Cover of The Oklahoma Beauty and the Japanese Beast

The Oklahoma Beauty and the Japanese Beast

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Mary Ann, a pale redhead with freckles and large breasts, wins a contest her friend entered her in. The prize is a trip to Japan for a modeling photo shoot. She flies from her home in Oklahoma, and upon arrival she meets Kimiko, her contact and hostess. Kimiko asks Mary Ann about any boyfriends or husbands back home, and Mary Ann admits that she’s single. Mary Ann had dated a boy in High School, but they broke up after prom. Kimiko asks if Mary Ann is still a virgin, and Mary Ann gets offended at the question. Kimiko apologizes, and Mary Ann says that her reluctance to have sex is why she’s single. Kimiko seems satisfied and drives them both far out into the Japanese countryside, to a seaside estate. The all-wooden building is lit by candlelight and has a shrine next to it along a path to the beach. Mary Ann is enraptured by the historic structure, but can’t help but note that there’s nothing and no one else around for hundreds of kilometers.

Chapter 1: The Candlelit Proposition

The air inside the cabin was recycled and cold, but Mary Ann’s palms were damp. She pressed them against the denim of her jeans, leaving faint twin smudges. Outside the oval window, the sprawl of Tokyo was a galaxy of light piercing the evening haze. She’d never seen so many lights in her life. Back in Catoosa, the Walmart parking lot was the brightest thing for miles.

The contest flyer had been taped to the gas station door. Dream of Japan? it read, above a photo of a geisha in a cherry blossom grove. Her best friend, Chloe, had filled out the application for her, using the headshots from their laughable attempt at a senior-year photo shoot. Mary Ann had forgotten about it entirely. Then the email came. Congratulations, you have been selected. It felt like a mistake. A pale redhead with freckles and a body she’d always felt was a bit too much—too many curves, breasts that never fit the cute tops other girls wore—was going to model in Japan.

The airport was a symphony of controlled chaos. Signs in elegant, indecipherable script. A hum of conversations she couldn’t understand. She clutched her suitcase, feeling like a scarecrow that had blown into a jewelry store.

“Mary Ann?”

The voice was calm, smooth. It cut through the noise.

The woman was breathtaking. She looked like she’d stepped out of one of the old Japanese paintings Mary Ann had googled. Her hair was a waterfall of black, straight and sharp, falling almost to her waist. She wore a simple, expensive-looking charcoal grey dress. Her smile was polite, but her eyes held a depth that made Mary Ann feel instantly transparent.

“I’m Kimiko. I will be your guide.”

The car was silent and spacious. They slid out of the neon heartbeat of Tokyo, into darker, rolling landscapes. The conversation was stilted at first, polite questions about the flight.

“It is a long way from Oklahoma,” Kimiko said, her eyes on the road illuminated by the headlights.

“Yeah. Real long.”

“You must have a boyfriend who misses you. Or a husband?”

Mary Ann shifted in the leather seat. “No. Nothing like that.”

“No? A beautiful woman like you?” Kimiko’s tone was light, curious.

“I’m single.” Mary Ann’s voice was firmer than she intended.

“Forgive my curiosity. The cultural differences. In my experience, American women are often… very experienced.”

A hot flush crept up Mary Ann’s neck. “I had a boyfriend. In high school. We broke up after prom.”

The silence that followed was heavy. Kimiko glanced over, her gaze appraising. “And since then?”

“What about it?”

“I only mean to understand you. To help you prepare. The shoot has a particular… aesthetic. Are you still a virgin, Mary Ann?”

The word hung in the quiet car, vulgar and shocking. Mary Ann stared at the profile of this serene, beautiful woman. “That’s a really personal question.”

“It is. I apologize.” Kimiko didn’t sound sorry. She sounded like she’d confirmed something. “I have overstepped.”

The anger deflated, replaced by a familiar, hollow shame. The truth was a stone in her gut. “It’s… fine. It’s just why I’m single, I guess. Guys seem to want… that. And pretty fast. And I just… can’t. It doesn’t feel right with just anyone.” She’d never said it out loud, not even to Chloe.

Kimiko nodded slowly, a small, satisfied curve to her lips. “I understand completely.”

They drove for hours. The cities vanished, replaced by the dark silhouettes of mountains against a star-flecked sky. The road narrowed. Eventually, the sound of the ocean reached them, a vast, rhythmic sigh. The headlights finally caught the estate, and Mary Ann gasped.

It was a vision from another century. A wooden structure, all sweeping roofs and deep eaves, perched where the forest met the sea. It was lit not by electric lights, but by dozens of golden candle flames flickering in paper lanterns and glass holders, making the old wood look alive and breathing. A stone path, moss growing between the rocks, led from the main building down towards the beach. Along it, she could make out a small, simple torii gate and a shrine box, dark and silent.

Kimiko opened the car door. The air was profoundly different—thick with the scent of salt, pine, and damp earth. The only sound was the crash and pull of waves.

“It’s incredible,” Mary Ann whispered, hauling her suitcase over the uneven path. “It’s like a movie set.”

“It is very private,” Kimiko said, leading her inside. “The nearest village is over thirty kilometers away. There is no one else here.”

The interior was one vast, open room. Polished dark wood floors, tatami mats, low black lacquer tables. The candlelight danced on every surface, casting long, undulating shadows up the walls. At the far end, sliding doors were open to a wooden veranda, beyond which was nothing but the black void of the ocean and the silver path of moonlight on the water.

Mary Ann set her bag down, spinning slowly, taking it in. The beauty was intense, almost painful. It was also undeniably, profoundly lonely. The silence was a physical presence.

“You must be tired from your journey,” Kimiko said. She had moved silently across the room. She stood close now, too close for casual conversation. Mary Ann could smell her scent—sandalwood and something cool, like night-blooming flowers.

“I am, a little.”

Kimiko’s hand came up. Her fingers were cool as they traced the line of Mary Ann’s collarbone, above the neckline of her t-shirt. The touch was electric, paralyzing. It wasn’t friendly. It was possessive.

Mary Ann’s breath caught in her throat. She couldn’t move.

Kimiko leaned in. Her lips were near Mary Ann’s ear, her whisper a soft, curling smoke that seeped into her mind.

“The camera requires truth. It requires the abandonment of shame. Your innocence is not a weakness here. It is the key.”

Her other hand came up to cradle Mary Ann’s jaw, thumb stroking her cheek. The touch was intimate, final.

“Forget Oklahoma. Forget the boys who did not know what to do with you. Tonight, you will not sleep. Tonight, you will learn what it means to truly surrender.”

Kimiko’s mouth found the sensitive skin beneath Mary Ann’s ear. It wasn’t a kiss. It was a claim. A soft, open-mouthed press that sent a violent shiver straight down Mary Ann’s spine to pool, hot and liquid, between her legs. A small, helpless sound escaped her lips.

She was trembling. The candle flames blurred in her vision. The vast, empty darkness outside the open doors seemed to press in, holding them in this perfect, isolated bubble.

Kimiko pulled back just enough to look into her eyes. The serene mask was gone. In its place was a raw, hungry intensity that stole the air from Mary Ann’s lungs.

“Say yes,” Kimiko whispered, her voice a dark promise.

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