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The Scoop and the Scholar

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Rachel morgan, a busty, sexy 19 year old redhead with a great ass is trying to complete college, when she accidently uncovers a money laundering scheme. During her investigation, she bumps into Milo, a 40-year-old cynical, and incredibly unscrupulous reporter with a reputation for sleeping with his sources, with a sharp tongue and a talent for uncovering the truth, who happens to be in town. Unknown to her, he views Rachel as a fun distraction between the sheets with a great physique, but nothing more. He's primarily focused on chasing the next big scoop and is willing to bend ethical rules to get it. He's a master manipulator and uses his charm to get what he wants, whether it's information or a woman's attention. Despite his attempts to seduce her, his true motives are always self-serving

Chapter 3: The Gala's Dark Underside

She texted quickly, a lie taking shape. > Fine. Going back in. Clayworth is drunk. Might get something.

She silenced the phone and dropped it into her clutch. She didn’t head for the atrium. Instead, she walked purposefully toward the east exit, the one that led to the faculty parking lot. Her heels were a liability. She stopped behind a pillar, knelt, and unstrapped them, stuffing the sleek black shoes into her bag.

The marble floor was icy against her stockinged feet. She pushed through the heavy glass door, and the humid night air wrapped around her like a damp towel. Across the service road, the campus transformed into a maze of darkened academic buildings and skeletal trees.

Her phone buzzed again in her clutch, a persistent insect. She ignored it. The south service road was poorly lit, lined with dumpsters that smelled of rotting cafeteria food and diesel. The cheerful orchestra music was swallowed by the growl of a distant generator.

Warehouse C wasn’t hard to find. A single floodlight illuminated the sign above rolling bay doors, casting the rest of the long, low building in deep shadow. A plain white box truck was backed up to one door, its engine idling. There were no markings on it.

She ducked behind a stack of wooden pallets, the rough wood snagging her stockings. Two men in dark jackets moved between the truck and the warehouse interior. They weren’t campus security. Their movements were efficient, quiet, and they carried handcarts.

One of them lit a cigarette, the flame briefly illuminating a heavy, bored face. “Always the middle of the fucking night,” he grumbled to his partner.

“You want daytime traffic? Shut up and lift.”

They wheeled a long, narrow crate from the warehouse onto the handcart. It was military-grade, olive drab with stenciled Cyrillic lettering. Rachel’s breath caught. This wasn’t money. The crate was the size of a coffin, but heavier; the men strained against its weight.

A third figure emerged from the warehouse shadows, checking a tablet. He was older, with a precise neatness to his posture that screamed ex-military. “Careful with that one,” he said, his voice carrying a faint accent. “The boss does not like dents.”

“Yeah, we got it, Anatoly,” the smoking man muttered.

Anatoly. The name was a key turning in a lock. Milo had muttered it once when listing Volkov’s known associates. “His fixer. A ghost.” This was real. These men were real. The crate, heavy with silent, violent potential, was real.

Her phone vibrated against her thigh, longer this time. A call. She fumbled in her bag, her fingers numb. It was Milo. She rejected it. A second later, a text bloomed.

> Where are you? Clayworth is asking. Don’t be an idiot.

She needed proof. She raised her phone, zoomed in, and took a rapid burst of photos. The men, the crate, the license plate of the unmarked truck. The digital shutter click was silent, but light from the screen reflected in her wide eyes.

Anatoly’s head snapped up. He wasn’t looking at her, but toward her general direction, as if he’d sensed a shift in the air. “Finish up,” he commanded, his tone sharpening. “Now.”

The two men heaved the crate into the truck. Anatoly stepped away from the bay door, pulling a phone from his pocket. He spoke low and fast in Russian, his gaze sweeping the darkness.

Rachel pressed herself flat against the pallets, the splinters digging into her back. She heard the truck’s doors slam, the engine rev. The headlights swept across her hiding place as it pulled away. Anatoly remained, illuminated in the cone of the floodlight, staring directly at the space where she was hidden.

He took a single step forward. Then another. His shoes crunched on gravel.

