Cover of The Space Between Us

The Space Between Us

Read the story

40 chapters · 148032 words · Read 2 times

It’s late afternoon, and you, a screenwriter turned customer service insurance rep, just picked up your daughter, Juliet from Pedro’s place for the weekend. Pedro’s in the living room, looking tired but trying to keep things calm. His eyes meet yours for a quick moment before he turns to Juliet, who runs straight into your arms. Things have been tense since the divorce—especially after Pedro, a dynamic actor/director cheated on you with Emily, an D list actress, who he might be with still- you don’t know because you refuse to ask. You both still share custody, but every time you’re around him, it feels a little awkward. ALL CHARACTERS OVER 18

Chapter 1: The Unspoken Tension on the Doorstep

The door swung open before she could knock, revealing not Pedro but the dim, sun-dappled hallway of his apartment. Furniture was pushed haphazardly against the walls, half-packed boxes littering the floor like awkward monuments to indecision. The air smelled of stale coffee and, underneath, the faint, bitter tang of old perfume—Emily’s, probably. It clung to the worn rug where Juliet’s tiny sneakers had just left prints.

“Hey, kiddo,” Pedro said, his voice a low rumble as he crouched to Juliet’s level. He didn’t look at Cylene.

“Hi, Daddy.” Juliet’s voice was small, her backpack almost as wide as her. She shuffled past him, her eyes darting between her parents for a half-second before she disappeared into the living room where a cartoon blared.

Then it was just them, standing in that liminal space of the open doorway. Pedro straightened. He still wore the same cologne, something woody and sharp she’d bought him for a birthday years ago. The familiarity of it was a physical blow, a ghost of their marriage lingering like an unpaid debt.

He finally looked at her, his gaze doing a quick, assessing sweep. “You look good, Cylene,” he murmured, his tone implying the opposite.

He reached for Juliet’s backpack, his fingers brushing hers in the transfer. The contact was electric and awful. She pulled her hand back as if scalded.

“Thanks,” she said, the word brittle. She focused on a stack of boxes labeled ‘KITCHEN’ in sloppy marker. “Packing? Or unpacking?”

“A bit of both.” He shrugged, leaning against the doorframe. He was wearing a tight black t-shirt, the kind he knew she’d always liked. It felt like a calculation. “You look exhausted, though. Seriously. You sleeping?”

The question, dressed as concern, was a needle. She felt the prickle of it deep in her chest. He didn’t get to ask that. He didn’t get to use that soft voice anymore.

“I’m fine,” she said, too quickly. “Just a lot of overtime.”

“At the studio? I thought things had dried up since…”

“Since Emily stole my scripts and said I plagiarized her? Yeah, they dried up. But you know that and have done nothing to correct the truth when you SAW me write the original script by hand.” The words came out clipped, metallic. She saw a flicker in his eyes—unsure if it was annoyance, not remorse. He was tired of this refrain. Well, so was she. She was tired of living it. “The overtime isn’t at a studio, Pedro.”

He waited, saying nothing. The silence was a trap, inviting her to fill it, to confide. She hated that she still wanted to, sometimes.

She looked past him, into the chaotic apartment. “Where’s Emily this weekend?” she asked, her voice dangerously casual.

His jaw tightened. “She’s not here.”

“Is she in the city?”

“What does it matter? She’s not around Juliet. I follow the rules.” He said it defensively, which meant it was a sore spot. The divorce decree was explicit: if Emily was present during his custodial time, he lost unsupervised visits. It was the one claw-mark of victory Cylene had managed to scrape onto the legal documents.

“It matters because the rule isn’t ‘not around her,’ it’s ‘not in the same city as her.’ You know that.”

“She’s mostly out of the picture, okay?” he snapped, then immediately softened, running a hand through his hair. “It’s on and off. Mostly off lately. It’s just me and Jules this weekend. Scout’s honor.”

Cylene nodded, swallowing the acid taste of distrust. She believed him, mostly. His love for Juliet was the one unassailable thing about him. His poor judgment regarding everything else was the problem.

“Mommy?” Juliet appeared, clutching a crumpled drawing. “I left this for you. It’s you and me and Daddy at the zoo. From before.”

