, not by my own hand or anyone else's. Three years and some months."

She said it the way you would read out a figure on a balance sheet.

"There is nothing else I want," she went on. "You should understand that. It is not that I endure it. It is the most complete thing that has ever happened to me. I ran a company that moved billions, and I woke up every morning sick with the weight of my own choices, and I sold all of it for this. Denial is not the price of belonging to him. Denial is belonging to him. It is my given purpose, and I would not trade it for anything in the world."

Samuel's breath came out of him in a rush. "But you must," he started. "I mean, surely at some point you have to want, you have to actually want to.

Abel's voice cut clean across him without heat.

"Now tell him why it's me."

Odette answered without a beat of hesitation, and the flatness of it was worse than anything she had said so far.

"There is nothing special about you," she said, to the wall, to the dark, to Abel behind her. "You are clever. You are educated, though you never finished, and you read more than most men. You are tall and athletic and conventionally handsome. None of that is why. Men come along every year with all of that and better. You are not necessary. You are not a prophet. There is no god behind you and nothing supernatural in this room."

The rafters ticked. The lantern guttered and steadied.

"So why you?" Abel asked again, mild as before.

"Because I wanted someone to take that role," Odette said. "I wanted to be owned by someone who would accept the whole of it, without flinching and without softening it, and I put out my hands for years and no one would take them. You were willing. You said you would hold all of it, and you have held all of it, and nothing else about you matters nearly as much." She paused. "It is the same, or near enough, for everyone in the garden. You should not mistake it for a quality of yours. It is a vacancy in us that you had the nerve to fill."

Samuel knelt on the cold boards with her wetness a hand's width from his face, and something in his chest turned over. It was insane. He knew it was insane; he could feel the knowledge sitting there in him like a stone, could feel Daniel's voice in the back of his head already, patient and grim, saying this is a man exploiting a hole in people and dressing it up as a house. That was true. He believed it was true. And underneath it, quiet and a little sickening and impossible to argue with: he wanted to kneel in that spot for the rest of his life and have someone tell him what he was.

He looked up at Abel.

"Do you understand now?" Abel asked.

Samuel thought about lying. Lying would have been easier, and Daniel would have been proud of it, and it would not have changed anything.

"Yes," he said.

Abel did not look at Odette. He did not need to. He said, "Let in Daniel."

Odette moved without a word. Her bare feet crossed the boards with the same unhurried economy as everything else she did, and when she reached the door she did not hesitate or look back for permission. She simply pulled the iron latch and swung the heavy door inward, and the evening light came spilling in around her, rimming her silhouette, her silver bob, the soft fall of her hips.

Daniel stood on the threshold with one foot already on the step, his hand raised to knock. He froze. His eyes went to Odette's face first, out of instinct, and then dropped to her nakedness and stayed there, his jaw working. Behind him, in the dusk, Samuel could make out Rachel's shape, still at the bottom of the steps, half-turned, uncertain.

Daniel did not move. He stood there, taking in his brother kneeling on the floor of the church, his brother's brother whose hands were flat on his thighs, and the man on the throne behind him, and the nude woman holding the door open as if she stood at a reception desk in a business suit.

Then he came in.

The doors shut behind him. The latch closed with its soft echo and the light narrowed to the lantern again, and Daniel crossed the floor at a measured pace, stopping beside Samuel. He did not kneel. He stood, his hands loose at his sides, his eyes fixed on Abel, and he looked down at his brother only once, briefly, a question he did not voice.

"That good?" Daniel asked, low, under his breath.

Samuel's mouth moved, almost a shrug. "Better."

Odette walked past them both and resumed her place against the wall behind the throne, hands folded, eyes straight ahead. She was the most composed person in the room.

Abel leaned back in the throne, arms loose on the carved rests. He looked at Daniel with the same patient attention he had given Samuel, but with something else beneath it, a harder measuring, the look of a man reading a map before he commits to the route.

"I've heard much about you, Daniel," Abel said.

"The same to you," Daniel said coldly.

"Before you decide anything about this room, I want to be clear about the work." Abel's voice was unhurried, as if he were laying out options at a job site. "I've heard you seek purpose. You want work that feels like it matters, even at a small scale. Does that sound right?"

Daniel was silent. He did not want to agree. Samuel could see it in the set of his shoulders, the way he held the agreement off with his silence. But the words landed somewhere in him anyway, and after a long moment he gave a single, cautious nod.

"Then you'll find it here," Abel said. "If you can do machine maintenance, you'll work with Karin and Nia. The generator, the water pump, the tractor, there's always something that needs hands. And if you can't do that, there's the farm work with the rest of the devotees. It's not fancy. But it's all work to be proud of, because it keeps this whole settlement running."