Her heart hammered against her ribs, a frantic drum. She couldn’t run; the open ground between her and the nearest building was a killing field of light. She held her breath. The scent of his cigarette smoke reached her, mixed with cold concrete and her own sharp sweat.

A shout echoed from inside the warehouse. “Anatoly! The manifest is wrong!”

He stopped, his focus broken. With a last, slow scan of the shadows, he turned and strode back inside. The rolling bay door began its mechanical descent with a grinding shriek.

She didn’t wait. She sprinted, her bare feet slapping the cool pavement, avoiding the patches of light. She didn’t stop until she was back behind the gilded façade of the main hall, lungs burning. She leaned against the brick, trembling, and forced her shoes back on.

The texts from Milo were a stack of unread threats. One final message sat at the bottom.

> If you’ve done what I think you’ve done, you’ve already taken too many risks. Go home. Meet at the Diner on 5th afterwards."

She walked back into the gala on unsteady legs. The noise and light felt assaultive. Charles spotted her immediately, lurching up from his chair. “There you are! I was worried.”

“Just needed air,” she said, her voice strangely distant. He pulled her into a clumsy hug, his hands landing on her back. He smelled of port and desperation.

Over his shoulder, she saw Martin Gable on the phone from across the room. He wasn’t smiling.

“Charles,” she whispered, forcing a smile as she pulled back. “I have a terrible headache. Would you mind taking me home?”

His face fell, but he nodded, drunk and eager to please. “Of course. My car is waiting.”

The ride was a blur of his slurred anecdotes and her silent panic. She kept checking the side mirror, expecting headlights. At her apartment building, she let him kiss her goodnight, a dry, grateful peck. “Thank you for a memorable evening,” he said, his eyes glistening.

“It was,” she said, and she meant it.

Inside her empty apartment, the silence was deafening. She changed into jeans and a hoodie, moving on autopilot. She transferred the photos from her phone to a secure cloud drive Milo had set up, then deleted them from her device. Her hands wouldn’t stop shaking.

She grabbed a backpack, threw in a charger, the burner phone, and the green folder with Clayworth’s medical blackmail. She paused, then added a small can of pepper spray from her nightstand. It felt like a pathetic talisman.

The diner on 5th was a twenty-four-hour place with sticky vinyl booths and the smell of old grease. She took a corner seat facing the door, ordered coffee she didn’t drink, and waited. An hour passed. The night cook argued with a delivery driver. A couple fought in hushed, angry tones.

Milo slid into the booth opposite her at three-fifteen AM. He looked like he hadn’t slept. He didn’t speak. He just held out his hand.

She passed him the burner. He scrolled through the photos, his expression not changing. He zoomed in on the Cyrillic on the crate, on Anatoly’s face. He let out a long, slow breath. “You stupid, brave kid.”

“What’s in the crate?” she asked, her voice thin.

“Nothing good. Weapons, likely. Or something worse.” He handed the phone back. “Anatoly Volkov. Viktor’s nephew.

He runs the tactile side." He sipped his coffee, his eyes never leaving hers over the rim of the chipped mug. "Which means if he saw you, or even suspected you, you’re not just a nuisance. You’re a tactical problem to be solved."

The cook dropped a pan in the kitchen with a metallic crash. Rachel flinched. "I don’t think he saw me."

"Your opinion doesn’t matter. His does." Milo set the mug down with finality. "Your apartment is a known quantity. Campus is compromised. You’re not going to either. You’re coming to my place. Just for tonight. To be on the safe side."

"I can take care of myself," she said, the protest automatic and hollow even to her own ears.

"Sure you can." He stood, tossing a few bills on the table. "That’s why you’re barefoot in a dumpster alley taking photos of armed contractors. Come on. I’ve got whiskey that’s better than this swill."

His building was a silent, narrow tomb at four in the morning. The elevator smelled of mildew and industrial cleaner. They didn’t speak. Inside his apartment, the familiar clutter felt different now—less like a lair and more like a bunker. He locked the deadbolt with a solid thunk and engaged the chain.

"Make yourself useful," he said, shrugging off his jacket. He headed for the kitchenette and poured two generous fingers of amber liquid into a glass, not bothering with a second. He handed it to her. "Drink. Your hands are shaking."

