Cover of The Time Traveler of Skenderaj

The Time Traveler of Skenderaj

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vanja is 32, born in Serbia but moved abroad in her 20ies, she speaks several languages, including english, serbian, spanish, german, and has phd in history. while doing research on kosovo war and 1990 ies, she starts learning albanian and decides to go to kosovo. her best friend dragana lives there and vanja's own grandparents on her mother side left kosovo in 1960ies. the city vanja was born in is unknown-but its known its south east serbia and that her father was in serbian army in 1999- he is and was a good man and helped many people on both sides, he never spoke about it. the year is 2026, vanja expects to do her research and understand things better. she does not expect to wake up in 1991 in an apartment in skenderaj/srbica with new identity and as 23 years old. the apartment is large and nice, and she is there alone. the neighbour she sees asks her about her studies in germany, vanja is shocked but goes along. she finds a diary with 2 pages written about hewr current life. she looks the same, as she looked very young even at 32, she is tall, beautiful, with long golden blond hair, thick and wavy, golden green eyes, perfect nose and lips, high cheekbones, she has amazing body, with huge tits and ass and tiny waist and long legs. she finds a german passport next to her yugoslavian one and the name vanja vasojevic- which is not her real surname. she knows she is in adem jashari's area, close to prekaz and that their tribe is kuci, which is same as her grandma's tribe- but her grandma's tribe became serbian and took orthodoxy. jasharis are muslim but proud kuchi and albanian/ she rememebrs some things but not the details and she needs to survive and understand where does she go in this world where she does not know anyone. she is both scared and excited, she is living the history she researched. vanja with fresh degree and knowledge of langauges, tries to find a job and better understand political situation. she meets protesting students, the young and future uck fighters, and she slowly becomes familiar with adem jashari. she is a beautiful woman who from what they knew lived in germany, and she purposly makes comments that make them think she is at least part albanian, she is very unclear about her grandparents, how she has the apartment (she does not know it herself). exicting and few years of life and eventual romance

Chapter 2: The Shadow at the Door

The green door felt like a lid on a tomb. Vanja stood in the dim hallway, her back pressed to the cool plaster, listening. No footsteps followed. Only the distant, persistent murmur of the town—a cart’s wheels on stone, a radio’s warble from an open window. And the watcher’s silent presence, bleeding through the leaded glass of the sidelight.

He was a silhouette. Patient. Professional.

Panic, cold and rational, crystallized into a plan. She could not be a prisoner in this curated apartment. She was a historian in the archive of the living; she needed to read the room.

She moved silently back up the stairs, past her own door on the third floor, and continued up to the fourth. The building was old, Ottoman-era, full of forgotten spaces. At the end of a dusty corridor hung with drying laundry was a small, square window looking out over a tangled courtyard and the warren of roofs beyond. The latch was rusted but yielded with a muffled squeal and a firm tug. She slid her body through the opening, dropped onto a lower clay-tiled roof, and landed with a soft thud in a narrow alley that smelled of cat urine and wet earth.

She was out.

The map in her mind, compiled from historical surveys and oral histories, superimposed itself over the reality. She knew the logic of these old towns—the main arteries for commerce, the winding sokak for families, the hidden passages for everything else. She moved with purpose, not running, but with the brisk, assured pace of someone with errands. Her boots scuffed on the cobbles. She passed an open workshop where a man bent over a wooden loom, the rhythmic clack-clack-clack like the ticking of a slow clock. A group of old men, their faces walnut-brown and creviced, watched her from a bench with the passive, all-seeing eyes of ancient statues.

The sounds of the protest were gone, swallowed by the labyrinth. The tension, however, had not dissipated. It had seeped into the masonry, into the air itself, a low-frequency hum beneath the normalcy.

She found the café not by looking for a sign, but by following the smell of thick coffee and the dense cloud of cigarette smoke curling from a recessed doorway. It was a dim, low-ceilinged room, walls stained ochre from decades of tobacco. A handful of men sat at small tables, some reading newspapers, others speaking in low, urgent tones. The language was primarily Albanian, but she caught snippets of Serbian from a corner table.

Vanja took a seat near the back, behind a stone pillar that offered a sliver of privacy. She ordered a coffee from a bored-looking waiter who didn’t ask questions. The cup arrived, thick and muddy in a small brass xhezve. She held it, letting the heat seep into her palms, and listened.

Two men at the table closest to her pillar were the source of the Serbian. One was thick-necked, his police uniform tunic unbuttoned at the collar. The other was thinner, younger, dressed in cheap civilian clothes, his fingers nervously tapping a pack of Drina cigarettes.

“...another month of this, and they’ll be throwing more than rocks,” the policeman muttered, draining a glass of slivovitz. “They’re organising. It’s not just kids anymore.”

“What do you expect?” the younger man replied, his voice barely above a whisper. He glanced around. “They shut their schools, their factories… you push a man into a corner, he comes out fighting.”

