Cover of The Maid of Wuthering Depths

The Maid of Wuthering Depths

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A steamy romance between Jacob Elordis Heathcliff x Athena, a maid of the withering heights. This takes place prior to Heathcliff leaving the heights to chase wealth so he still has his long hair scruffy beard. Athena is a petite, tan skinned maid with long layered dark brown curly hair, a freckled face, and light brown almond eyes. She’s quiet, witty, and she loves to paint when she’s not attending to the heights. Catherine Earnshaw is rather jealous of her looks and her youth and Heathcliffs quiet affections for (Athena is around 18/19 years old) so sometimes she can be cruel to her. Athena and Heathcliff bond over the cruel treatment they receive from the earnshaws but as Athena continues to grow into a young lady Heathcliff begins to fantasize about her.

Chapter 21: The Morning After

The smell of burning bread was becoming a morning scent. Heathcliff stood at the hearth, scowling at the blackened crust he’d pulled from the coals, his shoulders tense with concentration. Athena watched from the table, her fingers tracing the grain of the wood. The bruises on her arm had bloomed into full, violet flowers. She didn’t hide them. He’d seen them already, his face going ashen when the sunlight hit them that first morning.

He was trying so hard. The effort was palpable, a third presence in the room. He’d been trying for three days.

“It’s just bread,” she said, her voice still sleep-rough.

“It’s food,” he grunted, poking at the next slice with a fork. “I can make food. I’ve kept myself alive for years.”

“On porridge. And stolen apples.”

A flicker of a smile touched his lips, gone as quick as it came. “A balanced diet.” He managed to retrieve a slice that was merely toasted, not charred. He buttered it thickly, placed it on a chipped plate, and set it before her with the solemnity of a knight offering a jewel. He watched her take the first bite.

“It’s good,” she said, and it was.

Only then did he turn to make his own. This was the pattern. Her first. Her comfort. Her safety. Then his.

He sat across from her, the width of the old table between them. The space felt necessary. His constant closeness from the day after the lane had receded into a watchful orbit. He was giving her room to breathe, but his eyes tracked every movement, every shift in her expression. It was like living with a beautifully agitated predator pretending to be a guard dog.

“I need to go to the village,” he said, tearing into his bread. “Nails. Oil for the plane. We’re low.”

The ‘we’ was new. Deliberate.

“Okay.”

“You’ll come.”

It wasn’t a question. The tension bled back into his jaw, waiting for her refusal.

She sipped her tea. The thought of the village, of people, of questions or knowing looks, made her skin prickle. But the thought of staying here alone, with the echo of her own flight in the silent rooms, was worse. “Alright.”

His shoulders dropped a fraction. He nodded, once.

The walk was brisk, the moorland wind shoving at their backs. He carried the empty sack for supplies. He didn’t take her hand, but he walked so close their sleeves brushed. Every rustle in the gorse made his head snap toward it, his body subtly angling itself between her and the sound.

Thruscross was a handful of grey stone cottages huddled around a muddy track. Faces appeared in windows, then disappeared. The blacksmith’s wife, a woman with kind eyes and a network of fine wrinkles, nodded to Athena from her garden. “Morning, Miss. Heathcliff.” Her gaze lingered on Athena’s face, but not unkindly. It was the look of someone taking inventory.

The general store was dark and smelled of hemp, spices, and dust. Old Mr. Darrow peered at them from behind a high counter stacked with tins.

“Heathcliff. Heard you were set up out at old Miller’s place.” His eyes slid to Athena. “And you’ve got help.”

“We need nails. Two-inch. A quart of linseed oil,” Heathcliff said, his voice flat, discouraging conversation. He placed coins on the counter with a sharp click.

Mr. Darrow turned to his shelves, his voice carrying in the quiet shop. “Quite the talk up at the big house, I hear. Young Mrs. Linton took poorly again after that visit. Delicate creature, ain’t she? All that London air didn’t harden her none.”

The air in the shop went dead still. Heathcliff didn’t move. Athena felt the chill leach up from the stone floor.

“The nails, Darrow,” Heathcliff said, each word a chip of ice.

“Right, right.” The old man shuffled back with a small barrel. As he measured the nails into a paper sack, he kept talking, oblivious to the freeze. “Aye, Dr. Kenley’s been up twice this week. Hindley’s in a proper state, they say. Frightened for his sister, of course. Though some say it’s a sickness more of the spirit, if you catch my meaning.” He chuckled, a dry, rattling sound.

Athena watched Heathcliff’s hand where it rested on the counter. The tendons stood out like ropes. He was breathing very slowly.

