Cover of The Runaway's Choice

The Runaway's Choice

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Ela is 21 years old girl whose life have been always messy. Ela is very beautifull with londe golden blonde hair and blue eyes and delicate features. She is kind, romanic, shy, gentle and witty with adventures soul. She is runway model in love with married man. Christian is British very succesfull and rich buisnessman, he is 38. He is married but keeps Ela close because he enjoys her youth and beauty and for him she is his trophy. Ela trust him that he will divorce his wife and marry her. She never truly wanted to be model, she wanted to study literature but Christian intisted on being model. In her life there is also Marco Alvarez. Marco is heir to very rich, powerfull and dangerous mafia family. He is 26 and he saved Ela from her horrible parents. He never ask anything in return, he fall in love with her. They lived together for a small time, few mounts after she turn 18 they slept together, she give him her virginity but when he whispered that he loved her she run away in morning before he woke up. She got scared of his life at mafia and that he will put her in another cage like her parents did. Marco is tall, muscular, have tan skin, black thick hair and brown eyes. He is bad boy, charming, intelligent, good with weapons, can be very ruthless and cold. Ela sometimes think of Marco, of how he like to play with her hair and she loved his nicknames for her in spanish. Marco is from Spain and Ela is frome Czech. Christian want Ela to be pretty and silent while Marco wants her to be herself.

Chapter 3: Truth and Consequences

The rain had plastered her golden hair to her skull and seeped through the thin sweater, making the wool cling unpleasantly to her skin. Ela stood dripping on the Persian rug in the grand foyer, watching Marco’s retreating back as he disappeared down a hallway without a word. The heavy front door thudded shut behind her, sealing her in with a finality that echoed in the marble silence.

Her bag, with the book of poetry inside, felt like the only solid thing in the world. She followed the trail of wet footprints he’d left, her own socks squelching in her boots. The house was a labyrinth of dark wood and subdued light. She found him in the study.

It was exactly as he’d described. The locked glass door of the bookshelf reflected the room like a dark mirror. The chessboard sat on a low table between two leather armchairs, the pieces frozen in mid-battle. He was pouring a measure of amber liquid from a crystal decanter into two glasses. He didn’t look up.

“You’ll catch cold,” he said, his voice rough. He placed one glass on the table’s edge and kept the other.

“I don’t want a drink.” Her teeth threatened to chatter. She hugged herself, the gesture making her seem even smaller.

“It’s not for wanting. It’s for warmth.” He finally glanced at her, his eyes moving from her soaked hair to her trembling hands. “Sit. Or don’t. But stop hovering in the doorway like a lost ghost.”

Anger, warm and familiar, chased some of the chill away. She stepped into the room, the fire crackling in the hearth pulling her toward it. She ignored the offered glass and went to stand before the flames, holding her hands out. The heat stung her wet skin. Behind her, she heard the soft clink of crystal as he took a sip.

“Christian will protect me if I tell him the truth,” she said, the statement aimed into the fire. It sounded hollow even to her.

The sound that came from him wasn’t quite laughter. It was a short, sharp exhale, a burst of air that held no humor. It echoed in the quiet room, brittle and sharp against the shelves. “Will he? And what is the truth, Ela? That his mistress is being stalked by Russian mercenaries because of his bad business? Do you think he’ll march into their headquarters and demand they stop? Or will he tell you you’re being hysterical? That you should take a spa day while his lawyers handle it?”

She spun to face him. “You don’t know him! He’s powerful. He has resources.”

“He has lawyers and PR people.” Marco set his glass down with a precise click. He crossed the room in three long strides, stopping so close she could see the flecks of gold in his brown eyes, smell the brandy and the rain on his own skin. “I have men who make problems disappear. There is a difference. A fundamental one.”

“I don’t want problems to disappear! I want a normal life!” Her voice rose, cracking with frustration.

“You had a normal life. With your parents. Was it so wonderful?” The question was a gut punch, delivered softly. He saw her flinch and pressed on, relentless. “Normal is an illusion sold to people who can afford the lie. You can’t. Not anymore.”

He reached out, not to hurt her, but to take her wrist. His grip was firm, unbreakable. He pulled her gently but inexorably away from the fire, until she was flush against his chest. The soaked wool of her sweater met the damp cotton of his shirt. She could feel the solid warmth of him, the steady beat of his heart. She tried to pull back, but he held her there.

“The girl I loved didn’t lie to herself,” he murmured, his voice a low vibration she felt through her bones. His free hand came up, not to strike, but to brush a wet strand of hair from her cheek. His touch was startlingly gentle. “She fought like hell when she was cornered. Just like you’re doing now. She scratched and bit. She didn’t talk about spa days and lawyers.”

Tears, hot and sudden, welled in her eyes. They were tears of rage, of confusion, of a grief for a version of herself that felt like it was drowning. “She was scared. She ran.”

“She did.” His thumb traced the line of her jaw, his eyes searching her face. “And I have spent every day since wondering what I did to make her think the cage was with me, and not out there, waiting.”

