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Story Bible Template

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  1. 1Write your premise and tone
  2. 2Fill in each section, or let AI draft one
  3. 3Download it, or keep it in DreamPress
What went in
FantasyA seriesIn Orhalla a window holds eleven years of the light that passed through it.
Premise and tone

The spine. If a later decision contradicts this page, this page wins.

Premise

In Orhalla a window holds eleven years of the light that passed through it.

Tone

Hot, public and argumentative — a mystery conducted in front of a crowd.

Promise to the reader

Evidence you can hold up to the sun, in a city that licenses who may look at it.

Themes
  • certainty performed against certainty earned
  • who is allowed to be believed
  • what a record is worth once it can be replaced
Series arc

Three books: the Sequestered House, the Coldarch reglazing scandal, and the year the Assize is dissolved and Izera has to decide whether to sit on whatever replaces it.

Cast register

One line each, adults only. Add people the moment they get a name.

Leads
  • Izera Brask — licensed glazier, 33 — wants the Sequestered House contract
  • Recorder Ansel Pell — the Assize, 49 — wants Coldarch Row reglazed on his own schedule
Supporting cast
  • Yeva Sarn — Mother of the Kiln, 66 — fires on credit, sits on the examining board
  • Salter Coom — salt factor, 52 — sells under the bond price and will not say why
Offstage and dead
  • Toma Sarn — Yeva's husband, eleven years dead; his window is still crated in the yard store
  • The family of the Sequestered House — sealed the door themselves and left the city
Voice notes
  • Izera — theatrical in public, names the price of everything in private
  • Pell — speaks in favors, repeats your name until you agree with him
  • Yeva — short questions, long silences, one aphorism a week
Who recurs
  • Izera Brask — all three books
  • Yeva Sarn — books one and two; her window is read in book three
  • Ansel Pell — books one and three
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Places

Somewhere the reader could find their way around blindfolded.

Key locations
  • The Assize of Windows — licenses every reading and holds the register
  • Coldarch Row — eleven houses, all reglazed inside one month
  • The kiln yards — Orhalla's salt edge, three furnaces, open to the flat
Geography and distance

The salt flat lies west and uphill, so the kiln yards get the whole afternoon and Coldarch Row gets none of it after two o'clock. That is why the Row's panes hold so little, and why nobody noticed the swap.

How it smells and sounds
  • Kiln yards — hot salt, scorched hair, the ring of a cooling frame
  • Coldarch Row — cold stone and no smell at all, which is itself the clue
  • The Assize — wax, ledger dust, and a room kept deliberately dim
Map notes

Orhalla is a half-moon against the flat. Everything the Assize governs sits inside the old wall; everything that fires glass sits outside it.

Rules of the world

Magic, tech or society: write the limit before the ability.

What is possible
  • A fired pane holds the light that passed through it for about eleven years
  • Reading a pane needs full sun and a licensed reader
  • Weight, note and temper are set at firing and cannot be altered afterward
What it costs
  • A read pane is spent — the light does not come back
  • A reading is only evidence if three licensed readers say it aloud together
  • Reglazing destroys everything the old pane held
What never happens
  • A pane never holds sound, only light
  • Nobody can fire a pane showing something that did not happen
  • The register never records who ordered a reglazing, only who carried it out
Who knows the rules

Every citizen knows windows hold light. Almost nobody knows the register omits who ordered a reglazing, because almost nobody has ever asked to see one.

Timeline

Before-the-book and during-the-book, in two lists.

Before page one
  • Eleven years ago — the Sequestered House is sealed; Pell, an apprentice, fires its panes
  • Eleven years ago — Toma Sarn dies and Yeva crates his window instead of selling the glass
  • Nine years ago — Izera takes her license at a public assay
During the story
  • Ch 1 — the Assize posts the reglazing notice; the bid is nine days out
  • Ch 9 — Izera matches the apprentice mark to the register
  • Ch 24 — the public reading on Coldarch Row
The clock

Nine days to the bid, and one more before the house's panes pass eleven years and go dark.

Season and calendar

High summer. Orhalla counts its year from the first firing after the salt harvest.

Factions

Every group wants something and is short of something.

