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The Long Distance Between Us

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2016 — The Introduction Dasha Waldorf is twenty, studying international media and occasionally helping at her father Simon’s agency during summer break. Her father invites new client to a family dinner. This client is Matt Bomer, then thirty years old, already successful, effortlessly charismatic. To Matt, she’s just Simon’s quiet daughter sitting in the corner with a notebook and intelligent eyes. To Dasha, he becomes unforgettable within minutes. He’s kind to her in a way celebrities rarely are. He remembers her name. Teases her about her serious expression. It’s harmless. Impossible. A crush she never intends to act on. ⸻ 2017 — Orbit Dasha starts interning at Simon’s agency. Matt appears in and out of her life through meetings, premieres, dinners, and phone calls overheard from Simon’s office. Matt begins recognizing her everywhere. She’s no longer “Simon’s daughter” but “Dasha.” The clever girl with dry humor who challenges him instead of flattering him. He likes talking to her because she treats him like a person, not a celebrity. She falls deeper without meaning to. ⸻ 2020— The Almost Friendship Dasha and Matt develop an easy rhythm. Coffee runs during long meetings. Conversations during charity events. Texts that begin professionally and slowly become personal. Matt tells himself he’s protective of her because he’s known her since she was young. Dasha tells herself she’s satisfied just being close to him. Neither of them examines those lies too closely. ⸻ 2022 — First Distance Matt starts seriously dating a famous actress publicly. The media obsession becomes unbearable for Dasha. For the first time, she realizes how painful it is watching him belong to other women. Matt is absorbed in his new relationships. He is the best boyfriend for Linda Cole. Affectionate, caring. Simon notices Dasha becomes quieter whenever Matt’s relationships are mentioned. Matt notices her pulling away — and dislikes it more than he should. ⸻ Christmas party 2023 Matt kisses Dasha, but then quickly remembers that he has a girlfriend and says it was a mistake. Dasha’s heart breaks for a million pieces but she doesn’t show it and just agrees. 2024 — Germany Dasha accepts a position at the agency’s Berlin office and leaves for Germany. Everyone assumes she’s pursuing ambition. Only Dasha knows she’s also running. Berlin changes her. She becomes independent, confident, emotionally guarded. She builds her own reputation outside of Simon’s shadow.

Chapter 3: The Calm After the Coffee

The email from Berlin arrived on a Tuesday morning. Dasha read it three times, sitting at the tiny desk in her apartment, the dawn light a pale grey wash on the walls. The grant language was effusive, full of promise—an opportunity to give voice, to build something of her own from the ground up. She pictured the city, all sharp edges and cold air and anonymous ambition. A clean slate.

Then she pictured her father’s archivist conference room, the dust, the scent of his cologne lingering in his office doorway. She pictured a paper cup, still warm.

Her fingers hovered over the keyboard. A tremor ran through her hands. She typed a single, polite sentence of decline, and sent it before she could think. The swoosh of the sent mail sounded like a valve closing.

When she told Simon later that day, he merely nodded, his eyes holding hers for a long moment. “The agency could use someone with your eye,” was all he said. “The digital archives are a warzone.”

So she stayed.

And so, a new rhythm began. Dasha became a fixture at Waldorf & Associates, her quiet efficiency becoming as much a part of the background as the low hum of the printers. She carved out a niche, modernizing the client database, catching details in contracts that others missed. She earned the respectful nods of the junior agents.

And Matt—Matt became a constant.

It was never planned, never discussed. It was simply the new shape of things. He’d text, usually in the late afternoon.

Got dragged to a press junket at the Mondrian. Coffee run? I’m dying of polite conversation over here.

She’d meet him at a bodega around the corner. He’d be in sunglasses, but he’d take them off when he saw her.

“Tell me something real,” he’d say, handing her an iced coffee. “Did you actually convince your father to ditch the paper contracts?”

