Cover of The Maid of Wuthering Depths

The Maid of Wuthering Depths

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A steamy romance between Jacob Elordis Heathcliff x Athena, a maid of the withering heights. This takes place prior to Heathcliff leaving the heights to chase wealth so he still has his long hair scruffy beard. Athena is a petite, tan skinned maid with long layered dark brown curly hair, a freckled face, and light brown almond eyes. She’s quiet, witty, and she loves to paint when she’s not attending to the heights. Catherine Earnshaw is rather jealous of her looks and her youth and Heathcliffs quiet affections for (Athena is around 18/19 years old) so sometimes she can be cruel to her. Athena and Heathcliff bond over the cruel treatment they receive from the earnshaws but as Athena continues to grow into a young lady Heathcliff begins to fantasize about her.

Chapter 25: The Barn's Secret

The cedar arrived two days later, planks of pale, fragrant wood stacked in the cart like bars of expensive soap. Heathcliff unloaded them alone, carrying each one into the back room with a reverent care usually reserved for his finished pieces. The space was small, dank, and perpetually smelled of wet stone. He stood in the center, eyes narrowed, already seeing the ghost of the future in the exposed beams.

“It starts here,” he muttered to the empty room.

The demolition was a violence of necessity. He tore out the rotten wainscoting, ripped up the damp-straw pallet that served as a floor. Fungus speckled the back wall like a shadowy map. He attacked it with a mattock, the sound a brutal, repetitive thud that shook the cottage.

Athena listened from the main room, her stomach churning. The smell of her morning tea—just normal chamomile now—suddenly revolted her. She set the cup down, breathed through her mouth, and picked up her mending. The physical proof was still hidden, but her body conspired against secrecy. The fatigue was a heavy cloak. The nausea was a sly, unpredictable thief, stealing her appetite and her composure at random hours.

He appeared in the doorway, shirtless and sheened with sweat, dust clinging to the hairs of his chest. “I’m starving the damp out. Need to get a fire going in here for a few days, dry the bones of it.”

She nodded, focusing on her stitching. “It sounds… thorough.”

He watched her for a beat, noting the careful stillness of her posture. “You alright?”

“Just the tea,” she lied. “Bit strong.”

He didn’t push. He knew. He returned to his work, and soon the sharp, clean scent of sawed cedar began to cut through the mildew.

Days folded into a new routine. Heathcliff’s world became the back room. He moved with a frenetic, almost desperate energy. He planed the cedar boards until they were smooth as silk, his muscles coiling and releasing in the lamplight long after dusk. He fitted them together with tongue-and-groove joints, no nails where he could help it, creating a seamless, aromatic shell. It was a cocoon he was building.

Athena’s world shrank to the circumference of her nausea. She managed her chores in slow motion, pausing to lean against the table, waiting for a wave to pass. She tried to paint, setting up her easel by the window, but the moors seemed too vast, too demanding. Her brush strokes turned hesitant. Instead, she found herself sketching small, precise things on scraps of paper: the curve of a wooden spoon, the latch on the door, Heathcliff’s hand wrapped around a chisel.

One afternoon, the smell of the fresh wood—which usually comforted her—speared straight into her gut. She barely made it to the bucket before she was sick, heaving dryly, her body convulsing with empty violence.

Heathcliff was there in an instant, his hands pulling back her hair, his presence solid behind her. He said nothing. When it passed, he handed her a cup of water. She rinsed her mouth, spat, and leaned back against his knees, spent.

“Catherine was right about one thing,” she whispered, her eyes closed. “It is a certain kind of hell.”

He stroked her hair, his fingers tracing the line of her scalp. “We’ll get through it.”

“How? By measuring time in vomit?”

A rough chuckle escaped him. “If we have to.”

She looked up at him. Sawdust was caught in his beard, and his eyes were tired, but they held hers steadily. “The room smells good,” she offered, a tiny peace offering.

“It’ll smell better when it’s done. And it’ll be warm.” He helped her up. “Come see.”

He led her to the doorway. The transformation was startling. The dark stone was gone, hidden behind the warm, vertical grain of cedar. The floor was new, tight-fitting oak planks. A small, efficient fireplace he’d built from reclaimed brick sat in the corner, already radiating a dry heat. It was no longer a cell. It was a chamber. Empty, but waiting.

“I’ll build the crib to fit that corner,” he said, pointing. “The window’s high. No drafts. We can put a chest here for clothes.” He spoke like a general plotting a campaign.

“It’s wonderful,” she said, and meant it. The practicality of it was a lifeline.

He stepped behind her, wrapped his arms around her, his hands splayed over her belly. They stood in the doorway of the empty, sweet-smelling room, looking in at the future.

“I feel like I’m preparing for a siege,” he murmured into her hair.

“Aren’t we?”