She took the glass, the warmth seeping into her palms. She swallowed, the liquor burning a path down her throat, settling a dull heat in her stomach. He watched her, then turned to his desk, shuffling through the chaos of papers.

"So, strategy," he began, his back to her. "Anatoly’s presence means the operation is active and delicate. Weapons procurement, most likely. The blackmail on Clayworth ensures a friendly signature on whatever shipping manifests they need. It’s elegant, in a brutal way."

"We have the photos," she said, leaning against the leather sofa. "And the medical bill. That’s proof, right? We could go to the police."

He laughed, a dry, rasping sound. "With what? Photos of a truck? A doctor’s bill from Switzerland? Gable would have a team of lawyers on it before lunch, and Volkov’s people would have us in a landfill by dinner. Proof is a story. We need the narrative. We need to connect the crate to the money, the money to Volkov, and Volkov to a crime the FBI can’t ignore."

He finally turned, his gray eyes sharp. "Clayworth is our connector. His fear is the key. We use his access, but we have to move faster now. You’ve kicked the hornet’s nest."

The weight of it pressed down on her. She finished the whiskey, the heat now a distant buzz. "So what’s next?"

"You stay here, out of sight. I’ll reach out to a contact in financial crimes, feel them out. You’ll call Clayworth tomorrow, calm him down, keep him close." He ran a hand through his salt-and-pepper hair. "And for Christ’s sake, don’t take any more midnight field trips."

He grabbed a towel from a pile near the desk. "I need a shower. The smell of that diner is in my pores." He walked toward the small bathroom off the living area. "Don’t answer the door. Don’t touch my files."

The bathroom door clicked shut. A moment later, she heard the rush of the pipes and the spray of water.

Alone, the adrenaline finally bled away, leaving a cavernous exhaustion. She stood in the center of his living room, the silence a physical presence. Her gaze drifted over the stacked newspapers, the yellowed ledgers, the half-empty bottle of expensive whiskey. This wasn’t her life. A month ago, her biggest worry was a sociology midterm and whether her campus job would give her enough hours for rent.

Now she had slept with a professor to steal evidence of his blackmail. She had seen men move weapons in the dark. A man named Anatoly had almost caught her. She was hiding in the apartment of a cynical reporter who probably viewed her as a useful idiot. The green folder on Clayworth’s daughter felt like a stone in her backpack.

She thought of her own father, miles away, thinking she was just studying. A lump formed in her throat, hard and aching. She had wanted the truth, but she hadn’t understood its shape, its weight, its cold metallic taste. She wrapped her arms around herself, still in the silly, expensive black dress. It felt like a costume from a play that had turned horrifyingly real.

The water shut off. She didn’t move, lost in the grey expanse of her choices.

The bathroom door opened. Steam curled into the cooler air of the living room. Milo stood in the doorway, a towel slung low around his hips. Water dripped from his hair onto his lean shoulders, tracing paths down the weathered lines of his chest.

His eyes found her immediately. She was silhouetted against the neon bar sign flickering outside the window, the black dress hugging the pronounced curve of her ass, the fabric taut over her thighs where it ended. The exhausted slope of her shoulders, the red hair tumbling down her back—it was a picture of vulnerable, unwitting allure.

A slow, familiar heat kindled in his gut. The strategic distance, the professional cautions he’d recited to himself, evaporated. The chaos of the night, the close call, the raw fear she’d brought back with her—it all distilled into a single, primal impulse. She was here, in his space, tangled up in his mess, and she looked incredible.

Now better than ever, he mused, the thought clear and cold amidst the steam. The fun distraction he’d considered since she first walked into his clutter. The perfect release valve for the night’s tension. She was already in too deep to say no for the right reasons.

He padded forward on silent, bare feet. The carpet muffled his steps. She didn’t turn. She was still gazing out at the neon, utterly unaware.

He closed the distance until he was mere inches behind her. His fingers, still damp from the shower, brushed the fiery cascade of her hair aside. The calloused pad of his thumb traced the line of her bare shoulder, following the thin black strap of her dress.