“He comes out dead,” the policeman grunted. “That’s what comes out. My orders are clear. Keep the peace. And if the peace means a few broken heads to stop a broken city, so be it.”

A few tables away, in a pool of stronger light, an Albanian man in a crisp white shirt and wire-rimmed glasses snapped his newspaper shut. The sound was like a gunshot in the hushed room. He looked directly at the policeman’s back, his voice precise, cutting.

“The peace you keep is a cemetery’s quiet,” he said in clear, accentless Serbian.

The policeman swivelled slowly in his chair. The café’s atmosphere congealed. The clatter of spoons ceased.

“This is a public place, Shqiptar,” the policeman said, using the term like a slur. “Drink your coffee and be silent.”

The man with the glasses didn’t flinch. “I am drinking my coffee. In my town. A town your ministers in Belgrade are trying to erase from the map except as a military district. You are not keeping peace. You are guarding a crime scene.”

The younger civilian paled, shrinking into his seat. The policeman’s face mottled red. He stood up, his chair scraping harshly on the stone floor. He didn’t reach for his sidearm, but his hand rested on the butt. “You want to see a crime scene? I can arrange it. Your brother’s name is Hamza, yes? Works at the post office? It would be a shame if his loyalty was questioned.”

The threat hung in the smoke-filled air, naked and brutal.

Vanja’s blood turned to ice. She knew this dance. The petty intimidation, the targeted threats against family members. It was the granular, day-to-day machinery of oppression her books had catalogued. Seeing it, hearing the visceral fear in the civilian’s tapped fingers, the cold fury in the activist’s eyes—it was a different kind of knowledge. It sank into her bones.

The activist held the policeman’s gaze for five long seconds, then gave a small, contemptuous smile. He threw a few dinars on his table, stood, and walked out without another word. The silence he left behind was heavier than the confrontation.

Vanja couldn’t stay. The policeman, thwarted, would be looking for a new target for his rage. She left coins by her full cup and slipped out the way she came, her pulse throbbing in her throat.

The brilliant sunlight outside was a shock. She blinked, turning blindly into the flow of the street, her mind replaying the quiet horror of the exchange. She was so entangled in the replay that she didn’t see the man stepping out of the bakery until she collided with him.

The impact was solid, knocking her back a step. A strong hand shot out and steadied her by the forearm. The grip was firm, impersonal.

“Opre!” Watch it! The word was sharp, in Albanian.

She looked up, an apology in Serbian already on her lips, and froze.

He was tall, taller than her, with hair the colour of winter wheat and eyes of a chilled, crystalline blue. He was young, maybe mid-twenties, but his face had a carved, disciplined stillness that belonged to someone older. He wore clean, dark trousers and a simple green knit pullover, but he carried himself with the taut readiness of a soldier. His gaze swept over her—the foreign blonde hair, the Serbian features, the startled golden-green eyes—and his grip on her arm tightened for a fraction of a second before he released her.

Recognition was a double-edged blade. She knew him. Burim Ramadani. The photograph in the archived Interpol file, years from now: UÇK fundraisers in Switzerland. The wealthy, educated kid from Priština who’d become a notorious field commander. The blond angel of vengeance.

His eyes narrowed. The suspicion in them was a physical wall. He’d switched languages, his English lightly accented but flawless. “You are lost.”

It wasn’t a question. It was an accusation.

Vanja’s mind, the historian’s mind, frantically assembled a dossier. Wealthy family. University in Zagreb. Fluent in five languages. Hates Serbs after his cousin disappeared in ’89. She was a Serbian woman alone in an Albanian town. Every instinct told her to run. Instead, she forced a slight, embarrassed smile, replying in English to match him.

“Not lost. Just clumsy. My apologies.” She took a subtle half-step back, creating space.

He didn’t move. His eyes scanned the street behind her, then returned to hers. “This is not a good area for tourists. Or for researchers.” He said the last word with a faint, ironic twist. He knew. He had to know about the watcher at her door, about her cover story. “The streets are… unpredictable today.”

“I’m beginning to see that,” she said, keeping her tone light, conversational. A performance. “I was just getting some air.”

“The air is better near your apartment.” His voice was polite, chillingly so. “It would be my courtesy to walk you back. To ensure you are not… inconvenienced again.”

A courtesy that was an order. A walk that was an escort. A guarantee of safety that felt exactly like capture. She saw the calculation in his blue eyes. He wanted her where his people could see her. He wanted to know who she really was.

To refuse would mark her as defiant, suspicious. To agree was to walk into a gilded cage.

The weight of history pressed down. This man, in a few years, would be planting landmines on mountain passes. He would be responsible for the deaths of men whose names she’d read on memorials. And here he was, offering his arm like a grim, handsome gentleman from a deadly parody of a courtly novel.

She met his gaze, letting none of the storm inside her show. She needed to buy time, to think. To understand his angle.

“That’s very kind of you,” she said, her smile not reaching her eyes. “I wouldn’t want to be a trouble.”