The market encounter with Catherine had consequences. They didn’t see her again, but the story, as Heathcliff predicted, began to circulate. It came back to them in fragments, delivered by the few vendors who would still do business with the “moody carpenter and his foreign girl.”

“Heard the Lintons are expecting again,” the miller mentioned casually, weighing out flour. “And that there’s to be a new little Heathcliff on the moors come spring. Busy season for cradles, eh?”

The blacksmith’s wife, a woman with a kind face, pressed a jar of her own ginger preserves into Athena’s hand. “For the sickness, dear. It helps.”

The knowledge was public now. It was a relief and a new kind of exposure. They were a fact. A piece of local gossip. It stripped some of the private terror away and replaced it with a mundane, social reality. They were going to have a child. People knew. Life went on.

Athena’s body slowly shifted from betrayal to awkward partnership. The violent sickness began to recede, replaced by a constant, gnawing hunger. She ate pickles with bread at midnight. She craved sharp apples and salty cheese. Her breasts grew tender and full, and her waist thickened, just a whisper beneath her loosened dresses.

One night, as they lay in bed, she took his hand and guided it under her shift, placing it firmly on the gentle, firm curve of her lower belly.

“There,” she said softly.

He went very still. He was searching for something he couldn’t see. A kick, a sign. There was nothing but the warm, taut skin and the quiet fact of growth.

“I can’t feel it,” he said, frustration edging his voice.

“It’s too soon. But it’s there. You’re building a room for it. You should feel it.”

He left his hand there, his thumb making slow, absent circles. “What if I’m like him?” The question came out hoarse, dragged from a deep, dark place.

She knew who he meant. Hindley. The cruelty, the capricious rage. “You won’t be.”

“You can’t know that. Blood tells.”

“Blood is a story people use to excuse themselves,” she said sharply. She turned to face him in the dark. “You choose. Every day. You’re building a cedar room to keep out the damp. That’s a choice. You hold my hair back when I’m sick. That’s a choice. The cradle in the loft. That’s a choice.” She pressed her forehead against his. “You are not him.”

He exhaled, a shuddering breath. He pulled her closer, his hand still anchored on her stomach, as if holding onto both of them.

The following week, he brought the cradle down from the loft. It was a simple, elegant thing, made from the same oak as the linen chest, sanded to a satin finish. He set it in the corner of the new room. It looked small and profound.

Athena ran her fingers over the smooth spindles. “It’s not a siege engine,” she said.

“It might as well be.” He stood with his arms crossed, evaluating it. “It needs a mattress. I’ll stuff it with clean straw, then wool.”

She smiled, a real one, for the first time in days. “You’ve thought of everything.”

“Not everything.” He looked at her, his gaze softening. “Names. We haven’t thought of names.”

A flutter went through her, light and quick as a moth’s wing. It wasn’t nausea. It was something else, deep inside. She caught her breath.

“What?” he asked, immediately alert.

“Wait.” She stood perfectly still, her hands over his. There. A faint, bubbling sensation, like a small fish turning in a deep pool. Elusive. Then gone.

Her eyes filled. She looked up at him, her vision swimming. “I felt it.”

He stared, uncomprehending for a second. Then his expression cracked open. “The baby?”

She nodded, laughing through the sudden tears. “Just now. A little… stir.”

The sheer, ordinary miracle of it dissolved the last of his soldier’s posture. He dropped to his knees right there on the new oak floor, wrapped his arms around her hips, and pressed his ear to her belly. He listened intently, as if he might hear the secrets of the universe in the quiet dark.

There was only the gurgle of her digestion, the rush of her blood. But he heard it anyway.

“Hello,” he whispered, his voice thick and raw against the fabric of her dress. “Hello in there.”

Athena carded her fingers through his wild hair, looking down at the top of his head, then over at the empty cradle waiting in the corner. The fear was still there, a cold stone in her pocket. But underneath it, now, was this: a quickening. A signal from the unknown. They were no longer just preparing for a siege.

They were awaiting an ambassador.

They were awaiting an ambassador. The quickening changed the air in the cottage. It was no longer a hypothetical siege but a tangible, creeping advance. Athena found herself pausing mid-task, hand floating to her stomach, waiting to feel that strange, internal fish-turn again. It made her smile. It also terrified her.

Heathcliff watched her constantly. He saw the new weight in her steps, the way she stifled a groan bending to lift the laundry basket. He saw her, one afternoon, staring blankly at a pile of peeled potatoes, the knife loose in her hand, as if the very thought of chopping them was a mountain she couldn’t climb.

“That’s it,” he said, his voice decisive. He took the knife from her hand.

“What’s it?” She blinked, coming back from somewhere far away.

“You’re done with this.” He gestured at the kitchen, the buckets, the broom leaning in the corner. “You’re not breaking your back over laundry and scrubbing floors. Not anymore.”

She bristled, fatigue sharpening into pride. “I’m pregnant, not an invalid. I can work.”