“The oil,” Heathcliff said.

Mr. Darrow found the bottle, wiped the dust off with his sleeve. He took the coins. “That’ll do it. Give my… regards… to the family up at the Heights.”

Heathcliff snatched the sack and the bottle, turned, and put a hand on the small of Athena’s back to guide her out. His touch was electric, urgent. The doorbell jangled loudly behind them.

They were ten paces down the track before he stopped. He stared straight ahead, his face a blank wall. The moor wind tore at his hair.

“He doesn’t know anything,” Athena said quietly. “He’s just an old man repeating gossip.”

“He knows she’s sick. He knows I was there.” Heathcliff’s voice was hollow. “It’s a poison. It seeps through the stone. It travels on the wind.” He finally looked at her, and the raw fear she saw there was worse than his anger. “They’ll always tie me to her. No matter what I do. No matter how far I go. It’s the story. The gypsy boy and the wilful belle.”

“We write our own story,” she said, but the words felt thin, whipped away by the gale.

He shifted the sack to his other hand. His free one came up and cupped her cheek, his thumb stroking her cheekbone. It was a gesture of despair. “Do we?”

He worked furiously that afternoon. The sound of the saw was aggressive, punctuated by the hard bang of his hammer. He was building the cabinet for Mrs. Finch, but it looked like he was trying to murder the wood. Athena tried to paint, but her brush strokes were stiff, the colors muddy on the palette. Mr. Darrow’s words sat between them, a ghost at the table.

At dusk, he stopped. He was sweating, his shirt stuck to his back. He walked to the pump in the yard, worked the handle, and stuck his whole head under the gush of cold water. He came up gasping, hair plastered to his skull, water streaming down his neck. He saw her watching from the doorway.

“I have to go up there,” he said, the words squeezed out.

Her heart became a cold, hard pebble in her chest. “Why?”

“Not for her. For me.” He wiped his face with his hands. “Darrow’s right. It’s a sickness of the spirit. It’s a chain. I need to look at it. I need to see that it’s just a house. That she’s just a woman in a sickbed, and not… not what I’ve made her in my head.” He walked toward her, his eyes pleading for understanding. “If I don’t, every piece of gossip, every whispered word, will have power. It will fester. It will become a thing that can pull me back. I need to cut it clean.”

“And if seeing her makes it worse?” Athena asked, her voice barely audible.

He stopped an arm’s length away. Water dripped from his hair onto the stone step. “Then you’ll know what I’m made of. And you can leave. Properly. I won’t follow you.” He swallowed. “I wouldn’t deserve to.”

The offer was so brutal, so final, it stole her breath. He was handing her a knife and baring his throat. He was testing his own foundations, and he was giving her the right to judge them unsafe.

She looked past him, at the vast, darkening moor that led to Wuthering Heights. To Catherine. To all the old pain. He wanted to face his ghost. To do it, he needed to risk becoming one himself.

“When?” she asked.

“Tomorrow. In the daylight. When everything is clear and ugly in the sun.”

She nodded slowly. There was nothing else to do. He was right. The poison was there. It needed to be lanced.

“Alright,” she said.

He didn’t touch her. The space between them felt charged, a canyon he had deliberately dug. They made a silent supper. They went to bed. He lay on his back, staring at the ceiling beams. She lay on her side, watching the moonlight through the shutter slats trace a path across the floor.

Just before dawn, his hand found hers in the cold space between their bodies. He didn’t lace their fingers. He just covered her hand with his, a heavy, warm weight.

“For courage,” he whispered into the dark.

She turned her palm up and gripped his hand, hard. He let out a shaky breath.

The first birds began to call, a sound that felt like an indictment. Tomorrow had arrived.

He wore his old coat, the one that still smelled faintly of the Heights’ peat smoke and damp stone. He didn’t eat. He stood by the door, rolling his shoulders like a man preparing for a fight. “I’ll be back by sundown,” he said, not turning around.

“Or you won’t,” Athena replied from the table. She held her tea mug with both hands to keep them still.

He glanced back, his profile sharp. “Or I won’t.”

The simplicity of the statement was worse than any dramatic vow. It acknowledged a very real possibility. He opened the door. The morning light, thin and watery, cut across the floor and touched her feet. He didn’t kiss her goodbye. He just looked at her, a long, searching look that felt like a fingerprint being taken. Then he stepped out into the grey dawn and pulled the door shut behind him.