He hooked a single finger under that strap and pulled it down her arm. The cool air of the apartment kissed her skin a second before his mouth did. His lips were warmer, softer than she expected, pressing a deliberate kiss just above the sharp curve of her shoulder bone.

A jolt, electric and unwelcome, shot down her spine. She stiffened.

“What are you—“

He didn’t let her finish. His hands planted firmly on her hips and spun her around, pressing her back against the cold plaster wall. The impact knocked a faint gasp from her lungs. He leaned in, his body a solid, damp wall of heat, and buried his face in the curve of her neck.

“Milo, stop.” The words were thin, unconvincing.

He didn’t stop. His nose nuzzled the sensitive skin beneath her ear, his breath a hot, rhythmic whisper against her pulse. “You need to get out of this dress,” he murmured, the words slurred with a want that felt more like ownership than desire. “Been thinking about it all night. Since you walked in here looking like a fucking distraction.”

One of his hands slid from her hip to the small of her back, anchoring her. The towel around his hips loosened. It fell away, a whisper of cotton hitting the floor. She felt the hard, urgent length of him press against her ass, through the thin silk of her dress.

A moan escaped her, a traitorous sound of pure physical response. It was shock, and fatigue, and the residual fear from the warehouse, all twisting into something else entirely. Her body arched against its will, melting into the pressure.

“See?” he growled into her neck, his hands moving to the zipper at her side. He tugged it down in one rough, continuous motion. “You’re still wound tight from your little adventure. Let’s fix that.”

The dress slackened. He pushed the fabric from her shoulders, letting it pool around her feet on the floor. She stood there in just her bra and stockings, shivering against the wall. He didn’t give her time to feel exposed. He kissed her, hard, swallowing any further protest.

This wasn’t like Clayworth’s grateful, clumsy fumbling. This was all hunger and technique, a demand for participation. His tongue swept into her mouth, tasting of whiskey and mint. One arm hooked behind her knees, the other behind her shoulders, and he lifted her off her feet.

They tumbled onto the unmade bed, a tangle of limbs and stale sheets. The springs groaned. He was on top of her, his mouth never leaving hers, his hands everywhere. He found the clasp of her bra between her shoulder blades, fumbled with it for a second, and released it.

He peeled the fabric away. His mouth left hers, trailing a hot, wet path down her sternum. He took one nipple into his mouth, his tongue circling the taut peak before sucking, deep and sure.

Another moan tore from her throat, louder this time. Her hands, which had been pushing weakly at his shoulders, now tangled in his damp hair. She hated him. She wanted him. The duality was a knot in her stomach, pulling tighter.

“That’s it,” he said against her skin, his voice gravel. He shifted, reaching for something in the drawer of the nightstand. He pulled out a slender silk tie, navy blue, worn at the edges.

Before she could process it, he had her wrist. He looped the silk around it, quick and efficient, and tied it to the wrought-iron post of the headboard. He did the same with her other wrist, stretching her arms above her head. The position was vulnerable, open.

“Milo, don’t—“

“Shhh.” He lowered himself, his weight settling between her thighs. He didn’t enter her. Instead, he buried his face between her breasts, his stubble scratching the tender skin. He inhaled deeply, a shudder running through him. “Christ, you’re perfect. A perfect, complicated problem.”

He kissed the swell of each breast, his movements slowing, becoming almost reverent. The contrast between the binding and his sudden tenderness was dizzying. She moaned again, a low, helpless sound that was equal parts frustration and aching need.

The situation was absurd, dangerous, and she was utterly, physically trapped within it. His mouth was a brand on her skin, his hands pinning her hips to the mattress. She stopped fighting the silk ties. She stopped fighting anything. A numb, transactional acceptance washed over her, colder than fear. This was the price of the alleyway, of the photos, of stepping into his world.

He entered her in a single, deep stroke. She gasped, her back arching off the bed, a sharp fracture of sensation. There was no gentleness, no preamble, just a relentless, claiming rhythm. The headboard knocked a dull, steady beat against the wall. She turned her face into the pillow, the fabric scratching her cheek, her mind separating from the grinding physicality of it.

He finished inside her with a low, guttural sound, his body shuddering against hers. He collapsed, his weight heavy and suffocating.