His lips brushed the shell of her ear, his breath warm. “But even trapped animals stop struggling when they realize who really holds the key.”

He released her wrist then, stepping back. The sudden absence of his warmth made her shiver violently. He returned to his glass, watching her over the rim as he drank.

“What do you want from me, Marco?” The question was a whisper.

“Right now? For you to change into dry clothes before you get pneumonia. After that?” He shrugged, a fluid, careless movement. “I want you to look at that empty bookshelf across the hall and tell me what you’d put on it. I want you to read your melancholy poetry out loud where I can hear it. I want you to stop jumping at shadows you can’t even name.”

He nodded toward the hallway. “Your room. There’s clothing. Take a shower. Then come back down. We’ll finish the game.” He gestured to the chessboard.

It was such a bizarre, ordinary request after everything. “I don’t want to play chess.”

“You used to cheat at it terribly. I’m curious if you’ve improved.” A faint, almost imperceptible smile touched his mouth. It wasn’t kind. It was challenging.

Defeated, exhausted, and freezing, she turned and left the study. The empty room across the hall—her study—had its door ajar. She peeked in. It was true. Floor-to-ceiling shelves, bare and dusty, waiting. A large oak desk sat under a window that looked out over the walled garden. The potential of it was a physical ache in her chest.

Upstairs, in the lavish bedroom, she found a stack of simple, expensive clothing on the velvet bench at the foot of the bed. Soft cashmere trousers, a thin sweater, clean socks. All in her size. No tags. She showered in the adjoining bathroom, the hot water scalding her skin until it turned pink, washing away the smell of rain and café and fear.

When she returned to the study, her hair damp and loose around her shoulders, he was seated in one of the leather chairs, studying the chessboard. He’d changed into a black sweatshirt and dark trousers. He looked younger, less like a mafia heir and more like the boy she’d known. The illusion shattered when he lifted his gaze. No boy had eyes that old.

She sat in the chair opposite him. The fire popped and crackled. He moved a pawn. She studied the board, her mind fuzzy. She reached out, moved a knight.

“You still lead with your knights,” he observed. “Sentimental. And reckless.”

“It’s just a game.”

“It’s never just a game.” He captured the knight with a bishop two moves later. “You sacrifice your powerful pieces for temporary advantage. A flawed strategy.”

They played in silence for a few minutes, the only sounds the click of pieces and the fire. The brandy glass sat untouched by her elbow. Eventually, the silence grew heavier than the game.

“What happens now?” she asked, moving a pawn without looking at the board.

“Now, you stay inside these walls. My men are tracing the Volkov team. When we find their local point of contact, we will… persuade him to redirect his employer’s attention. It will take a few days.”

“Persuade.” The word tasted metallic.

“Yes.” He took her queen. “Check.”

She stared at the board, her position crumbling. “And after they’re ‘persuaded’? Then I can go?”

He leaned back, steepling his fingers. “Then you can choose. You can walk out that gate back to your apartment, your phone, your Christian. And you can see how long it takes for the next threat to find you. Because it will. This world, once it notices you, does not forget.” He leaned forward again, his voice dropping. “Or you can unpack your bags. You can fill that shelf with books. You can live in a fortress where the only person you have to be afraid of is me. And you know exactly what I want from you. There is no mystery there.”

He moved his final piece. “Checkmate.”

She looked at the board, at the hopeless arrangement of her remaining pieces. Trapped. She looked up at him. “You said I could choose. This isn’t a choice. It’s a different kind of trap.”

“It is a choice,” he corrected, standing up. He walked to the locked bookshelf, running a finger along the glass. “The first one is a maze with no exit. The second is a single, well-defined door. You just don’t like what’s on the other side.”

He turned, his expression unreadable. “You’re tired. Go to sleep. In the morning, if you want, I’ll show you the library on the third floor. There are first editions. Some in Czech. You might like them.”

He left her there, staring at the conquered chessboard. The fire had burned low. She finally picked up the brandy glass, taking a small, burning sip. The liquid warmth spread through her chest.

Her phone, upstairs in her bag, was a silent, accusing presence. She hadn’t touched it since the café. Christian would have messaged. He would be confused, then angry. She pictured his face, the impatient twist of his mouth.

Then she pictured the man in the grey jacket, hands in pockets, in the rain.

With a slow, deliberate motion, she reached out and reset the chessboard, piece by piece, placing the white pawns back on their starting squares. She lined up the knights, the bishops, the rooks. She placed the queens on their respective colors.

She left the board set for a new game, stood, and turned off the lamp. In the fire’s dying light, the room was all shifting shadows and deep, velvety darkness. She didn’t go upstairs to her phone.

She walked across the hall to the empty study. She stood in the center of the room, on the dusty floorboards, and looked at the shelves. In her mind, she began placing books on them. Kundera here. Mácha there. Maybe some Spanish poets, to try and understand the rhythm of his first language.

It was just a fantasy. A game she was playing in her head.

But for the first time in two years, it was a game where she got to choose all the pieces.