Cylene took the paper, the crayon lines blurring for a second. “It’s beautiful, bug. I’ll put it on the fridge.” She forced a smile. “You have everything? Pajamas? The book for your project?”

“It’s in my bag, Mom.”

“Okay.” She kissed the top of her daughter’s head, inhaling the scent of apple shampoo. “Be good. Listen. Love you bigger than the sky.”

“Love you bigger than the universe,” Juliet whispered back, their old ritual. Then, quietly, she added, “I wish you were staying too.”

The words, innocent and devastating, hung in the perfumed air. Pedro looked away, suddenly fascinated by a watermark on the ceiling.

“I’ll see you Sunday evening,” Cylene said, louder than necessary. She gave Pedro a curt nod. “Have her call me tonight.”

“She always does.” He shifted his weight. “So, if it’s not the studio… where’s the overtime? You’re not overdoing it, are you? You know the child support is there to help with the bills. You don’t have to kill yourself.”

He didn’t know. The realization was a small, bitter triumph. He had no clue she spent her days now in a cubicle, wearing a headset, explaining deductible structures to angry strangers. That she came home with her ears ringing and her soul numb. That the child support, which she funneled directly into a savings account for Juliet’s future, might as well not exist for all the good it did her checking account. The bills were hers alone. The shame of the career death was hers alone. The overdue notices from the dentist, the car repair that tapped her out—all hers.

She met his eyes, the green of hers hardening. “The child support is for Juliet. I use it for Juliet,” she said, each word a stone placed carefully in a wall between them. “The overtime is my business. I have to work a lot since I lost my career. So yeah, I’m tired.”

She turned before he could offer pity, or worse, a solution. She walked down the hallway, her heels clicking a firm, final rhythm on the linoleum. She didn’t look back. She felt his gaze on her until she turned the corner for the stairwell.

Outside, the city air was a relief. She sat in her car, the engine off, and stared at the drawing on the passenger seat. The three of them, holding hands, a smiling sun in the corner. A before.

She rested her forehead on the steering wheel. The fatigue was a weight, pressing her into the worn leather. She allowed herself one minute to feel it, to breathe in the solitude. Then she sat up, straightened the drawing, and started the car. The overtime shift started in ninety minutes. The rent payment on their one bedroom apartment was due.

The drive to the office was a blur of brake lights and escalating dread. The call center occupied the third floor of a beige concrete box in a business park that had all the charm of a warehouse. Inside, the air was cool, stale, and smelled of recycled air and regret. Rows of identical cubicles stretched out under the relentless glow of fluorescent lights, a low murmur of voices punctuated by the occasional sharp laugh or frustrated sigh.

Her cubicle was a tomb of minimal personal effects: a photo of Juliet at the beach, a single dying succulent, and a notepad where she’d doodled script ideas she knew she’d never write.

“Logging in, Cylene?” her team lead, Ben, asked, poking his head over the partition. They used real names here, not professional aliases. It was supposed to ‘foster trust.’ Cylene. It felt like a skin she’d borrowed and couldn’t take off.

“Just did,” Cylene said, forcing a smile. Her headset was already on, a plastic weight against her temple.

The first call flashed on her screen. A policy number, a name. She clicked ‘ANSWER.’ “Thank you for calling Safe Harbor Insurance, this is Cylene, how can I provide excellent service for you today?” The script was a muscle memory, oily and automatic.

The voice on the other end was elderly, shaky. “My roof… the storm last week… the water came in…”

Cylene guided him through the claim process, her voice a calm, practiced monotone. Inside, a part of her was screaming. This was what her words were for now. Not crafting dialogue that made audiences feel, but explaining coverage limitations in triplicate.

Her second call was a man, angry, his voice a drill in her ear. “The estimate is a joke! You people are thieves! I pay my premiums!”

“I understand your frustration, Mr. Henderson. Let me pull up the adjuster’s report…”

“Don’t pull it up, fix it!”