For a long minute, the only sound was their ragged breathing mingling in the dark. He shifted his weight off her, the loss of heat immediate and jarring. He untied the silk bindings from her wrists with brisk, impersonal tugs, his fingers brushing skin already chafed and tender.

She pulled her arms down, flexing her fingers, not looking at him. The cool air raised goosebumps on her damp skin. She stared at the water stain on the ceiling, shaped like a crumbling continent.

He propped himself on an elbow beside her. His fingers, surprisingly gentle now, traced a path from the nape of her neck down the knobs of her spine. He kissed each vertebra, a slow, thoughtful procession. “We should do this more often,” he mused, his voice a raspy vibration against her skin. “Good for morale. Clears the head.”

She didn’t answer. Her body felt used and strangely empty, a hollow vessel. She focused on the peeling paint near the window frame.

He nuzzled the sensitive spot where her neck met her shoulder, his stubble scratching. “Strategy,” he said, as if picking up a meeting. “Clayworth. You see him tomorrow. Be sweet, be sorry you left the gala early with a headache. He’ll forgive you.” His lips moved against her skin as he spoke. “You need that access more than ever now. The warehouse proves they’re moving physical product. We need to know where it goes from campus.”

His hand swept her hair aside. He kissed down the length of her back again, a possessive punctuation. “Stay close to the professor. He’s our only open door. Use whatever leverage you have.”

The instruction was clear. The means were now disgustingly explicit. She finally moved, rolling away from him and off the bed. She gathered her clothes from the floor, her movements stiff. She dressed in silence, not bothering with the ruined stockings.

He watched from the bed, a faint, satisfied smirk playing on his lips. He made no move to stop her or get up.

At the door, she hesitated, her hand on the deadbolt. She didn’t know why she paused. He crossed the room, still naked. He cradled her face in his hands, his thumbs stroking her cheekbones. He looked into her eyes, searching for something.

He found only a flat, green exhaustion. He kissed her goodbye, a soft, lingering press that tasted of salt and compromise. “Text me after you talk to him,” he murmured against her mouth.

Then he opened the door for her. She stepped into the hallway without a backward glance.

The next morning, her own apartment felt like a museum of a simpler life. She showered until the hot water ran out, scrubbing hard. She called Charles just after eleven, pitching her voice into a wispy, apologetic register.

“Charles, it’s Rachel. I’m so sorry about last night. The wine, the noise… I just crashed.”

“Rachel! Don’t you dare apologize,” his voice bubbled with relieved warmth. “I was worried I’d overwhelmed you. It was a lot for a first date. Are you feeling better?”

“Much. Just embarrassed.” She twisted the phone cord around her finger. “Can I make it up to you? Buy you a terrible coffee from the library cart?”

He met her in the philosophy section, surrounded by the smell of old paper and dust. He looked tired but happy to see her, accepting the paper cup with a smile that reached his eyes. As they talked about nothing—an upcoming lecture, the awful coffee—he guided her gently by the elbow toward the administrative wing.

“I’ve got to drop this form at the trustee’s office. Walk with me?”

They turned a corner into a wider, carpeted hallway lined with oil portraits. Martin Gable stood outside an office door, talking in low tones with a man holding a clipboard. He finished his conversation and turned, his gaze landing on Charles, then sliding to Rachel.

Recognition flickered in his eyes. Not the vague glance from the gala, but a sharp, reassessing stare. He’d seen her with Charles last night, the distressed student. Now, in daylight and jeans, he was placing her.

“Charles,” Gable said, his booming voice moderated for the hallway. “And you must be the star pupil I heard about. Rachel, correct?”

“Yes, sir. Rachel Morgan.” She extended her hand. His grip was firm, dry, and held a beat too long.

“A pleasure. You made quite an impression last night. Left early, though. Everything alright?”

“Just a migraine,” she said, offering a small, embarrassed smile. “All that glitter was a bit much for me.”

Gable chuckled, a rich, performative sound. “Well, we’re having a more intimate gathering at my home tonight. A small party for a visiting benefactor, Victor. Much less glitter, much better whisky.” His eyes pinned her. “You should both come. Charles, bring her. Around eight.”

