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The Roundstag Artist

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A gorgeous woman makes bronze statues of inflated male woodland animals. She finds that when men touch the statues, they too, start to balloon and grow, with bulging muscles and massive, round, soft guts.

Chapter 1: The Gallery of Swollen Beasts

The gallery hummed.

It wasn't just the distant, persistent thump of the cooling system, or the occasional metallic tink from a settling mold. This was a lower sound, a vibration Rosalind felt in her molars. The air tasted of charred wax and hot metal, but underneath it was something else—a coppery tang, like blood, or like the smell of skin after holding an old coin.

She walked through the midnight forest of her own making, her bare feet silent on the concrete floor. Dust, fine as rouge, coated everything and glittered in the single work light she’d left on. It caught in the wild frizz of her copper curls, powdered her sharp cheekbones. She was a ghost in a kingdom of grotesque giants.

Her fingers trailed along a curved bronze flank. It was a bear, reared back on its hind legs, but its powerful frame was undermined by a belly that swung low and heavy between its legs, a sphere of metal so perfectly, comically round it looked pregnant with its own gravity. The surface was still faintly warm from the day’s pour. As her fingertips traced the swollen curve, she felt it—a deep, almost imperceptible pulse, like a heartbeat throttled down to once per minute.

It was real. It wasn’t her imagination.

She moved to the next. A fox, sleek and cunning, but with a gut so distended it brushed the ground, the bronze hide stretched so thin she’d etched a web of delicate veins beneath it. In the low light, they seemed to throb. She’d sold three like it to a trendy boutique in the city last month. Whimsical, the buyer had called them. A commentary on modern gluttony.

Modern MALE gluttony.

Rosalind’s lips, cracked and dry, curved into a smile. If only they knew.

She stopped before the stag. This was her latest, her masterpiece. He stood noble, head high, antlers a complex crown. But from his broad chest down, his body surrendered to a profound, shocking bloat. His stomach was a vast, teardrop-shaped swell, pulling his entire form forward into a permanent, weighted slump. The musculature of his shoulders and neck was detailed, powerful—all that strength dedicated to carrying the helpless, beautiful burden of his own bronze belly.

She placed both hands flat against the cold, smooth curve of it. The pulse here was stronger.

“Beautiful,” she whispered, her voice scratchy from disuse. The word evaporated into the vast, dark space. “But you’re just a promise. A hypothesis.”

She leaned her forehead against the stag’s shoulder, the metal leaching the warmth from her skin. “I need proof.”

A truck door slammed outside.

Rosalind froze. Her studio was a converted barn on forty acres of scrub pine and mountain rock. Visitors, planned ones anyway, were rarer than blue moons. Unplanned ones after midnight were unheard of.

Footsteps crunched on gravel, approaching the side door to her gallery, not the living quarters. A heavy, confident knock echoed.

She didn’t move. Maybe they’d go away.

“Ros? You in there? Saw the light.”

Damn. She knew that voice. Eli. He ran trail tours and sometimes brought her supplies from the town forty minutes down the mountain. He was loud, relentlessly friendly, and built like the lumberjack he occasionally played at being.

The knocking came again, more insistent. “C’mon, I got your argon tank. Left the invoice in your mailbox two weeks ago. Gonna make me haul it back down?”

With a slow exhale, Rosalind pushed away from the stag. She wiped her hands on her already-stained canvas pants, leaving dark streaks. She walked to the heavy steel door, unbolted it, and pulled it open with a screech of protest.

Eli stood framed in the doorway, the chilly night at his back. He was all broad shoulders and a easy smile, a thermal shirt stretched across his chest. His gaze went past her, into the cavernous space filled with hulking, distorted shapes.

“Whoa. Freaky hour, huh? Always forget how weird these things look in the dark.” He took a step in without being asked, his eyes adjusting. He let out a low whistle at the stag. “Jeez, Ros. What’s this one been eating?”

“He’s not finished,” she said, her voice tight.