Groups and institutions
  • The Assize of Windows — wants readings kept rare — short of anyone who can fire at scale
  • The kiln yards — want the reading license opened — short of standing and of salt credit
  • The salt bond — wants its debts paid — short of any authority inside the wall
Who actually has power

The Assize licenses readers; the yards own the furnaces. Neither side can produce evidence without the other, and both pretend the arrangement is ancient rather than sixty years old.

Old grievances
  • The Assize was founded by three kiln families and has admitted none since
  • The salt bond was the Assize's creditor for a decade and has never been repaid in full
Where the cast sits
  • Izera — the yards, loudly — actually loyal to being believed
  • Yeva — both, for nineteen years — has to choose in book one
  • Pell — the Assize — loyal to the version of it that made him
Glossary

Spellings, invented words, ranks and titles. Your future self will thank you.

Terms
  • pane — any fired glass holding light, not only a window
  • reading — the licensed act of calling what a pane holds
  • the dark — what a pane becomes at eleven years
Titles and ranks
  • Recorder — the Assize's senior officer; addressed as Recorder, never by name at work
  • Mother of the Kiln — head of a firing yard; a courtesy title with no legal force
Spellings to keep
  • Coldarch Row (capitalized)
  • the Sequestered House (capitalized)
  • salt flat (two words, lower case)
Slang and oaths
  • "weighing it" — guessing
  • "gone dark" — past eleven years, or past caring
  • "a clean frame" — a lie nobody can check
Open threads

Everything you promised and haven't paid off yet.

Open questions
  • Who ordered the Sequestered House sealed? — raised ch 1
  • Why does Salter Coom sell under the bond price? — raised ch 5
Planted, not paid off
  • Izera's shop notes of every weight, eleven years of them — ch 3
  • Toma Sarn's crated window under the third bench — ch 7
Known contradictions

Ch 4 says the Row was reglazed once; ch 18 says twice. Twice is the point — fix ch 4.

For later books
  • Book two: the Row's other ten houses
  • Book three: the reading of Toma's window, and who Yeva nominates
What went in
RomanceOne novelA sea-fed lido, a condemned sea wall, and the engineer who left.
Premise and tone

The spine. If a later decision contradicts this page, this page wins.

Premise

A sea-fed lido, a condemned sea wall, and the engineer who left.

Tone

Cold water, warm rooms, and a town counting money out loud.

Promise to the reader

Two competent adults, one honest survey, and eleven weeks to save a swimming pool.

Themes
  • what competence is used to avoid
  • the difference between leaving quietly and leaving kindly
  • who a place belongs to when nobody can afford it
Cast register

One line each, adults only. Add people the moment they get a name.

Leads
  • Nell Faraday — 34 — runs the Saltmarket Lido — wants the license signed before the May tides
  • Ovide Maartens — 38 — coastal engineer — wants to file an honest survey and be gone inside six weeks
Supporting cast
  • Sam Tiernan — 23 — the only paid lifeguard — has read the 2019 file
  • Councilor Rhona Speight — 57 — wants the seafront redeveloped and the lido filled in
  • Aleyna Kurt — 61 — Tuesday beginners; brings cake, asks nothing
Offstage and dead

Del Faraday — Nell's aunt, two years dead, whose handwriting is on the 2019 refusal

Voice notes
  • Nell — gives you a temperature instead of an adjective
  • Ovide — long pause, then one sentence more honest than the room wanted
  • Speight — perfectly polite, and always on the record
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Places

Somewhere the reader could find their way around blindfolded.

Key locations
  • The Saltmarket Lido — sea-fed, cut into rock, open since 1966
  • The sea wall — 1954 concrete, surveyed in February, failing
  • The Drift — the cafe over the changing rooms, open when Aleyna feels like it
Geography and distance

The lido sits below the wall on the north side of the bay, so it fills and drains through the same hand-cranked gate. The council offices are eleven minutes uphill, which is the whole plot.

How it smells and sounds
  • The lido — cold stone, salt instead of chlorine, the crank's iron squeal
  • The Drift — wet towels and toast
  • The wall — wind, and a hollow note underfoot on the seaward path
Map notes

Cullen Bay is a crescent open to the north. Everything old is on the sea side of the road; everything funded is on the other.

Rules of the world

Magic, tech or society: write the limit before the ability.

