Cover of Suburban-mania

Dark Romance

Suburban-mania

Read the story

25 chapters · 83413 words · Read 0 times

A auburn curly haired blue eyed freckled faced woman lives in the middle of suburbs. She is a stay at home mom and married to her tech giant husband for the last 10 years. To her neighbors she is know for home cooked pastries and genuinely sweet demeanor. She is president of the HOA in her neighborhood and she even volunteers at the library from time to time. However this is who she is on the outside. The carefully crafted person she shows to everyone but on the inside she is a very different person. In the darkest of nights or shady corners of her life does the real her live. She a killer and her favorite prey is unsuspecting woman hating men, pick me woman or anyone who deems themselves better because of others supposed weakness. When she we young she was often picked on by bullies and adults who just like that so it’s no wonder she turned out an infamous serial killer who has yet to be caught in over 12 years. When a new family moves in next door the woman immediately notices. The wife is everything she hates and her favorite kind of prey. The wife abuses everyone even her seemly sweet and shy husband. Normally the woman wouldn’t go for a kill so close to home but after hearing her neighbor beat the ever living shit of her husband for the 3rd time that week something breaks in her. The next night the woman sneaks in to the house planning to kill the wife only find the sweet husband standing over the wife jacking off with a knife in his hand. They make eye contact the vanity mirror in the bedroom and something like recognition passes between them. Now the woman is caught between multiple choices: leave and pretend she saw nothing, kill them both, or something she would never thought possible. Partner up with her neighbors husband

Characters

  • Hugh Merrick — Marnie's husband, a successful tech giant whose work-focused life keeps him blissfully ignorant of his wife's double life. He serves as the anchor to Marnie's suburban cover.
  • Joaquin Ibarra — The new neighbor, initially appearing as the downtrodden, shy victim of his wife's abuse. He is a man of hidden extremes who recognizes a kindred spirit in Marnie.
  • Marnie Boyd — A suburban HOA president and mother who masks her life as a serial killer behind a facade of baking and community service. She targets those who thrive on cruelty, acting as a secret executioner for her neighborhood.
  • Vera Marsh — The new neighbor whose overt cruelty and domineering nature make her the target of Marnie's lethal attention. She prides herself on her social status and dominance over her household.
  • The Old Man — A homeless man sleeping under the pines, chosen as prey by Marnie and Joaquin. He is a weathered, tired man with a history of hard living.
  • Patel — Hugh's chief financial officer, who pushed for the merger and briefed Hugh on valuation models. He is cautious and defers to Hugh's authority.
  • Hugh's assistant — A young, plain woman in a repeated cardigan who sits outside Hugh's corner office, manages his calls, and reports his movements to Vera. She appears to have been told not to discuss where Hugh went.
  • Carol Hendricks — A neighbor from three houses down who asks Marnie about Hugh's company buying Marsh Analytics.
  • Mrs. Delgado — A neighbor from four houses down with a rose garden who called the police after hearing screaming from Joaquin's house.
  • Alice — A brisk woman who handled Marnie's father's estate and advised her on the divorce filing.
  • Barnes — A tired man who smelled of stale coffee and handled Joaquin's divorce filing.

Chapter 4: The Awakening

The old man's hands were on her hips before his eyes fully focused, his mouth working around a slurry of words that had nothing to do with the mouldering shack or the ropes that had bound him minutes ago. He saw a woman kneeling over him, a woman with soft auburn curls and a face that belonged on a greeting card, and his addled brain reached for the only conclusion it could find.

Marnie let him touch her. She let his fingers dig into the worn cotton of her dress, let his breath sour the air between them. Her smile widened, slow and patient, the way she smiled at the library when a child asked the same question twice. The old man's pupils were still blown wide from the chloroform, his grey chest hair slick with sweat despite the chill in the shack. A thin rivulet of drool had dried in the crease beside his mouth.

She shifted her weight and the blade was suddenly there, a cold comma pressed against the soft flesh of his throat. The paring knife had been in her pocket for three days, waiting for this moment, though she hadn't known it would be a man like this one. She hadn't known the hunt would end here at all.

The old man's hands froze. His eyes travelled down the blade, down her arm, up to her face, and whatever he found there finally cut through the fog of his arousal. His mouth opened, but the sound that came out was small, no louder than the creak of the shack's walls.

"You mistook me," Marnie said, her voice a low murmur, almost kind. "That was your first mistake. But I understand. It's dark. You woke up confused. A man with his hands on a woman, he thinks the world works a certain way. He thinks she'll squeal or slap him or, if he's lucky, let him finish what he started."

