Cover of Suburban-mania

Dark Romance

Suburban-mania

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A auburn curly haired blue eyed freckled faced woman lives in the middle of suburbs. She is a stay at home mom and married to her tech giant husband for the last 10 years. To her neighbors she is know for home cooked pastries and genuinely sweet demeanor. She is president of the HOA in her neighborhood and she even volunteers at the library from time to time. However this is who she is on the outside. The carefully crafted person she shows to everyone but on the inside she is a very different person. In the darkest of nights or shady corners of her life does the real her live. She a killer and her favorite prey is unsuspecting woman hating men, pick me woman or anyone who deems themselves better because of others supposed weakness. When she we young she was often picked on by bullies and adults who just like that so it’s no wonder she turned out an infamous serial killer who has yet to be caught in over 12 years. When a new family moves in next door the woman immediately notices. The wife is everything she hates and her favorite kind of prey. The wife abuses everyone even her seemly sweet and shy husband. Normally the woman wouldn’t go for a kill so close to home but after hearing her neighbor beat the ever living shit of her husband for the 3rd time that week something breaks in her. The next night the woman sneaks in to the house planning to kill the wife only find the sweet husband standing over the wife jacking off with a knife in his hand. They make eye contact the vanity mirror in the bedroom and something like recognition passes between them. Now the woman is caught between multiple choices: leave and pretend she saw nothing, kill them both, or something she would never thought possible. Partner up with her neighbors husband

Characters

  • Hugh Merrick — Marnie's husband, a successful tech giant whose work-focused life keeps him blissfully ignorant of his wife's double life. He serves as the anchor to Marnie's suburban cover.
  • Joaquin Ibarra — The new neighbor, initially appearing as the downtrodden, shy victim of his wife's abuse. He is a man of hidden extremes who recognizes a kindred spirit in Marnie.
  • Marnie Boyd — A suburban HOA president and mother who masks her life as a serial killer behind a facade of baking and community service. She targets those who thrive on cruelty, acting as a secret executioner for her neighborhood.
  • Vera Marsh — The new neighbor whose overt cruelty and domineering nature make her the target of Marnie's lethal attention. She prides herself on her social status and dominance over her household.
  • The Old Man — A homeless man sleeping under the pines, chosen as prey by Marnie and Joaquin. He is a weathered, tired man with a history of hard living.
  • Patel — Hugh's chief financial officer, who pushed for the merger and briefed Hugh on valuation models. He is cautious and defers to Hugh's authority.
  • Hugh's assistant — A young, plain woman in a repeated cardigan who sits outside Hugh's corner office, manages his calls, and reports his movements to Vera. She appears to have been told not to discuss where Hugh went.
  • Carol Hendricks — A neighbor from three houses down who asks Marnie about Hugh's company buying Marsh Analytics.
  • Mrs. Delgado — A neighbor from four houses down with a rose garden who called the police after hearing screaming from Joaquin's house.
  • Alice — A brisk woman who handled Marnie's father's estate and advised her on the divorce filing.
  • Barnes — A tired man who smelled of stale coffee and handled Joaquin's divorce filing.

Chapter 1: Perfect Pie Crust

The flour dusted the air like a fine snow, settling on the granite countertops and clinging to the sleeves of Marnie Boyd's cream-colored cardigan. She worked the dough with the flat of her palms, pressing outward, folding, turning. Each motion precise. Economical. The kitchen smelled of butter and cold water and the faint vanilla she had added to the crust, a recipe her own mother had never bothered to teach her.

From the hallway, Hugh's voice drifted through the speakerphone he had left on the kitchen island. He was in his home office, as he always was on Tuesday mornings, pacing the width of his desk as he talked mergers and acquisitions with men whose names Marnie never bothered to remember.

"The Ellison deal needs a softer landing," he said, his voice crackling with the tinny quality of a Bluetooth conference call. "I want them to feel like they won something."

Marnie smiled into the phone, though he could not see her. She slid her hand beneath the counter's edge, where a small paring knife rested in the shadow of the knife block, and curled her fingers around the handle. She practiced her grip. Thumb along the spine. Index finger riding the bolster. The weight familiar as prayer.

Outside, the moving van groaned and shuddered as another crate was hauled down its aluminum ramp.

"I'll be home late," Hugh added, his attention clearly split between the call and some document rustling in his hands. "The boys from Zurich are flying in."

"Of course, sweetheart." Marnie released the knife and returned both hands to the dough. "I'll leave a plate in the fridge. The rosemary shortbread you like."