She took a slow breath, her eyes drifting to Juliet’s picture. This paid for the dentist. This paid for the roof over her head. This was the life Emily stole. The thought was a hot coal in her stomach. Emily, with her predatory smile and casual lies, was probably in some studio lot right now, being praised for her brilliant characters, her sharp dialogue. Pedro’s perfume clung to Cylene’s sweater, a ghost hand around her throat.

The next call was a woman, her tone brittle with suspicion. “I just want to make sure I’m covered. My last company screwed me over.”

“We’ll make sure you have a clear understanding of your policy,” Cylene recited. She read the definitions, the exclusions, the legal loopholes. It was dry, complex text. She’d once made audiences weep with a four-line monologue. Now she made them confused, then angry.

During a lull between calls, she opened a blank document on her secondary monitor. A fragment of dialogue popped into her head, a character from her stolen script—a woman standing at a window, looking at a life she no longer recognized. Her fingers flew over the keys.

MARIA

(quietly, to the glass)

You promised me the view. You didn’t say it was a panorama of everything I lost.

“Cylene? You on standby?” Ben’s voice again, too close.

She minimized the window, her heart thumping. “Yes. Just… noting a policy nuance.”

He gave her a look that said he didn’t believe her but didn’t care enough to push. “Good. Keep up the good work. CSAT scores are looking tight this month.”

The final call of her shift came through. A man, smooth-voiced, almost amused. “Yeah, I need to add my new wife to the auto policy.”

Cylene clicked through the screens. “Certainly, sir. I’ll just need her full name and driver’s license number.”

“Emily,” the man said. “Emily Sharpe.”

Cylene’s finger slipped, hitting the wrong key. The world narrowed to the fuzzy gray fabric of her cubicle wall. It couldn’t be. A different Emily Sharpe. It had to be.

“License number?” she heard herself ask, her voice sounding far away.

He recited it. The number was familiar. Pedro had texted it to her once, years ago, when they’d all gone skiing and Emily had rented the equipment. A string of digits forever etched in her mind alongside the memory of Emily laughing as Pedro helped her with her boots.

Cylene’s screen asked for a relationship to the insured. Spouse.

Her cursor hovered. The man was humming. It was a tune from a movie. Her movie. The one currently in pre-production, the one with her scripts, her dialogue. This man, this happy, humming man, was probably a producer. Or a director. And he was marrying the woman who had taken everything.

“Hello? You still there?”

“Yes,” Cylene whispered. Then, summoning every ounce of professional grace she had left, she said clearly, “I’m sorry, sir, but it appears there’s a system error preventing the update at this moment. You’ll need to call back during our next business hours.”

She ended the call. The automated system logged her out. Her shift was over.

She sat perfectly still in the humming silence of the after-hours call center. The photo of Juliet smiled up at her. The dying succulent looked parched. The doodles on her notepad were the frantic scratches of a caged animal.

She removed her headset, placed it neatly on the desk, and stood. Her body moved on autopilot: collecting her purse, her jacket, waving a numb goodbye to the few remaining coworkers. The elevator descended. The parking garage was cold and smelled of damp concrete. She found her car. She got in. She locked the doors.

And in the absolute, utter privacy of her four-door sedan, in a concrete cave under a beige building, far from the perfumed ghosts of her past and the smiling lies of her future, she finally let go.

She cried silently. Her shoulders shook without a sound. Tears cut hot paths through the makeup she’d applied that morning to look "fine" for Pedro. They fell onto the steering wheel, onto the zoo drawing still waiting on the passenger seat. She cried for the lost scripts, for the stolen career, for the humiliation of explaining deductibles. She cried for the smell of Pedro’s cologne and the way it still felt like home even when he wasn’t. She cried for Juliet’s wish in the hallway, and for the universe of love that couldn’t fix a leaky roof or a broken copyright. She cried until her throat ached and her eyes were raw, the only sound the occasional shudder of her breath and the distant hum of a ventilation fan.

When it was done, she wiped her face with the heels of her hands, smearing the dampness. She took three deep, jagged breaths. She started the car. The headlights cut two sharp paths through the darkness. She had to get home. The dishwasher was broken. Juliet’s science project was due Monday. The rent on their one-bedroom apartment was due.

Read on DreamPress

Write your own erotic story with AI