The knife pressed harder, not enough to break skin, just enough to remind him it was there.

"Here's the difference between luck and judgment," she went on. "Luck is what brought you to that pine tree tonight. Luck is what made you choose a spot where nobody would find you. Luck is a sleeping dog that doesn't hear the footsteps coming. But judgment? Judgment is what told you a soft-looking woman in the woods was a safe thing to grab. Judgment is what told you I'd be easy."

The old man's lips trembled. In the corner, she heard the sharp intake of breath, and she felt it in her bones, the way Joaquin was watching. He was pressed against the far wall, arms folded, but his chest rose and fell too quickly for someone playing the passive observer. His eyes were dark and hungry, fixed on the blade against the old man's throat. His tongue darted out to wet his lips.

She had never been watched before. That was the thought that surfaced as the shack's shadows stretched and swayed. Twelve years of killing in basements and bathrooms and the back rooms of forgotten buildings, always alone, always the only one who knew the truth of what she was. The dark shapes she buried had never seen her like this, blade in hand, a man's life balanced on the edge of her patience.

But Joaquin saw her. Joaquin had seen her through that vanity mirror with the same recognition she had felt twist through her chest like a knife of her own. He knew. He didn't flinch from it. He breathed it in.

"Why are you doing this?" the old man rasped. His voice cracked on the last word, tears welling in the corners of his eyes. "I never did nothing to you. I was sleeping. I'm just a tired old man."

"You're a tired old man who put his hands on me without asking."

"I didn't know! I was confused, I thought you was somebody else, you didn't give me time to see straight."

Marnie's smile thinned. She eased the knife back, just an inch, and the old man's shoulders sagged with relief. But she didn't move away. She stayed over him, her weight on her heels, her head tilted the way it did when Hugh described a new piece of technology she would never understand.

"That's the thing about judgment," she said, almost conversationally. "It's not about what you intend. It's about what you do. And what you did, old man, was grab me. What you did was slide your hands up my thighs and pull me toward you. You made a choice. I'm just making mine."

His face crumpled. The terror that broke over him was almost beautiful in its simplicity, an old man undone by the sudden understanding that the world had never been what he thought it was. That the woman in the country dress with the paring knife was not an accident of his bad luck but a predator who had chosen to wear that face tonight.

Marnie watched the understanding take hold. She felt the shift in the room, the way the air changed when prey stopped struggling and started waiting. It was her favourite moment, the moment before the end, the moment when a person finally understood that all the ordinary rules had stopped applying.

Behind her, Joaquin's breath hitched. She didn't have to look to know he had moved closer. She could feel his presence at her back, a warmth in the cold air of the shack. The old man's eyes flicked over her shoulder and went wider, catching something in Joaquin's face that made his trembling turn to shaking.

"You two," he whispered. "You're both..."

Joaquin laughed, a soft, surprised sound that came from somewhere deep in his chest. Marnie felt it like a hand on the back of her neck. She turned her head just enough to catch him in her peripheral vision, and he was smiling at her, not at the old man, a slow crooked smile that said he understood her better than any living person ever had.

The knives in her bag were out of reach. The paring knife still rested against the old man's throat. But for a long moment, nobody moved. The shack held its breath with them, the damp walls weeping rust-coloured water, the single bare bulb swinging slightly from the last time the door had opened.

Marnie realised, with a clarity that should have frightened her, that the hunt was no longer about the old man on the floor. It had never really been about him. It was about the two of them now, this strange partnership sealed in a bedroom with a butcher's knife and a hidden shack in the pines. The old man was just the ground they stood on, the first stone laid for whatever was being built between them.

She looked at Joaquin, properly this time, meeting his eyes over her shoulder.

"Well?" she said. The old man's pulse jumped against the flat of her blade. "Do you want to do the honours, or shall I?"

Marnie's blade held its place as Joaquin closed the distance between them. He crouched on the old man's other side, and in the dim light she saw him pull something from his pocket, a box cutter with a worn grey grip. He clicked the blade out, a small metallic sound that made the old man's whimpering stop.

The old man's eyes darted between them, wild and pleading, his breath coming in shallow gasps against the flat of Marnie's knife. They both needed to decide what they were doing here, what they were about to become to each other.

"Together," Joaquin said, and the word hung in the damp air like a promise.

Marnie pulled the knife away from the old man's throat and rose. She knelt beside him instead, her knees pressing into the packed earth floor, and something in the movement felt ceremonial. Joaquin mirrored her on the other side, the box cutter held loosely in his fingers.