“You have worked. Your entire life.” He put his hands on her shoulders, his thumbs rubbing the tight knots there. “You’ve been a maid since you could walk. You have no frame for this, for someone taking care of you.”

The truth of it was a slap. Her entire knowledge of mothers was from a distance: ladies like Catherine, who handed babies to nurses and complained about their figures. Her own mother was a ghost, a story she’d overheard in the kitchen of Wuthering Heights—a traveler who’d died, leaving a swaddled inconvenience. Motherhood was a foreign country, and she had no map, no phrasebook.

“I don’t know how to not work,” she admitted, the fight leaving her.

“Then learn.” He kissed her forehead. “I’m hiring help.”

The girl arrived the next market day. Her name was Meg, a farmer’s daughter from the next valley with ruddy cheeks and capable, red-knuckled hands. She was sixteen, quiet, and looked at Heathcliff with a respectful fear that bordered on alarm.

“She’s strong,” he told Athena later, as Meg efficiently attacked the hearth ashes outside. “She needs the coin. She’ll do the heavy work.”

Athena watched from the window. Meg moved with a brisk, unthinking competency that Athena once possessed. It should have been a relief. Instead, it felt like a displacement. A quiet declaration that she was now something else. Something needing to be managed.

“What am I supposed to do all day?” The question came out smaller than she intended.

“Paint,” Heathcliff said simply. “Rest. Grow our ambassador. Anything you want.”

The freedom was a vast, empty field. She tried to paint. She set up her easel and looked at the moors. Her hand, which used to translate their wildness instinctively, now felt clumsy. The shapes seemed childish, the colors obvious. She scraped the canvas clean in frustration.

Meg kept the house running with a silent, thorough ease. The floors gleamed. The stewpot was always full. Athena wandered from room to sweet-smelling room, feeling like a guest in her own life. She’d pick up a shirt to mend, and Meg would appear, a polite but firm smile on her face. “I can see to that, ma’am.”

Ma’am. The word was a cage.

Heathcliff, buried in his workshop designing a rocking chair, saw none of this quiet unraveling. He only saw the results: a clean house, food on the table, his wife off her feet. He’d kiss her neck, his hands resting on the now undeniable curve of her belly. “See? Better.”

One afternoon, a particularly violent kick made her gasp. It was a sharp, distinct thump from within. She was alone in the main room. She called for Heathcliff, but he was at the far edge of the north pasture, checking the sheep.

The baby moved again, a slow, rolling push against her ribs. She sat down heavily, her hand pressing back. It was real, and it was powerful, and it was entirely its own creature. A sob climbed her throat, sudden and harsh.

Meg walked in with an armful of kindling. She stopped, seeing Athena’s face. “Ma’am? Are you ill?”

“No.” Athena swiped at her eyes, angry at the tears. “It’s just… moving.”

Meg’s expression softened from servant to something more human. “A strong one, by the feel. My mam said I kicked like a mule. Drove her half-mad.” She hefted the kindling, awkward now. “She said it was the only time she knew us, really. Before the world got its hands in.”

She disappeared into the kitchen. Athena sat very still, her hand on the rippling skin. The only time she knew us. She had no such stories. No mother’s voice recounting her own quickening. There was just this silent, startling communication in her own body, a message with no precedent.

That night, after Heathcliff had fallen into an exhausted sleep, she slipped from the bed. She padded into the new room, lit only by moonlight through the high window. The cedar walls glowed pale. The empty cradle was a pool of shadow.

She knelt beside it, running her fingers over the spindles he’d carved. She thought of the apothecary’s bitter tea, the cold fear in the market, the careful construction of this small, defended space. Every action had been a reaction, a wall built against a threat.

But the thing inside her wasn’t a threat. It was a life. And she was its mother. The word felt hollow, a title for someone who knew lullabies and had soft hands, not a former maid with paint under her nails and a history of silence.

A floorboard creaked in the doorway. Heathcliff stood there, his hair tousled from sleep. “Can’t sleep?”

“I don’t know what to do,” she whispered, the confession echoing in the bare room. “I know how to sew a seam and skim a stew and avoid Catherine’s wrath. I don’t know how to be someone’s beginning.”

He crossed the room and sank down beside her, his shoulder warm against hers. He didn’t offer empty comfort. He sat in the truth with her.

“Neither do I,” he said. “I know how to break things and build things and hold a grudge. I don’t know how to be a father.” He took her hand, lacing his calloused fingers with hers. “Maybe that’s it. We don’t know. We just… meet them. We show up, like we’re meeting a foreigner. And we learn.”

She leaned her head against his shoulder, watching the moon dust the cradle. The ambassador was coming. They had built the room, hired the guard, prepared the ground. Now, the terrifying, quiet work of becoming the welcoming committee had begun. And it had to start with her.

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