“It is no trouble,” Burim said, his own expression unmoving. He gestured for her to lead the way, falling into step beside her, his presence a cool, controlled force field at her side. “We look out for visitors in Srbica. Especially those who seem to find themselves where the trouble is.”

They walked in silence for a block. The sun felt colder. Vanja was acutely aware of every shopkeeper’s glance, every curtain twitching in a window. She was being paraded. A display of his control, or a warning to others.

“Your Serbian is good,” he said finally, the comment slicing through the quiet.

“I’m from Belgrade,” she replied, sticking to the script. “It would be strange if it weren’t.”

“Of course.” A pause. “And your Albanian?”

“Basic. I’m here to learn more.”

“A dangerous thing to learn,” he said softly, almost to himself. Then he looked at her, and for the first time, something flickered in the blue ice of his eyes—not warmth, but a sharp, unwelcome curiosity. “Why here? Why now?”

The question hung between them as they turned onto her street. The green door was in sight. The watcher was gone from his post. But Vanja felt more observed than ever.

She stopped a few paces from her building’s entrance and turned to face him. She had to give him something, something true yet harmless, to defuse the immediate threat.

“The truth?” she said, lowering her voice, adopting a confessional tone. “I’m tired of stories written by the winners. I want to hear the ones from the ground, before they’re… cleaned up.” It was her real motivation, polished for the moment.

Burim Ramadani studied her face, his gaze lingering on her lips, then her eyes, as if searching for a crack in the veneer. The suspicion didn’t leave, but it mingled with a dawning, reluctant intrigue. He gave a slow, almost imperceptible nod.

“The ground is where the blood soaks in,,” he said quietly, reverting to the Serbian title with deliberate irony. “Be careful your pretty shoes do not get stained.”

He didn’t wait for a response. He gave a short, polite nod, then turned and walked away, his blond head gleaming in the sun, not looking back.

Vanja watched him go until he vanished around a corner. The street was empty. The silence was immense. She fumbled for her key, her hands trembling only now, in the aftermath. She had been seen, assessed, and marked by both sides in a single morning. The watcher in the green pullover, and now Burim.

She let herself in, climbing the stairs to the terracotta-walled apartment that was not her home. She went to the window, pushing the lace curtain aside just enough.

He was back. Not the young watcher. Burim himself. Leaning in the same shadowed doorway across the street, lighting a cigarette. He blew a long plume of smoke into the still air, his blue eyes fixed, unblinking, on her window. He had not walked her home to be polite. He had walked her home to show her he knew where she lived. And now he was making sure she knew he was staying.

Vanja let the curtain fall. The dust motes danced in the sudden gloom. She was in the story now, and the characters were reading her back.

She was in the story now, and the characters were reading her back.

The curtain’s lace left phantom patterns on her palms. She stepped away from the window, her breath coming too fast in the quiet room. The scent of yesterday’s coffee had turned stale.

Across the street, Burim ground his cigarette under his heel. He gave her window one last, evaluating look, then turned and walked into the maze of alleys behind the bakery. His movements were efficient, purposeful, cutting through the back ways he knew would avoid the police patrols.

He found them in a cramped room above a mechanic’s garage, the air thick with the smell of engine oil and wet wool. Adem Jashari was studying a topographical map spread on a low table, while Bahri, younger and restless, leaned against a wall strumming a sharki.

Burim didn’t sit. “It’s very strange,” he said, the words blunt in the confined space.

Adem glanced up, his eyes calm but probing. Bahri stopped plucking the single string, the note dying abruptly.

“A beautiful young woman,” Burim continued, leaning on the table’s edge. “In Skenderaj of all places, not Mitrovica or Priština. Smart. Perfect English.” He let the observation hang.

Bahri smirked, setting the instrument aside. “Do you think she was sent here?”

“It is possible,” Adem said, his voice a low rumble. He traced a route on the map with a calloused finger. “Or maybe not. We have bigger issues. The fight camp in Albania needs supplies. The meeting next month in Drenica cannot fail.” He looked at Burim directly. “Watch her if it settles your mind. But do not let a ghost distract you from the living.”

Burim nodded once, a tight acknowledgment. The ghost, however, had blonde hair and spoke like a university lecturer.

Back in the terracotta apartment, Vanja clicked on the small television. The broadcast was a fuzzy SR Belgrade news report, the anchor’s Serbian flat and state-approved. She watched the scrolling ticker for codes she understood: parliamentary debates, economic forecasts, the sterile language of a crumbling state.

She waited. She knew the script. Yugoslavia would fall apart. Wars would start, so many of them, in Slovenia, in Croatia, in Bosnia. And war would eventually come to Kosovo. The knowledge was a cold, heavy stone in her gut.

The cheerful jingle for a detergent commercial cut through her thoughts, absurd and jarring. She had nowhere to go and no one but herself. The diary with its two pages sat on the coffee table, a testament to a life she hadn’t lived. The golden lace curtains swayed in a sudden draft, catching the afternoon light like false promises.

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