Without thinking, without speaking, they each reached for one of the old man's hands. Marnie took the left. Joaquin took the right. They flexed the wrists back together, exposing the pale skin where the veins ran close to the surface, and the old man's struggles turned frantic, his body bucking against their weight.

For a moment Marnie looked up. So did Joaquin. Their eyes met over the old man's heaving chest, and she felt something she had never felt in twelve years of taking lives. She had always been alone in these moments. Always the only one who knew what she truly was. But Joaquin looked at her with those dark eyes, and there was no horror in them. No judgment. Only a hunger that matched her own.

She understood in that instant that no one in her life had ever seen her this way. Hugh looked at her and saw a wife. The neighbors saw the HOA president. The library saw a volunteer. But Joaquin saw her. And she saw him, the marks on his body, the shame he wore like a second skin. They were both things that had been broken and had remade themselves into something else entirely.

The old man broke the spell. He bucked hard, nearly throwing Joaquin off balance, his mouth opening to scream.

Marnie's free hand cracked across his face, a sharp slap that snapped his head to the side. Joaquin drove his knee into the old man's hip, grinding down until the man's breath left him in a strangled wheeze. Marnie snatched the rag from the floor, the same one she had used to clean his face, and stuffed it into his mouth until it caught against his teeth, muffling whatever sound he tried to make.

The old man's eyes bulged. His chest heaved against the gag. But he couldn't move, couldn't cry out. He was pinned between them like a butterfly in a collection, held open for inspection.

"Now," Marnie said, settling her weight, "where were we?"

Joaquin's lips curled. He repositioned his grip on the old man's wrist, turning the box cutter so the blade rested against the length of it. "Ladies first," he said.

Marnie blinked at him. A strange bubble of something that might have been warmth rose in her chest. "I thought you wanted to do this together."

"You're right." Joaquin's voice was low, almost reverent. He looked down at the old man between them. "Together."

They moved as one. Both knives pressed against the tender skin of the old man's wrists, and then they dragged downward, lengthwise, the blades parting flesh with a resistance that Marnie felt in her own bones. The old man's body arched, his muffled scream barely audible through the rag, and then the blood came.

It welled up dark and thick, then spilled over the edges of the wounds, running down his forearms in rivers. The old man's heels drummed against the packed earth, his fingers curling and uncurling as if he were trying to claw his way out of his own skin. Marnie held his wrist steady, watching the blood flow, watching the pulse flutter at the torn edge of the wound like a trapped bird.

A spray of arterial blood caught her across the cheek, warm and sudden. She felt it land on Joaquin's face too, a fine mist of red across his cheekbone. Neither of them moved to wipe it away. Neither of them looked away from the old man's face.

His eyes were losing focus. The frantic energy drained out of him in stages, his limbs growing heavier, his breaths shallower. The blood spread beneath him in a dark pool, soaking into Marnie's knees where they pressed against the earth, warm as bathwater. The old man's lips moved around the rag, making small wet sounds, and then he went still.

His eyes stayed open, fixed on the ceiling of the shack, the last of the light leaving them like a candle finally guttering out.

Marnie could feel her own pulse hammering in her throat. She was aware of the dampness between her thighs, the spreading warmth that confused her for a moment before she understood. Blood had pooled around her knees and soaked through the hem of her dress, but that wasn't the only wetness. She looked at Joaquin and saw his mouth had gone slack, his tongue running across his lower lip as if he could taste something sweet in the air. When she glanced lower, at the sweatpants he wore, there was no mistaking the shape straining against the grey fabric.

They had both felt it. That sharp and terrible hunger that came after the kill, that need that had nothing to do with the body cooling between them.

Marnie shook the thought away. She uncurled her fingers from the old man's wrist, letting his hand fall to the earth, and rose on unsteady legs. "It will be morning soon."

Joaquin stood too, his breathing still ragged, his eyes dark and unfocused. "I know." He gestured toward a table pushed against the far wall of the shack. "You go on and get back to your house. I keep an extra set of clothes on that table over there. Pick out what fits. Can't have the HOA president walking back into the neighborhood covered in blood."

Marnie glanced at the table, then back at him. "What about you?"

"Don't worry about me." Joaquin's smile was a thin, tired thing. "I'll clean up here and be back in time for my wife to belittle me before she goes to work."

"You're sure?" she asked. "I can stay and help."

"No, really, it's fine." He looked down at the old man between them, then back up at her, and something shifted in his expression. Softening. "I'm just glad we got to experience this. Together."

Read on DreamPress