Cover of The Silken Chains of Submission

The Silken Chains of Submission

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Sara is a rich Indian girl living alone in an apartment in London. Sara is currently a Phd student. She wants to explore her side which enjoys bdsm and exhibitionism. Sara has an online master in India who controls her and he fills her apartment with webcams to control and dominate her every movements. Everything in her apartment has the potential to be used on her. Sara loses all her inhibitions and becomes a no limits slave.

Chapter 3: The Kitchen Utensil

The bruises from the plug were a deep, permanent sunrise beneath my skin. Sitting was an act of concentrated focus, a sharp reminder settling into the muscles of my ass whenever I shifted in the desk chair. I typed, the academic prose on my screen a flimsy curtain over the raw, throbbing memory of the machine. The words—“postcolonial hegemony,” “diasporic identity”—felt like artifacts from a dead language. My real text was written on my body, in welts and aches and a hollow feeling that had nothing to do with hunger.

A chime. Not the tablet. The kitchen timer I’d set for my tea. A normal sound. It felt like a trap.

I rose, the movement carefully calibrated to minimize the flare of pain. The floor was cool under my bare feet. I padded to the sleek, sterile kitchen, every appliance a potential spy. The city lights beyond the windows were beginning to blink on, indifferent.

“Make a proper meal.” His voice was casual, as if commenting on the weather. “You’ve been neglecting your sustenance. Something simple. A stir-fry. Use the vegetables in the chiller.”

A normal command. Concerned, even. I knew better. The ordinariness was the set-up.

I opened the stainless steel refrigerator. The light was brutally bright. Crisp packets of bok choy, scallions, a red pepper. And on the bottom shelf, a thick, firm, dark green zucchini. It was almost a foot long, ridged, cold to the touch even through the plastic.

“Take the zucchini. Wash it.”

My hand hesitated. I knew. Of course I knew. A cold dread, laced with that familiar, treacherous thrill, pooled in my stomach. I removed it, the vegetable unnaturally heavy. I ran it under the tap, the water beading on its waxy skin.

“Dry it. Now, prepare your other ingredients. You’ll need the knife.”

I laid the zucchini on the cutting board. I took the chef’s knife from its block, its weight solid and purposeful. I began slicing the scallions into precise rings, the knife a steady thwack against the wood. The pepper followed, crimson flesh falling into neat strips. My movements were robotic. I was waiting.

“Enough preparation.” His voice dropped, taking on that surgical precision. “Turn around. Bend over the island counter. Present yourself.”

I turned, leaning forward until my breasts pressed against the cold granite. The scene from yesterday flashed—the window, the machine—but this was more intimate, more absurd. This was my kitchen.

“Now, reach back. Take the zucchini. Slide it into your cunt. I want to see how much of it your greedy little hole can take.”

I reached for it. The skin was still damp, cool and unyielding. I guided it between my legs, the blunt, rounded tip nudging against my entrance. I was already wet. The shame of that automatic response was a burn on my cheeks. I pushed.

The initial stretch was shocking. It was so cold, so solid, so utterly foreign. Not silicone, not flesh. Vegetable. I gasped as the thick head breached me, my inner muscles clenching in protest before reluctantly yielding. I pushed it deeper, an inch, then two, the ridged skin dragging against my sensitized walls. A low moan escaped me. It was full, so impossibly full, a crude, stretching fullness that had nothing to do with pleasure and everything to do with obedience.

“All of it,” he commanded, no trace of warmth. “I want to see the base flush against your skin.”

I shuddered, pushing again. The length of it sank deeper, a cold invasion reaching places that made my knees weaken. The flared end, where the stem had been, settled heavily against my labia. I was impaled on a piece of produce, bent over my own kitchen counter.

“Good. Now, continue your work. Chop the bok choy.”

Tears blurred my vision. I straightened, the movement causing the zucchini to shift inside me with a terrible, solid weight. I returned to the board, picked up the knife. Every chop sent a jolt through me. The rhythm of the blade—thwack, thwack, thwack—became a counterpoint to the pulsing fullness in my cunt. I tried to focus on the pale green stems, but my hips began to move of their own volition, a tiny, rocking motion, fucking myself on the cold, unfeeling vegetable.