What is possible
  • The tide gate is cranked by hand, forty-one turns, twice a day
  • The license is seasonal and signed by one committee that sits four times a year
  • The temperature log is a condition of the insurance, not a hobby
What it costs
  • Every spring tide costs a day of takings and a morning of clearing
  • A refused grant stays on file for ten years and can be read into any hearing
  • One resignation is enough for the insurers to withdraw
What never happens
  • The lido never opens without a qualified lifeguard on the side
  • Nobody swims alone in opening hours — Del's rule, still on the board
  • The council never funds a repair it was previously refused for
Who knows the rules

Everyone in town knows the wall is failing. Four people know the 2019 grant was refused, and one of them knows who posted the letter.

Timeline

Before-the-book and during-the-book, in two lists.

Before page one
  • 2019 — the council repair grant is offered and refused; Nell posts the letter
  • Ten years ago — Ovide leaves for a contract inland and writes a letter he never sends
  • Two years ago — Del dies; the lido passes to Nell in a will of four lines
During the story
  • Ch 1 — February's survey lands and Ovide arrives
  • Ch 12 — the winter mile, and Nell tells him about 2019
  • Ch 20 — Speight reads the 2019 file into the record
The clock

Eleven weeks to the May tides, cut to eight when the hearing is brought forward.

Season and calendar

Late winter into June. The season is eleven weeks long and everything in town is priced against it.

Factions

Every group wants something and is short of something.

Groups and institutions
  • The lido's members — want a sixtieth season — short of anybody willing to chair anything
  • The council — wants the wall liability off its books — short of money
  • Speight's redevelopment group — wants the seafront site — short of a reason the town would accept
Who actually has power

The council signs the license, the insurers decide whether it is worth anything, and the members decide whether the town minds. Nobody has ever had to use all three at once.

Old grievances

The 2019 refusal is the only time the town told the council no, and the council has not forgotten it

Where the cast sits
  • Sam — the lido, until he is asked under oath
  • Aleyna — Nell, unconditionally, which is its own kind of pressure
  • Ovide — the survey, which is exactly why Nell can trust him
Glossary

Spellings, invented words, ranks and titles. Your future self will thank you.

Terms
  • the crank — the hand gear that opens the tide gate
  • the winter mile — the members' New Year swim, sixty-four lengths
  • the log — the twice-daily temperature and headcount book
Titles and ranks

Councilor — used in full at a hearing, never in the cafe

Spellings to keep
  • Saltmarket Lido (capitalized, no apostrophe)
  • the Drift (lower-case the)
  • Cullen Bay (two words)
Slang and oaths
  • "nine point four" — cold, but fine
  • "a gate morning" — a spring tide; nobody swims
  • "on the record" — Speight is in the room
Open threads

Everything you promised and haven't paid off yet.

Open questions
  • Who else has seen the 2019 file? — raised ch 3
  • What was in the letter Ovide never sent? — raised ch 6
Planted, not paid off
  • The letter folded into Del's ledger at 2019 — ch 6
  • Sam's college application, which needs a reference from Nell — ch 4
Known contradictions

Ch 2 gives the lido's opening year as 1964; the plaque in ch 15 says 1966. 1966 is right.

For later books
  • The rebuild takes two winters; the last chapter is the June after
  • Sam's reference, written after the hearing, is the final entry in the log
What went in
Sci-fiA seriesA family runs the last crewed refueling depot on a tide-locked moon.
Premise and tone

The spine. If a later decision contradicts this page, this page wins.

Premise

A family runs the last crewed refueling depot on a tide-locked moon.

Tone

Domestic, procedural and very long — a family business with a 400-day clock.

Promise to the reader

A working life in space, counted in renewals, berths and the people who stayed.

Themes
  • what a franchise is allowed to own
  • inheriting a job against choosing one
  • who a place belongs to once everyone who built it is gone
Series arc

Nine books, one per renewal. Book three is the audit, book six is the year the Harbor runs unlicensed, book nine is the last renewal, which nobody applies for.

Cast register

One line each, adults only. Add people the moment they get a name.