Daniel's mouth had opened to refuse. Samuel saw it happen. The protest was already shaping itself, the words half-formed. And then Daniel stopped, because he had not been told to do anything. Only offered.

He closed his mouth.

"What does the maintenance involve?" he asked.

"He'll show you the job in the morning," Abel said. "You can decide after you've seen it."

Daniel stood there with the church's silence pressing down on him, and Samuel watched the calculation work through him. The same calculation Samuel had made, only slower, harder, the way a man does when he trusts almost nothing. Menial work. Not fancy. But real. The kind of thing you could point to at the end of the day and say, I fixed that. I did that. It would matter to the people around him.

"I have one question," Daniel said. "Just making something clear. We're free to leave at any point?"

Abel looked almost baffled. "Yes. Of course. Not a single person is here against their will. The gate is always open. It always has been." He paused. "Some people come, and they stay for a season, and then they go. Nobody holds them. You can leave tonight, if that's what you decide. Nothing will stop you."

Daniel had no argument left. He could feel it, the way you feel a weight lift off a scale. He could hear the truth in it, the easy openness of it, and he had come this far, and the gate was still open behind him.

He looked down at Samuel. His brother was kneeling on the cold boards, and he was smiling. Not smug, not relieved, just glad. Glad that Daniel had come in. Glad that he had stayed. It was the same smile Samuel had worn as a kid, crooked and warm and certain that things would work out.

Daniel's mouth worked once. Then he lowered himself down.

One knee, then the other. He went slower than Samuel had, more deliberate, as if he wanted to make sure he could get back up again. But the floor was hard and cold and the incense moved around his face, and when he was down he sat back on his heels and looked up at Abel, and he did not look away.

Abel did not smile. He regarded Daniel for a long moment, weighing him, and something in his expression shifted incrementally, a fraction of recognition, the acceptance of a man who had been measured and not found wanting.

"Daniel," Abel said, rolling the name once. "Tomorrow you'll see the pump house."

Daniel nodded.

Odette stood against the wall, naked and serene, and Samuel looked at her profile in the lantern light, at the shadowed hollow of her collarbone.

Odette moved without having to be told. She did not look at Abel for permission. She crossed the boards with the same unhurried step as before, bare feet finding the worn places in the floor, and when she reached the door she pulled the latch and swung it open on the dusk.

Rachel stood at the bottom of the steps, half-turned as if she had been about to walk away. She looked up at the sound of the door, and her face went through three quick changes, surprise, then confusion, then a visible effort not to look at the naked woman standing in the doorway.

"Abel will see you now," Odette said, and stepped back to make room.

Rachel climbed the steps. She kept her eyes fixed on the lintel above the door, then on the smoke beyond it, and she followed Odette inside without letting her gaze drop below collarbone height. The door shut behind them with its soft echo, and the light narrowed back to the lantern.

Rachel stopped beside her brothers. Both kneeling. Both looking up at her with expressions she could not read. The room pressed in around her, smoke at chest height, the throne, the man in it, the woman moving past her to take her place against the wall.

"Rachel," Abel said. "What is it you seek here?"

The question was warm, unhurried, as if he had all night. Rachel lifted her chin.

"The same thing they do," she said. "Purpose. Fulfilling work. To matter, even if only to a few people."

She had said it the same way at every other place she and her brothers had stopped. It had always felt true, defended, enough. Here, standing in the smoke with her brothers kneeling at her feet and the nude woman at the wall watching nothing, it sounded thin.

Abel did not call it thin. He let it sit.

"Odette. Step forward."

Odette crossed the floor and stopped beside the throne, facing the three siblings. The lantern caught the soft curve of her belly, the silver of her pubic hair. Rachel's eyes flicked down to her without permission, caught the glint of wetness on the inside of her thigh, and snapped back up.

"And anything else?" Abel asked.

Rachel said nothing. Her jaw worked.

"You may speak freely," Abel said. "No one here will repeat what you say. Your brothers are welcome to hear it, or I can send them out. Your choice."

Rachel glanced at Daniel. He was watching her with his forties-worn wariness, his mouth pressed into a line. Samuel had gone still beside him, his eyes wide, curious. She had only ever been able to hide one secret from either of them and now she was about to reveal it them. They had grown up in the same small rooms, the same cramped car, the same close breath of family life.

She took a breath and let it out slow.

"I'd like to be treated like Bambi," she said. "Or Odette."

Daniel's head came up. His hands had been flat on his thighs, and they flattened further, fingers digging into the muscle. He moved to stand, his weight already shifting forward.