“That’s it,” he purred. “Use it. It’s your tool. Fuck yourself on it while you work. Faster.”

I obeyed, my breath hitching. The rocking became more pronounced, a clumsy, desperate rhythm. Thwack with the knife, slide with my hips. The zucchini moved in and out, a shallow, wet pumping. The sound was obscene, a slick, sucking squelch that filled the quiet kitchen. My juices coated it, making the push and pull easier, smoother. I was fucking myself with a vegetable, and my body, the traitor, was responding. Pleasure, sharp and incongruous, began to spike through the degradation.

“Don’t stop chopping.” His voice was hard now. “Faster with both. I want to see you come apart.”

I accelerated the knife, a frenzied, uneven chop. My hips pistoned, taking more of the length, slamming the base of it against my clit with every inward thrust. A desperate, keening noise was building in my throat. The two rhythms merged—violence on the board, violation between my legs. The coil in my belly wound tighter, tighter, fed by the sheer absurd filth of it.

I came with a choked, broken scream. My body convulsed, the knife clattering from my hand as I gripped the edge of the counter. My cunt clamped and fluttered around the cold, thick vegetable, milking it in waves of blinding, shameful ecstasy. My legs gave way, and I sagged against the island, knocking a ceramic bowl. It hit the floor and shattered with a catastrophic crash, pieces skittering across the concrete.

Silence, except for my ragged panting. The zucchini slipped partway out, a horrible, empty feeling.

“Look at the mess you’ve made.” Disappointment. That was worse than anger. “Clean it up. Now. Do not remove your… implement.”

Still throbbing, dripping, I slid to the floor. I picked up the larger shards with trembling fingers, the cool air hitting my spread thighs. I fetched the dustpan and brush, sweeping the smaller pieces, every movement a reminder of the object still lodged inside me. I was a naked woman, cleaning her kitchen floor with a zucchini in her cunt. The reality of it was a stone in my soul.

When the last fragment was disposed of, I knelt, awaiting the next command.

“Remove it.”

I reached between my legs, wrapped my fingers around the slick, cool base, and pulled. It slid out with a wet, hollow pop. I held it, glistening under the recessed lights, coated in my own release. It looked debauched.

“Now,” his voice was softly compelling. “Eat it. Take a bite from the end you were using. Taste your submission. Taste what you are.”

A new barrier shattered. This was a line my mind had never even drawn. Bile rose in my throat. I stared at the damp, ridged skin.

“Now, Sara.”

I raised it to my lips. The scent was earthy, mixed with the tang of my own arousal. I opened my mouth. I bit.

The crunch was deafening in the silent apartment. The flesh was cool, bland, slightly bitter. But the knowledge—the fucking knowledge—of where it had been, what it had done, made the mouthful a profound, psychological violation. I chewed, the texture gritty, forcing myself to swallow. It sat in my stomach like a leaden truth.

“Finish it.”

I took another bite. And another. Methodically, I ate the entire used length, down to the stem. Each crunch was a sacrament of degradation. I was consuming my own act, making it a part of me in the most literal way. When it was done, I was empty, inside and out, and full of something else entirely.

“Go to your desk. You have two more hours of writing. The chapter on cultural hybridity awaits.” The switch back to academia was jarring, a cruelty in itself. “And Sara? Tomorrow, a guest will be joining you for lunch. A colleague from your department. A Dr. Alistair Finch. You will cook for him. Here. You will, of course, be dressed appropriately for a hostess.”

My blood froze. A guest. Here. The apartment that was no longer my home, but his studio. My nakedness was my uniform.

“What… what does appropriately mean, Master?”

His chuckle was a low, dark vibration. “It means you will wear the apron. Nothing else. I expect you to be a gracious host. Now, get to work.”

I stumbled back to my desk, the taste of zucchini and shame coating my tongue. The words on my screen swam. Cultural hybridity. The liminal space. I was living in that space, a phantom in my own life. And tomorrow, I would have to serve tea and discourse to Dr. Finch, with only a strip of fabric between my world and his, while my Master watched. The terror was pristine. It focused the mind like nothing else.

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