But for the first time in two years, it was a game where she got to choose all the pieces.

The fantasy lingered into the next morning, a fragile shield against the reality of locked gates and watched windows. After a silent breakfast brought to her room on a tray, Ela found herself pulled back to the study across the hall. The empty shelves seemed less daunting in the flat grey daylight. She ran a finger along the smooth, dusty wood, leaving a clear line.

A low bookcase under the window held a few volumes, left behind like forgotten artifacts. She knelt, pulling out a heavy, cloth-bound book. The title was stamped in gold foil: Antología de la Poesía Española. She opened it carefully, the spine cracking. The pages were thin, the type elegant and intimidating.

She sat on the floor, legs curled beneath her, and began to sound out the first poem. The words felt clumsy in her mouth, the rhythms all wrong. “Cerrar podrá mis ojos la postrera… sombra…” She frowned, her finger tracing the line. “que me llevare el blanco día…” She struggled, grafting Czech sounds onto Spanish consonants. “Y podrá… desatar esta alma mía…”

“Hora, a su hora, hora,” a voice corrected from the doorway, the ‘h’ soft, the ‘r’ a fluid tap against the palate. “Not ora. Hora.”

Marco leaned against the frame, arms crossed. He wore a simple black t-shirt, and the morning light from the hall window cut across his shoulders. There was no mockery in his tone, only the flat, patient certainty of a native speaker.

Ela flinched, the book nearly slipping from her hands. She hadn’t heard him approach. “It’s the same letters,” she muttered, defensive.

“It’s not.” He pushed off the doorframe and walked into the room, his steps quiet on the rug. He crouched beside her, not touching, just pointing at the word on the page. His scent, soap and clean cotton, mixed with the smell of old paper. “See? Hora. Time. Ora would be… pray, or maybe coast. Changes the whole desperate romantic point he’s making.”

“It’s desperate?” She looked at the poem anew.

“Quevedo is always desperate. And brilliant.” He took the book from her gently, his fingers brushing hers. He read the line, his voice low and effortless, the Spanish liquid and mournful. “Cerrar podrá mis ojos la postrera sombra que me llevare el blanco día, y podrá desatar esta alma mía hora, a su hora, hora, el lado con que vinere.”

The sound of it, in his voice, in this quiet room, was a physical thing. It wrapped around her, pulling her back through years to a different sunlit room in Madrid. He’d tried to teach her then, too, laughing at her pronunciation until she’d thrown a pillow at him.

A small, unexpected laugh escaped her. “I’m still terrible.”

“You are.” A real smile, brief and unguarded, touched his mouth. He looked at her, not the heir, not the predator, but the young man who’d once tried to explain metaphor to a girl who understood only the concrete. “You say biblioteca like you’re clearing your throat. It’s cute.”

“It is not cute.” She shoved his shoulder lightly, the gesture automatic, a ghost of their old rhythm. “It’s phonetic.”

“It’s a crime against phonetics.” He shoved back, just a nudge. His smile lingered, warming his eyes. For a suspended moment, the locked gates and the Russian threats and Christian’s silent phone dissolved. They were just Marco and Ela, surrounded by words they were trying to share, crazy for one another in a private mansion, with the whole world shut out.

He looked down at the book in his hands, the smile fading into something quieter, more pained. “You kept the Mácha. You tried to learn this. Why?”

The question hung in the intimate space between them. The truth felt too large for the moment. She looked at his hands, the elegant fingers holding the anthology, remembering how they felt tracing the line of her jaw.

“I don’t know,” she whispered, which was the most honest answer she had.

He placed the book back in her lap, his movement deliberate. His hand stayed, covering both the book and her own. The warmth was startling. “The accent is on the second-to-last syllable,” he said softly, his gaze locked on theirs. “Poesía. Desatar. Alma. The stress is what gives it the heartbeat. You have to feel where it lands.”

He was no longer talking about the poem. The air tightened, charged with everything unspoken. She could feel the calluses on his palm, the steady pressure. Her own heartbeat was a frantic, stressed syllable against her ribs.

A sharp, electronic buzz fractured the silence. It came from his pocket. Then another. Not a phone call. A sequence of urgent, chiming alerts.

The light in his eyes hardened, solidified, and then shut off completely. The young man vanished, replaced by the heir. He stood in one fluid motion, pulling his phone out. He scanned the screen, his expression turning to cold stone.

“What is it?” Ela asked, the warmth of the moment leaching away.

“The Volkov point of contact. We found him.” He didn’t look at her, already moving toward the door, his mind somewhere else, somewhere dark. “He’s decided to be uncooperative. I need to go persuade him.”

He paused at the threshold, a silhouette against the bright hall. He glanced back, his profile sharp. “Stay in the house. Read your book. The accent is on the second-to-last syllable.”

Then he was gone, his footsteps echoing away down the marble hall, leaving her alone with the anthology, the empty shelves, and the chilling understanding of what his version of ‘persuasion’ truly meant. The game was over. The real board was being played elsewhere, with pieces she couldn’t see.

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