"You're a saint, Marnie."

She smiled again, wider this time. "I know."

The call ended with a soft click, and the kitchen settled back into its morning hush. Marnie rolled the dough into a neat disc, wrapped it in plastic, and slid it into the refrigerator beside a tray of cooling lemon bars. She wiped her hands on her apron, the pale yellow fabric printed with cartoon daisies, and moved to the window above the sink.

The new family had arrived.

Marnie had watched them pull in three days ago, a sleek black SUV trailing a Penske truck that looked comically oversized for the modest Cape Cod next door. She had watched from behind the sheer curtain of her living room, cataloging the details the way she cataloged everything. The wife had emerged first, all sharp angles and sharper words, barking orders at the movers before they had even cut the seals on the truck. The husband had followed, a thin, slump-shouldered man carrying two suitcases and a houseplant that looked half dead.

She had known Vera Marsh was trouble by the end of the first afternoon.

Now, through the window, Marnie watched the show unfold. Vera stood on the front walk with her hands on her hips, her dark hair pulled into a severe ponytail that stretched the skin of her forehead. She wore workout clothes that looked brand new, never sweated in, and she gestured at a ceramic garden gnome with the kind of disdain normally reserved for war criminals.

"That one's hideous," Vera said, her voice carrying through the glass with surprising clarity. "Where the hell did you even get it?"

The husband, whose name Marnie had learned was Joaquin from the moving manifest she had quietly retrieved from the curb, stood beside a stack of boxes. He held the gnome in both hands, his knuckles white around its painted belly. His face was soft, almost womanly in its gentleness, and the bruise on his cheekbone had faded to a sickly yellow-green.

"I thought it might be nice by the door," he said, his voice barely above a whisper.

"It's not nice. It's tacky. Put it in the trunk."

"The Trunk?"

"You heard me. We can donate it. Or throw it away. I don't care which."

Joaquin's shoulders curled inward. He carried the gnome to the car without another word, his steps small and careful, like a man walking across thin ice.

Marnie watched him go, and something in her chest tightened. She recognized the shape of it. The way he folded himself smaller when she spoke. The way he apologized with his posture before he even opened his mouth. She had seen that look before. She had worn it herself, once, in a different life, before she had learned that the only way to stop the hurting was to make the hurting stop somewhere else.

She turned away from the window and picked up a lemon bar from the tray, examining its clean, even edges. The powdered sugar dusted her fingers like evidence.

Three times this week she had heard it. The sharp crack of a palm against flesh. The thud of a body hitting the wall. Voices raised in a language that had no words, only volume and pain. Three times she had stood in her own kitchen, perfectly still, listening to the ugliness bleed through the shared wall, and three times she had told herself it was not her business.

But it was her business. That was the terrible truth of it. Marnie Boyd had made it her business twelve years ago, when she had killed her first man in a motel bathroom outside Reno, a bully of a supervisor who had made her life hell for six months before she had finally had enough. She had been twenty then, barely a woman, and the trembling in her hands had not stopped until she had held his wallet in her palm and realized he had a daughter. A little girl whose father would never come home.

She had not stopped there. She had not stopped anywhere.

The world was full of people like Vera Marsh. People who fed on the softness of others, who sharpened their claws on the weak and called it strength. Marnie had made a career of pruning them, plucking them from the garden like weeds, leaving no trace but a quiet absence that no one ever questioned.

She would go next door tonight. She would slip through the back door, which Joaquin always forgot to lock, and she would wait in the shadows until Vera was alone. It would be clean. Quick. The way she always did it.

And then she would go back to her life.

The lemon bar crumbled between her fingers, and Marnie looked down at the mess she had made of her own hands. She exhaled slowly, then walked to the sink and washed the sugar from her skin, watching the water run pink in the pale morning light. Outside, the moving van rumbled to life, and Vera's voice rose above the engine, sharp and demanding, calling for Joaquin to hurry up with the rest of the boxes.

Marnie dried her hands on her apron. She looked at the empty plot of ground where her herb garden would go this spring, and at the house next door, and at the quiet blue sky that held no judgment at all.

Hugh called out from his office, something about dinner, and she answered him in her soft, patient voice, the one she had perfected over years of practice. She looked out the window one last time. Joaquin was carrying another box up the front steps, his head bowed against his wife's voice, and Marnie felt the familiar cold settle into her bones.

Not yet. Soon. When the night came.

Outside, the suburb stretched on in its neat, orderly rows, and the scent of vanilla and lemon drifted through the open kitchen window like a promise.

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