“Looks plenty finished to me. Bigger than the last one, yeah?” He walked closer, drawn to the statue like everyone was. The absurdity was a magnet. He reached out, his calloused hand heading for the stag’s distended belly. “God, the detail is insane. Is that a belly button?”

“Don’t touch it!” The words shot out of her, sharper than she intended.

Eli jerked his hand back, laughing. “Okay, okay. Touchy artist. I get it.” He turned, leaning against the pedestal instead, crossing his arms. The sleeve of his shirt brushed the bronze stag’s swollen side. “So, the tank’s out by my rig. You wanna settle up? I’ve got beer in the cooler. Could hang for a bit.”

He was just… there. Vibrant, solid, obtrusively alive in her space of dormant, pulsing potential. His body, so normal, so unaltered, seemed like an affront. A challenge.

The idea, once it uncoiled in her mind, was cold and clear.

She let the tension drain from her shoulders, offering a small, tired smile. “Sorry. Long night. The tank… yeah, of course.” She gestured vaguely toward the workbench. “I’ve got my checkbook in the back. Let me grab it.”

She turned and walked into the deeper shadows behind the furnace, her heart hammering against her ribs. She didn’t go to the back. She stopped, hidden by the bulk of the clay bin, and watched.

Eli, alone now, shook his head with a good-natured grin. He turned back to the stag. He couldn’t help himself. People never could. He studied it, his head tilted. Then, with a glance toward where Rosalind had disappeared, he reached out again.

His palm settled firmly, familiarly, on the dome of the bronze stag’s belly.

“Crazy,” he murmured to himself, rubbing the metal as if testing its finish.

For a three count, nothing.

Then Eli frowned. He took a sharp breath, his hand flexing. He looked down at his own abdomen, covered by his shirt.

A subtle ripple passed through the fabric.

Rosalind held her breath, her nails biting into her palms.

Eli’s frown deepened into confusion. He patted his stomach with his other hand. A soft, almost damp sound. He’d had a few beers, sure, but this… this was a sudden, internal pressure. A tightness.

He took a step back from the statue, but the connection was made. The process had its own momentum.

A low, uncomfortable groan escaped his lips. His hands went to his belly again, this time with intent. The thermal shirt, once snug, began to strain at its seams. Not with muscle. It was a slower, softer expansion. The knit fabric started to tense across a swelling curve.

“What the…” he breathed, his voice tinged with panic now.

Rosalind watched, mesmerized. She saw the exact moment his casual confusion shattered into real fear. His belt buckle gave a soft ping as the leather bit into the burgeoning softness beneath. He fumbled at it, fingers clumsy, but his stomach was swelling forward, rounding, pushing his hands away. It was becoming a perfect, heavy curve, mirroring the statue he’d touched.

He staggered, off-balance, his center of gravity shifting violently as the weight in his front increased. He gasped, the air leaving him in a rush as the pressure mounted internally, crowding his lungs. He looked down, eyes wide with horror, at the profound, impossible bulge now dominating his torso. It was growing still, softening, becoming a truly massive, pendulous weight that strained his shirt to a glossy tightness.

He made a wet, choked sound and stumbled against the pedestal, one hand clutching his enormous belly for support, the other scrabbling at the empty air. His legs, sturdy before, now looked frail beneath the shocking new mass he carried.

Rosalind stepped out of the shadows.

Eli saw her, his face sheened with sweat. “Ros…” he gasped, the word thick. “What’s… happening? Help…”

She walked toward him slowly, her green eyes wide, taking in every detail—the panic in his eyes, the sheen on the stretched fabric, the way his body had been so perfectly, completely rewritten. It was more fascinating, more terrible, and more beautiful than she’d ever dreamed.

She stopped a few feet away, her head tilted just as his had been.

“Proof,” she said softly, not to him, but to the hungry, pulsing dark of the gallery. Then she looked at Eli, at the living, breathing confirmation of her power. Her smile returned, genuine and thrilled and utterly devoid of comfort.

