Who they are before the plot gets hold of them.
I run a sea-fed pool that loses money for nine months of the year. I call it a living. It is closer to a tenancy agreement with the sea.
Earned: I will get anybody into cold water safely. Not earned: that I am calm. I am organized, which from a distance looks the same.
I am the only person here who knows what the wall costs, in pounds, to the year. Everybody else gets to call it bad luck.
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The house they came out of, and what it taught them.
We did not ask the council for anything. Not a grant, not a bin, not a word.
Seasonal. Wonderful in August, silent by November, and nobody was allowed to say out loud which one we were in.
How to take money at the gate and count it in front of the person, so they knew it had been counted.
The lines they hold, and the ones they only claim to.
To tell somebody the thing that will cost you, before they find it out cheaply from someone else.
Being shown the working. I have never once changed my mind because a person was upset with me.
How they hold on to people, and how they let go.
Sam, who gets liked without having to do anything for anyone. No, I would not admit it.
Turning up before it is light to crank a gate open for somebody else's swim, and never mentioning that you did.
My aunt, two years dead, whose handwriting I am still keeping out of the record.
What they rehearse in the dark, and what actually threatens them.
Him staying. I can argue for the lido all day. I cannot argue for that.
Read every file in the building before anybody else does. Which is precisely how I got here.
I am braced for somebody to find the letter. What is actually coming is that they will find it and be kind, and I will have to live here afterwards.
The small repeated things that make a person legible on the page.
I flatten the log book with both hands. Twice. Sam says you can hear it from the changing rooms.
Thermometers. I own nine. Two of them are calibrated and I know exactly which two.
Character is what is left when the plot squeezes.
Sleep, then the morning swim, then the part of the day where I speak to anybody at all.
I answer letters at four in the morning, in full sentences, with figures — and then I am the unreasonable one.
The eight that decide whether this character can carry a book.
The license only comes if the wall is rebuilt, and the wall is only rebuilt if somebody says out loud why it failed.
"Nine point one. Get in." Ovide hears it, on the top step, in June, with the gate already open.