She’d tell him about the struggle with the scanner, about the box of photos from the 80s where every actor had the same haircut. He’d laugh, a sound that seemed to draw the sun out. He’d tell her about the absurdity of his day—the publicist who insisted a costar’s chihuahua was a “narrative threat,” the director who spoke only in metaphors about fruit. She was his decompression chamber, a space where he didn’t have to perform.

Sometimes they’d get dinner. Not at places where photographers lurked, but at cramped Vietnamese pho shops or the old Italian place with the red checkered tablecloths where the owner, Mama Gina, paid no attention to fame. Dasha learned to make him laugh with her dry imitations of the more pompous agents. He learned to ask her not just about work, but about the documentaries she watched late at night, the obscure history podcasts she loved.

It was easy. It was peaceful. She buried the other thing, the sharp, wanting thing, so deep under the bedrock of this friendship that she could almost convince herself it had been a phantom, a ghost from that first dinner. This was better. This was sustainable.

Then came Elise.

Elise was a photographer, all geometric haircuts and confident hands. Matt mentioned her casually over tacos. “She’s shooting the cover for The Cut. We, uh, we had a drink after the fitting.”

Dasha carefully wiped hot sauce from her thumb. “Yeah? What’s she like?”

“Smart. Funny. Sees the world in angles and light.” He shrugged, but there was a faint color on his cheeks. “It’s nothing serious.”

It lasted three months. Dasha saw the paparazzi shots online—Matt, handsome and smiling, a protective arm around Elise’s shoulders as they navigated a crowd. She read the brief, gushing tabloid items. She meticulously did not save a single image. She asked about her, always lightly, when Matt brought her up. “How’s Elise?” as if asking about the weather.

The end was as quiet as the beginning. He showed up at the agency one evening without texting first. Dasha was working late, compiling a report under the glow of her desk lamp. He looked tired.

“Elise and I… we called it a day,” he said, leaning against her doorframe, his voice devoid of its usual music.

She put her pen down carefully. “Oh, Matt. I’m sorry.”

“Don’t be. It just… wasn’t right. She said I was…” He trailed off, shaking his head with a faint, self-deprecating smile. “She said I was ‘emotionally opaque.’ Preferred my props to my personality.”

“That’s her loss,” Dasha said, and her voice was perfect—warm, sisterly, firm. “And ridiculous. You’re the least opaque person I know.”

He looked at her then, a searching look that lasted a second too long. “Am I?”

“Absolutely. You’re an open book. A slightly neurotic, coffee-obsessed open book.” She grinned, hoping it reached her eyes.

He chuckled, the tension breaking. “You’re probably right. Just not the right reader, I guess.” He pushed off the doorframe. “You want to get a drink? I could use a non-opaque conversation.”

“Can’t. This report is a monster. Raincheck?”

“Sure. Raincheck.” He hesitated. “Thanks, Dasha.”

“Any time.”

She listened to his footsteps fade down the hallway, the ping of the elevator, the sigh of the building settling into night. The scent of his cologne lingered in the air around her doorway.

Only then did she allow her body to move. She stood, walked to the window, and looked down at the glittering grid of the city. Her reflection in the glass was pale, composed. A professional young woman in a tailored blouse.

She replayed the last five minutes in her head. Her smile. Her tone. The casual wave of her hand. She had performed perfectly. The congratulation for the relationship, the consolation for its end—both delivered without a single crack in the veneer. She was the steady friend, the reliable harbor. It was what he needed. It was the only role available to her.

A deep, shuddering breath finally escaped her lungs, fogging a small circle on the cold glass. Behind the transparent, impeccable portrait of Dasha Waldorf, a part of her was screaming. A raw, silent howl that filled the hollow of her ribs, mourning something that had never been born, lamenting a loss that could not be named because it had never been possessed.

She watched a taxi streak yellow through the dark below. Then she blinked, turned from the window, and went back to her desk. The report awaited. The numbers needed to align. She picked up her pen, her hand utterly steady, and dove back into the safe, silent world of facts and figures, leaving the ghost of her own want to dissipate, unvoiced, in the empty, polished air.

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