“You shouldn’t have touched the art, Eli.”

His breathing was a ragged, wet sound in the quiet gallery. Eli slumped against the pedestal, his arms wrapped around the impossible curve of his stomach as if trying to hold himself together. The thermal shirt was a lost cause, stretched into a taut, shiny skin over the vast hemisphere of his belly. A low moan escaped him.

“Make it stop,” he choked out, his eyes pleading.

Rosalind didn’t answer. She circled him, a sculptor assessing a work in progress. The raw, terrified humanity of him was a distraction, but the form… the form was magnificent. The bronze powder on her fingers seemed to itch.

“It’s not stopping, is it?” she mused, her voice calm. “The process has a certain inertia. Like the pour itself. Once the metal starts flowing, you can’t really call it back. You can only guide it. Or watch.”

“What did you do?” he gasped, trying to straighten. The movement made him lurch forward, the sheer weight of his new center of gravity threatening to topple him. He caught himself on the stag’s bronze hoof, his knuckles white. A sharp, internal gurgle echoed in the space between them.

“I didn’t do anything,” Rosalind said, leaning close to examine the seam of his jeans, which was biting cruelly into the soft, overflowing flesh just above his waistband. “You touched the art. The art… touched back.”

She moved to her workbench, the clatter of tools loud in the rhythm of his distress. She returned with a steel tape measure, its yellow ribbon coiled tightly in its case.

Eli’s eyes tracked her, confusion cutting through the panic. “What… what are you doing? Call someone. An ambulance. Please, Ros.”

“An ambulance would imply sickness or injury,” she said, clicking the button on the tape measure. The metal tab sprung out with a snick. “This isn’t that. This is… transmutation. Documentation is crucial.”

She knelt before him. He tried to shuffle back, but his balance was too precarious, his legs seemingly weaker under the burden. His back was against the cold bronze of the stag’s leg, trapping him.

“Hold still,” she said, not unkindly, but with the focused impatience of a professional.

She reached out. He flinched, but her touch was clinical. She pressed the cold metal tab of the tape against the side of his hip bone, just above the strained waistband. He shuddered at the contact. She stretched the ribbon across the monumental swell of his belly. The yellow tape curved over the zenith of the great, soft sphere, dipping slightly in the middle from its own weight. She let it settle, her gaze analytical.

SHE MEASURES HIM.

Forty-seven inches.

She noted the number in her mind, a quiet thrill of validation buzzing in her veins. The stag’s widest point was forty-six and a half. A near-perfect correlation, with a slight margin for… organic variables.

Eli stared down, his face pale. “Forty-seven?” he whispered, as if saying the number made the reality solid in a new, worse way.

“Mhmm.” She released the tape, letting it snap back into its case with a sharp, final sound. She didn’t move from her kneeling position. She looked up at him, his form blocking the work light, casting her in his shadow. “How does it feel?”

The question, so casually delivered, broke him. A sob hitched in his chest, which was difficult now with the pressure underneath. “It feels… huge. And heavy. God, it’s so heavy. I can’t… I can’t stand up straight.”

“I wouldn’t recommend it,” she said, rising to her feet. She brushed bronze dust from her knees. “The structural integrity of your spine isn’t calibrated for this kind of front-loading. You’d likely fall. Or something would tear.”

Her cool, technical words seemed to terrify him more than screams would have. He was adrift in a nightmare, and she was the unflinching tour guide.

“Change me back,” he begged, tears cutting clean lines through the dust on his cheeks. “You have to change me back.”

Rosalind tilted her head, her copper curls catching the light. The hum of the gallery seemed to deepen, agreeing with her. “I don’t ‘have to’ do anything, Eli. And ‘back’ implies a previous, correct form. This is just a different form. A fulfilled one.”

She walked back to her bench, leaving him propped against her art. She opened a large, leather-bound sketchbook, its pages thick with clay-stained drawings and frantic notes. She picked up a charcoal pencil.