The latch clicked. A profound silence flooded in, thicker than the darkness at midnight. She listened to his footsteps on the gravel path, firm and fading. A horse’s snort from the lean-to. The creak of leather. Then hoofbeats, slow at first, then quickening into a steady, distancing rhythm that was soon eaten by the wind.

She was alone.

The quiet was a physical thing. It pressed on her eardrums. She realized she’d been holding her breath, and let it out in a rush that sounded too loud. She got up, paced to the window. The lane was empty. A shred of mist clung to the low stone wall. He was truly gone.

She cleaned the mugs. She swept the floor, though it was already clean. The mechanical tasks did nothing to fill the hollow space he’d left behind. The farmhouse wasn’t just quiet; it felt unmoored, as if his presence had been a weight holding it to the earth. Now it was just wood and stone, adrift.

She climbed the narrow stairs to the workshop. His bench was a landscape of sudden abandonment. A plane rested mid-shaving, a curl of oak still trapped beneath its blade. His pencil lay beside a detailed sketch of a joint, the lines confident and sharp. This was where he built futures. Mrs. Finch’s cabinet, their income, their fragile independence—it was all here, in this smell of sawdust and hope.

She ran her fingers over the smooth wood of the cabinet’s frame. He was so good at making solid, tangible things from raw, stubborn material. People were not so easily shaped.

Her feet carried her to her own easel. The painting of the crag was there, the glaze he’d asked about still unfinished. She picked up a brush, dipped it in water, then put it down. The silence was too complete. It left room for the pictures she didn’t want to see.

They came anyway.

Not of Heathcliff on the road, but of Heathcliff in that house. The memory was old, layered in soot and misery. She saw him as a boy, maybe sixteen, scrubbing the kitchen flagstones while Hindley sipped brandy and criticized his every stroke. She saw him later, older, a man in build but a servant in status, his eyes following Catherine Earnshaw as she drifted through rooms like a willful, beautiful ghost.

Catherine had never looked at him like he was a servant. That was the poison’s source. She’d looked at him with a recognition that was both kinship and conquest. You are wild, like me, that look said. You belong to the moors, and therefore, you belong to me.

Athena had been invisible in those days, a silent girl with a dust rag. She’d watched their chaotic dance from the corners. Catherine’s cruelty had a theatrical flair—a snapped command, a vase “accidentally” knocked over where Heathcliff would have to clean it, a laugh like shattered glass. But her need for him was a constant, low hum. She’d demand his presence, then scorn him. She’d whisper secrets, then deny she’d ever spoken.

Heathcliff had absorbed it all, the love and the scorn, until they were a single, twisted cord binding his soul. He’d looked at Catherine like she was both the fire and the only source of warmth in a frozen world.

Was that look still in his eyes? Would he see her now, pale and ill in her fine London bed, and feel that old, devastating pull? The rational part of Athena knew Catherine was married, spoiled, sickly. The rational part knew Heathcliff had chosen this farm, this life, her.

But rationality had nothing to do with the gut-deep fear that Catherine Linton, née Earnshaw, was a force of nature. She didn’t just love or hate; she consumed. She’d consumed Edgar Linton’ gentle world. She’d consumed Heathcliff’s youth. And she might, even from her sickbed, be consuming their fragile present simply by existing as a wound he felt compelled to revisit.

Athena walked to the window overlooking the moors. The path to Gimmerton and the Heights was a faint, muddy ribbon over the hills. Somewhere on it, he was riding toward the origin of all his pain. He thought he could cauterize it by seeing its diminished reality. What if seeing her only made the ghost stronger? What if her illness, her fragility, was the most powerful lure of all?

He’d said, Then you’ll know what I’m made of. She pictured him returning. Two versions. One: closed-off, shuttered, the smell of that house back on his coat, a distance in his eyes she could never bridge. The other: quiet, sad, but clean, as if he’d finally put down a crippling weight.

She had no idea which man would walk back through that door. The uncertainty was a vise around her ribs.

The morning bled into afternoon. She tried to read. The words were black marks on a page. She tried to sketch, but her pencil only made vague, worried shapes. She made soup, stirring the pot mindlessly, watching bubbles rise and burst.

Every sound made her flinch—the crackle of the fire, the groan of the house settling, the distant cry of a crow. Each one was, for a heart-stopping moment, the sound of his return. And each time it wasn’t, the hollow silence rushed back in, deeper and colder.

She ended up back in the workshop, sitting in his chair at his bench. She picked up his pencil. It was warm from the sun coming through the window. She held it until it took on the heat of her own hand. The scent of him was here, in the wood, in the tools, in the very air.