It wasn’t a question. Charles looked surprised, then flattered. “Well, that’s… incredibly kind, Martin. We’d be delighted, wouldn’t we, Rachel?”

The invitation hung in the air, a baited hook. She felt the weight of Milo’s instruction: Stay close. Use whatever leverage. This was the inner circle.

“We’d love to,” Rachel said, her voice perfectly steady.

“Excellent.” Gable’s smile didn’t touch his cold eyes. “It’s settled.” He gave a curt nod and disappeared into his office.

In the hallway, Charles beamed. “See? I told you you belong in these circles!”

As soon as she could, Rachel excused herself and texted Milo from a bathroom stall. > Met Gable with Clayworth. Invited to a party at Gable’s house tonight. For a ‘visiting benefactor named Victor.’

The reply was instant. > Volkov. You’re in. Go. Listen. Record if you can. Be the pretty, curious student. Nothing more.

That night, she wore a emerald green dress. It was backless, with a neckline that plunged and a skirt that clung to every curve before flaring just above the knee. It showcased every asset she had. Looking in the mirror, she didn’t see a student. She saw a weapon, polished and sharpened.

Charles whistled low when he saw her. “My god, Rachel. You’ll be the most beautiful woman there is.”

Gable’s mansion was a monument to cold, modern wealth, all glass and steel and severe angles overlooking the city lights. The “intimate gathering” was thirty people in a room meant for two hundred, making the space feel both empty and oppressively watched. A string quartet played in a corner, the music swallowed by the low murmur of power.

She saw Viktor Volkov immediately. He stood by a monolithic fireplace, a crystal tumbler in his hand, not drinking. He was bald, thick-necked, and utterly still, his cold blue eyes scanning the room like a surveillance camera. He was the void at the party’s center.

Charles was quickly drawn into a conversation with a department head about budget allocations, his attention fully captured. Rachel lingered near a bookshelf, sipping mineral water, mapping the room. She felt a presence at her shoulder.

“It’s a remarkable collection, don’t you think?” Martin Gable’s voice was smooth, close. He gestured to the floor-to-ceiling shelves of leather-bound books. “First editions. Many are just for show, of course. But some are truly rare. Would you like to see the study? The more interesting pieces are in there.”

It was a command disguised as an offer. She nodded, a polite smile on her lips. “I’d love to.”

He led her down a quiet hallway, away from the music and chatter. His study was a warmer space, paneled in dark wood, smelling of cedar and cigar smoke. He closed the door behind them with a soft, definitive click.

“This is my real sanctuary,” he said, moving to a glass case. He began pointing out volumes, speaking about binding techniques and provenance. His voice was a cultured drone.

He stood behind her as she looked at a displayed manuscript. His hand settled lightly on her waist, just above the dip of her hip. She kept her eyes on the faded ink, her body perfectly still.

His hand began to move, sliding down from her waist, over the curve of her hip. His fingers traced the seam of the green fabric where it hugged the swell of her ass. He continued talking about 18th-century French philosophers, his tone unchanged.

The touch was deliberate, assessing, and utterly devoid of passion. It was a claim. She pretended not to notice, nodding slightly at something he said about Voltaire, her blood turning to ice in her veins. His palm rested fully on her, warm and heavy through the silk.

The weight of his hand was a brand through the silk. Rachel kept her eyes locked on the glass case, on a first edition of Rousseau’s Confessions. Her smile felt carved from plaster. She could smell his cologne, something expensive and woody, undercut by the sharp, dry scent of the cigars in the humidor on his desk.

“The binding is entirely hand-stitched, of course,” Gable continued, his voice a cultured murmur right by her ear. His fingers flexed slightly, digging into the soft flesh of her ass. “A lost art. Everything today is machine-made. Disposable.”

He finally pulled his hand away, but the heat of it lingered. He moved to his desk, a massive piece of carved oak. “This, however,” he said, unlocking a small cabinet with a key from his chain, “is the crown jewel. A manuscript fragment from the Ming Dynasty. Not for public display.”