Leads
  • Sabra Idriss — 41 — harbormaster, third generation — wants the franchise renewed
  • Corre Vashti — 36 — Relay Company auditor, born here — wants a clean audit she owes nobody for
Supporting cast
  • Poll Aduba — 71 — pressure engineer, forty years on the gantry
  • Ovel Dray — 44 — ship's factor; sells the Harbor its own fuel back
  • Tomas Idriss — 39 — Sabra's brother, runs the berths and wants out
Offstage and dead
  • Nadja Idriss — the first harbormaster, died in book one, quoted in every book since
  • Corre's mother — stayed, buried on Hesper, berth fee still outstanding on the books
Voice notes
  • Sabra — states the number first and the feeling never
  • Poll — begins every answer forty years ago and arrives exactly on time
  • Corre — procedural on duty, startlingly plain off it
Who recurs
  • Sabra Idriss — all nine books
  • Poll Aduba — books one to five
  • Corre Vashti — books three, six and nine
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Places

Somewhere the reader could find their way around blindfolded.

Key locations
  • Ninth Harbor — six berths, one crewed, the rest automated
  • The gantry — Poll's ground, and nobody else carries a tool roll down it
  • Hesper Rise — the settlement: 340 people and one school
Geography and distance

Hesper is tide-locked, so the Harbor sits on the terminator and moves its awnings twice a standard year. Everything that can be cold is built out; everything that must be warm is dug in.

How it smells and sounds
  • The gantry — cold metal, static, the ring of a valve wheel
  • The office — recycled air and printed paper the company stopped supplying in book two
  • Hesper Rise — 29-hour days, and the school making noise at the wrong time
Map notes

Six berths in a row, facing out. The office is berth zero, and the family lives behind it.

Rules of the world

Magic, tech or society: write the limit before the ability.

What is possible
  • The franchise runs 400 days and renews on inspection
  • A crewed depot may refuse a berth; an automated one may not
  • Fuel sells at the company's posted rate, set off-moon
What it costs
  • A missed renewal reverts the depot to the company permanently
  • An adverse finding stands unless the board overturns it inside one renewal
  • Refusing a berth costs the Harbor its priority on the next resupply
What never happens
  • The company never inspects twice in one renewal
  • A reverted depot is never re-franchised to the same family
  • Nobody who signs the book may also schedule the inspection
Who knows the rules

Everyone on Hesper knows the renewal terms. Almost nobody has read the scheduling clause, which is where the last three renewals were actually decided.

Timeline

Before-the-book and during-the-book, in two lists.

Before page one
  • Renewal one — Nadja Idriss takes the franchise
  • Renewal five — Corre leaves at nineteen, on the last crewed run out
  • Renewal seven — the Harbor's first missed inspection, ruled weather
During the story
  • Bk 3 ch 1 — the audit is scheduled into the Harbor's worst week
  • Bk 3 ch 9 — Corre finds her own authorization on the scheduling
  • Bk 3 ch 24 — the finding is filed against the company
The clock

Sixty-one days of the current renewal remain when the auditor lands.

Season and calendar

There are none. The Harbor counts renewals, and everybody's age is given in them.

Factions

Every group wants something and is short of something.

Groups and institutions
  • The Idriss family — wants the franchise — short of capital and of a fourth generation
  • The Relay Company — wants the depots automated — short of a lawful reversion
  • The Hesper Rise council — wants the school kept open — short of anyone who will stay
Who actually has power

The company owns the fuel and the schedule; the family owns the only crew that may refuse a berth. Everything on Hesper is negotiated between those two facts.

Old grievances

The company franchised the depots after losing three automated ones in a decade, and has been trying to undo it ever since

Where the cast sits
  • Tomas — the family, resentfully; he applies to the company in book four
  • Poll — the valves, not the people
  • Ovel Dray — whoever posts the rate
Glossary

Spellings, invented words, ranks and titles. Your future self will thank you.

Terms
  • renewal — 400 standard days, and the unit everything here is counted in
  • reversion — the depot passing to the company on a missed renewal
  • crewed — a depot with a person on it who may say no
Titles and ranks

Harbormaster — the franchise holder; the title on the record, the name everywhere else

Spellings to keep
  • Ninth Harbor (capitalized)
  • harbormaster (one word, lower case)
  • Hesper Rise (two words)
Slang and oaths
  • "berth zero" — home
  • "on the terminator" — neither one thing nor the other
  • "NH-2" — Corre's old call sign, and a question nobody asks
Open threads

Everything you promised and haven't paid off yet.