Rachel was faster. She reached for the hem of her flannel shirt and pulled it over her head. It came off with one sharp tug, and she dropped it on the boards. Then her jeans, worked loose and pushed down over her hips, and she stepped out of them. She stood in her bra and underwear, and then those came off too, unhooked, pulled down, kicked aside with the rest.

She stood naked before her brothers for the first time since they had been children sharing a bathtub.

Daniel's protest died in his throat. His eyes moved over her, not with hunger but with recognition, cataloguing what he saw. Across the flat of her lower belly, above the line of her pubic hair, was a tattoo. An intricate spiral, dark ink, worked into the skin like a compass rose. Lower, at the small of her back, just above the swell of her ass, a second design, a sunburst, the kind of thing that sat above a thong line.

Samuel made a sound like he had been punched. Daniel's face had gone gray.

Odette was the first to speak. Her voice was calm, curious, entirely without judgment.

"Closeted or open?" she asked.

Rachel met her eyes. "Open."

Odette nodded once. Not approval, not condemnation. Simple acknowledgment of a fact already accounted for.

"How long?" Daniel's voice cracked on the word. "How long have you been, been doing this?"

"Since I turned twenty," Rachel said. Her chin was up. She was not going to look away. "The tattoos I got at twenty-one. The spiral because I wanted something that meant I made my own choices. The sunburst because I liked the way it looked."

"And who?" Daniel's voice was rising. "With who?"

"Anyone willing." She said it flat, simple. "Men, women, sometimes both. Strangers, mostly. I'd go to a bar and I'd pick someone and I'd bring them back or they'd bring me back and I wouldn't see them again. Sometimes I'd see them again on purpose."

"And for what?" Daniel was on his feet now, not kneeling anymore. His hands were shaking at his sides. "For what, Rachel?"

"Because I like it." She looked straight at him. "Because I like to fuck and I like to get fucked and I've known that about myself since I was nineteen and I've been pretending not to since. You both think I came here for purpose. I came here because someone finally said the gate was open and I didn't have to pretend anymore."

The silence was thick enough to bite.

Abel spoke from the throne, matter of fact, as if he were reading a weather report.

"So you're a whore."

Daniel's head whipped toward him. The word hit him like a slap and he took a step forward, his fists coming up, his mouth already opening to roar.

Rachel's voice cut clean across it.

"Yes."

Daniel stopped. He stood with his fists half-raised, his breath loud in the church, his eyes swinging between his sister and the man on the throne. Rachel did not move. She stood naked in the lantern light with her tattoo curling across her belly and her chin held high, and she looked at Abel and repeated it.

"Yes."

Abel's expression did not change. He looked at her the way he had looked at Odette, at Samuel, at Daniel. He looked at a person who had stopped pretending.

"You'll sleep in the east dormitory tonight," he said. "We'll talk in the morning about what you want from me."

Rachel nodded. A small, sharp motion. She did not reach for her clothes.

Abel rose from the throne without hurry. The lantern light caught the line of his shoulders as he crossed the hall, his boots making soft work of the boards. He did not look back at any of them. At the door that led to his private quarters he paused, one hand flat on the wood, and Samuel thought he might say something, one last word to hold the room together. But the door opened and shut, and the church was quiet again, the smoke already moving to fill the space where he had been.

For a long moment no one spoke. The lantern guttered. Rachel stood naked at the center of the hall with her tattoo curling across her belly and her chin still high. Daniel's fists hung at his sides, empty now, the fight gone out of them.

Then Odette moved. She crossed the floor with the same unhurried step as before and stopped before the siblings, her hands folded at her waist, her face serene in the lantern light.

"Follow me," she said. "I'll show you where you'll spend the night. The brothers by the worker area. Rachel, you'll be in the east dormitory for tonight."

Rachel moved first. She walked to the heavy door and pulled it open herself, the cool night air flooding in around her bare shoulders. She did not reach for her clothes. She walked through the doorway without looking back, and the lamplight from the compound caught the pale curve of her back, the sunburst tattoo above the swell of her ass, the heels of her feet as she stepped down into the dark.

Daniel picked up her clothes from the boards. Her flannel shirt, her jeans, her bra and underwear, all of it still warm from her skin. He folded them into a bundle and held it against his chest like something fragile, and then he followed.

Samuel came last. He looked at Odette where she stood holding the door, her silver bob catching the lamplight, her body naked and unashamed, and he looked at the empty throne at the head of the hall, and he did not know what he was feeling anymore. He followed his siblings into the night.

Odette came behind them, and the door shut with a soft click.

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