While his back was turned, Rachel’s gaze swept the desk. Neat stacks of paper. A daily planner open to today’s date. And half-buried under a financial journal, a single sheet with a familiar logo at the top: Brennan University Logistics. Her pulse jumped. She took half a step closer, pretending to examine a globe on a stand.

Gable lifted a slim, lacquered box from the cabinet. He didn’t open it. He was too busy looking at her. His eyes traveled from her face, down her neck, over the plunge of her neckline, settling on the bare skin of her shoulder.

“You have remarkable self-possession for someone so young,” he said, abandoning the pretense of the artifact. He set the box down and moved toward her again. “Charles is a very lucky man. A bit… soft, but lucky.”

He reached out. His thumb hooked under the thin strap of her dress where it lay on her shoulder. He didn’t pull it down. He just rested it there, his touch impersonal, like he was checking the quality of the fabric. “He doesn’t appreciate what he has. Not really. Men like him never do. They get fascinated by the surface. The color.” He twirled a strand of her red hair around his finger. “They don’t understand the value beneath.”

Rachel’s breath was shallow. She could see the edge of the logistics form from here. A column of numbers. A destination code.

“Look at this,” Gable said, his voice dropping as if sharing a secret. He finally tugged the strap. It slid down her arm. The air in the study was cool. He leaned in and pressed his lips to the exposed curve of her shoulder. It wasn’t a kiss of passion. It was a stamp. A chill, wet brand.

Her skin crawled. She didn’t pull away. She shifted her weight, bringing her clutch purse up to her chest as if flustered, the movement awkward and girlish. The strap of her dress slipped further. “Mr. Gable, I…”

“Martin.” he corrected, smiling against her skin. He straightened up, looking pleased with her reaction. “We’re past formalities, I think.”

His lips brushed the sensitive skin beneath her ear, then slid lower, kissing the curve of her neck. His hands rose to knead the weight of her breasts through the thin silk of her dress, his fingers finding the hard peak of her nipples.

Rachel arched her back with a practiced sigh, tilting her head to give him better access. “Oh…” she breathed, the sound slipping out with more authenticity than she intended.

His mouth was a wet pressure against her neck, a slow, possessive exploration that made the fine hairs on her arms stand up. She let out a soft, shuddering moan, a performance that coiled tight in her throat, as the solid ridge of his erection pressed insistently against the curve of her ass through their clothes. “Much better,” he murmured, his voice thick with a smug satisfaction that made her stomach turn.

His lips trailed a damp path down the nape of her neck to the top of her spine. One hand slid from her breast to the small of her back, fingers fumbling for the hidden zipper of her dress. The sound of the teeth separating was obscenely loud in the quiet room, a slow, metallic whisper as the fabric loosened, exposing her back to the cool, book-lined air.

“A man in my position,” he said, his breath hot between her shoulder blades, “deserves a little fun, don’t you think?” The dress gaped open, slipping halfway down her shoulders, baring the clasp of her bra.

As he fiddles with her bra strap, The heavy oak door swung inward with a soft groan.

A young waiter in a white jacket stood frozen on the threshold, a silver tray holding a bottle of cognac and two glasses held rigidly in his hands. His eyes, wide with panic, darted from the half-unzipped dress to Gable’s livid face. He looked like he wanted to vanish into the Persian rug.

“What is the meaning of this?” Gable’s voice was a whip-crack, all pretense of cultured charm gone. He stepped in front of Rachel, a futile attempt to shield the scene, his body rigid with interrupted fury. “Get out. Now.”

The waiter stammered an apology, backing out so quickly he nearly tripped. The door clicked shut, leaving a silence more profound than before.

Martin Gable let out a long, irritated breath, his shoulders slumping. He turned back to Rachel, who stood perfectly still, holding the front of her dress to her chest. He reached out and tugged the fabric back over one shoulder, his touch now brusque, businesslike. “This is unfortunate,” he pouted, his lower lip protruding in a childish display of frustration that was somehow more unsettling than his lust. “A… postponement. We’ll continue this another time, Rachel. I insist.”

He adjusted his suit jacket, the earlier predator replaced by a distracted executive. Without another glance, he walked out, the study door closing with a firm, final sound.

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