This was what she had. Not grand declarations or wild passions, but the ghost of his warmth on a pencil, the careful joint of a cabinet, the memory of his terrified fury in the lane and his quiet apology over burnt bread. It was a patchwork loyalty, stitched together from rough fabric. She didn’t know if it could withstand the pull of a first, catastrophic love.

The sun began its slow decline, painting the western clouds in shades of bruise. Sundown approached. She remained at his bench, holding his pencil, staring at the door, waiting for the verdict on the rest of her life.

She remained at his bench, holding his pencil, staring at the door, waiting for the verdict on the rest of her life.

The light faded from bruised purple to a deep, wool-grey. The room lost its edges. She didn’t light a lamp. The darkness felt appropriate, a shroud for her hope. Every minute that passed was a stitch pulled tight across her chest. Sundown wasn’t a precise moment; it was a slow leaching of color from the world until there was nothing but the black outline of the window and the cold glow of a single star.

A sound.

Not the wind. Not the house.

A slow, heavy crunch of gravel. One. Then another. The dragging gait of a man, not a horse.

She stood so fast the pencil clattered across the floorboards. Her knees felt liquid. The footsteps reached the door.They stopped. Silence stretched, thin and terrifying. Was he just standing there? Was he gathering himself, or was he a ghost unable to cross?

The latch lifted. The door swung inward.

He filled the doorway, a solid block of deeper night. He stepped across the threshold and closed the door softly behind him. He didn’t move further. He just stood there in the total dark, breathing. She could smell it on him: the cold, clean scent of the moors, the sweat of a long ride, and underneath, something faint and chemical. Lye soap. Medicinal tonic. The smell of Wuthering Heights.

“You’re here,” she said, because the silence was breaking her.

“I am.” His voice was wrecked, scraped raw.

“And her?”

A long exhale. “Alive. In a manner of speaking.” He shifted, his boots gritty on the stone. “She’s a painting left in the rain. All the colors have bled and run. What’s left is just a damp, fragile stain on the canvas.” He was quiet for a moment. “She knew me. Called me by name. Then she asked for a lemon ice from a shop in London she hasn’t seen in five years.”

Athena couldn’t see his face. His tone was flat, rehearsed. “Did you speak?”

“I stood at the foot of the bed. Hindley was there, drunk and weeping by the fire. The doctor fluttering. I looked at her. I waited.” He paused. “I waited for the storm. For the lightning to strike. For the old… everything. It didn’t come. I just felt tired. A deep, weary kind of pity. For her. For him. For the ghost of the boy I was in that room.” She heard the rustle of his coat as he shrugged it off, let it fall to the floor. “It’s just a room, Athena. It’s just a sad, spoiled woman in a drafty house. The chain isn’t metal. It’s memory. And I think I left it there, on her fine Turkish rug.”

He took a step forward, then another, emerging from the gloom. The starlight from the window caught the tracks on his cheeks. They weren’t tears of passion or rage. They were the silent, clean streaks of a final mourner.

“You cried,” she whispered.

“For the dead. For what died a long time ago.” He finally looked at her. His eyes were hollow, but clear. The simmering rage was gone, banked into embers. “It’s done.”

He walked past her to the pump. He worked the handle, splashed water on his face, drank directly from the spout. He wiped his mouth with the back of his hand, a practical, weary gesture.

“I’m starving,” he said, his voice closer to normal. “Did we eat?”

“No.”

“Right.” He moved to the hearth, knelt, and began rebuilding the fire with a focused, mundane competence. The orange light leapt up, carving his profile in gold and shadow. He looked older. “There’s the heel of that bread. And the soup you were stirring. We’ll have that.”

He didn’t embrace her. He didn’t demand anything. He just began the routine of survival. It was the most profound relief she had ever felt.

She fetched the bread and the pot. She set the table. He brought the simmering soup over. They sat. The steam rose between them.

He broke the bread, handed her half. He took a spoonful of soup, blew on it. “It’s good,” he said.

“You’re back,” she said, not a question.

He met her gaze over the flickering candle. “I told you I would be.” He ate another spoonful. “Darrow can take his gossip and choke on it. I’m not his story anymore.” A faint, almost invisible smile touched his eyes. “Burnt any bread while I was gone?”

“I didn’t make any.”

“Smart.” He reached across the table. Not for her hand, but for the salt cellar. His fingers brushed hers. A quiet, deliberate contact. A new kind of promise, forged not in desperation, but in the simple, quiet truth of a returned man and a shared, modest meal.

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