“The real question,” she said, without turning around, the sound of her scribbling joining the gallery’s ambient song, “is what happens next. The statue is inert again. The transfer is complete. But is the condition stable? Or will there be… continuation?”

She glanced over her shoulder at him, her green eyes bright with pure, undiluted curiosity. “We’ll have to wait and see.”

She guided him to her room, and laid him o the bed, his clothes ripping and tearing, leaving him naked. She let him rest, while she returned to her gallery.

She let him rest, while she returned to her gallery.

The space felt different now. Charged. The pulse from the statues seemed stronger, synchronized with her own heartbeat. Eli’s choked sobs were a faint, distant rhythm from the other room, just another texture in the night’s soundtrack. She didn’t feel guilt. She felt a shimmering, electric clarity. The hypothesis was proven. The mechanism worked. Now came the application.

Her earlier work—the solitary stag, the comical fox—felt like sketches. Child’s play. Her hands itched for scale, for conflict, for a story told in swollen bronze.

She moved to the large, clean slab of her primary modeling table. The gray clay awaited, a fifty-pound block she’d wedged that morning. It smelled of damp earth and cold patience. She dragged a wire through it, hefting the smaller chunk onto her armature, feeling its cool, pliable weight. This was her liturgy.

Her tools were simple. A wooden rib. A loop of wire. Her fingers. She began to slap and pull the clay, not with delicate precision, but with a brutal, gathering urgency. A form emerged from the mass: low, massive, on all fours. The shoulders became a mountain range. The spine a curved ridge.

A bear.

But not a bear of the woods. This was a bear of consequence. She built its core not with power, but with profound, debilitating volume. She pulled the clay from its sides, drawing it downward and forward into a staggering, pendulous belly that would brush the ground. She used the rib to smooth the terrifying curve of it, a geography of helpless mass. Every detail mattered. She pinched rolls of fat at the joints, etched the strain lines where the hide would pull taut over the impossible burden.

This bear was not simply bloated. It was besieged.

She tore more clay from the block, her movements faster now, a frantic energy powering her. She formed the wolf pack from a single, snarling mass of material. She differentiated them just enough—one leaping at the bear’s flank, another snarling at its foreleg, a third circling behind. And she gave them the same curse. Their rib cages were tight, but their bellies were swollen sacks, dragging at their aggressive postures, turning their predation into a farce of shared affliction. A bloated wolf, jaws wide, aiming for the bear’s enormous, vulnerable stomach. Another with its own distended middle thrown off-balance as it leaped.

It was a fight where no one could win. A battle of grotesques, each opponent crippled by the same internal expansion, yet driven by feral instinct to continue. The bear’s roar would be a wet, breathless gasp. The wolf’s snarls, choked by their own pressing weight.

She lost time. The world shrank to the cool sludge of clay under her nails, the growing forms, the vision translating from her mind to the tangible world with frightening fidelity. This was the masterpiece. Not a static, funny statue. A captured moment of brutal, hopeless struggle, where the true enemy was the body itself.

A raw, guttural sound echoed from the bedroom down the hall—a sob of pure, unraveling terror. It was Eli. The sound didn’t break her focus. It fed it. It was the soundtrack to her creation. The raw data of transformation.

She leaned in, using a needle tool to sketch the frantic, panicked lines around the bear’s etched eye. She mixed the emotion she heard in Eli’s voice with the fury of the animal. Desperation. A fight against the inevitable.

The clay bear and its bloated attackers filled the table, a chaotic, swelling monument. Her hands trembled, not with fatigue, but with potential. This was just the clay. The positive. Then would come the mold, the ceramic shell, the furious heat of the kiln burning the clay away, leaving the negative space. Finally, the pour. The moment where molten bronze, over 2000 degrees, would scream into the void and make it permanent.

Her green eyes, reflected in the dark window behind her worktable, gleamed with a hunger that had nothing to do with food. She whispered to the sculpture, to the gallery, to the pulsing night.

“Just wait,” she said, her voice a dry rustle. “You’re going to be magnificent.”

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