Open questions
  • Who scheduled the last three inspections? — raised bk 3 ch 1
  • Why has Corre's mother's berth fee never been written off? — raised bk 3 ch 4
Planted, not paid off
  • The scheduling clause, quoted in full — bk 1 ch 11
  • Poll's countersigned pressure certification — bk 3 ch 6
Known contradictions

Book two says six berths and book three says eight. Six is right; book two counted the fuel racks.

For later books
  • Book six: the year the Harbor runs unlicensed
  • Book nine: the last renewal, and who does not apply
What went in
ThrillerOne novelA night lock-keeper has logged the same unmanifested barge eleven times.
Premise and tone

The spine. If a later decision contradicts this page, this page wins.

Premise

A night lock-keeper has logged the same unmanifested barge eleven times.

Tone

Sodium light, cold steel, and a paper book nobody has asked to see.

Promise to the reader

A crime you can prove with a ledger, and nine weeks before the ledger stops existing.

Themes
  • the difference between a record and an act
  • what a settled address is worth
  • being liked as a form of control
Cast register

One line each, adults only. Add people the moment they get a name.

Leads
  • Ines Calloway — 39 — night lock-keeper on the Farrow Cut — wants the day shift signed
  • Dov Renner — 52 — night supervisor, formally nothing since March — wants the arrangement to survive automation
Supporting cast
  • Kit Arnesen — 31 — relief keeper, Tuesdays — takes the photograph
  • Prue Calloway — 18 — Ines's daughter, in her first settled school year
  • Marianne Ubi — 48 — the port's investigator, nine weeks from a redundancy of her own
Offstage and dead

The barge's factor — never named, pays in cash, has met Renner eleven times

Voice notes
  • Ines — short and exact; answers the question that was asked
  • Renner — warm and unhurried; answers the question you should have asked
  • Kit — a joke, then the real question, asked looking somewhere else
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Places

Somewhere the reader could find their way around blindfolded.

Key locations
  • The Farrow Cut — one lock, one keeper's house, sodium lit
  • Ravensgate container port — automating in nine weeks
  • Flat 4, Dunlow Court — the first place Prue has finished two school years
Geography and distance

The Cut runs half a mile from the tidal river to the port basin, with the towpath on the far bank from the lock house — which is why Renner has never once been seen from a window.

How it smells and sounds
  • The lock — cold steel, diesel on water, the gate motor's two-tone alarm
  • The keeper's house — a kettle, a paraffin heater, and the book
  • The towpath — nothing at all, which is the point
Map notes

River, lock, basin, port. One road in, and it passes the lock house.

Rules of the world

Magic, tech or society: write the limit before the ability.

What is possible
  • Every vessel through the lock takes a manifest number in the paper book
  • The book is the port's legal record until automation replaces it
  • Nights are one keeper; the relief covers Tuesdays
What it costs
  • A blank manifest column is a discrepancy the moment anyone looks
  • A transfer request expires after ninety days and has to be resubmitted
  • A suspended keeper loses the pass, the roster and the reference
What never happens
  • The book never leaves the site
  • A keeper never holds port keys off shift
  • Nobody logs a vessel they did not lock through themselves
Who knows the rules

The whole roster knows the book exists. Nobody on it knows that Renner's authorization was never revoked in March.

Timeline

Before-the-book and during-the-book, in two lists.

Before page one
  • March — the port lets Renner go quietly; his keys are never logged as returned
  • June — the sixth barge, the envelope, and the deposit on Dunlow Court
  • October onward — eleven fourth Tuesdays, every one on Renner's rostered night off
During the story
  • Ch 1 — the twelfth entry, manifest column blank
  • Ch 14 — Kit photographs the towpath at 3:40
  • Ch 28 — Ines names the June envelope herself, first
The clock

Nine weeks to automation, after which the lock house closes and the paper book is pulped.

Season and calendar

October to January. It is dark at both ends of every shift in this book.

Factions

Every group wants something and is short of something.

Groups and institutions
  • The port — wants automation delivered on time — short of anyone who understands the manual system
  • The barge's owners — want the fourth Tuesdays to continue — short of a keeper after automation
  • The keepers' roster — wants decent redundancy terms — short of leverage
Who actually has power

The port signs the transfers and the redundancies, the roster holds the only knowledge of the manual system, and the barge needs one person who does not look up. Everybody is nine weeks from irrelevance.

Old grievances

The Cut was automated once before, in 1998, and reverted after a flood — which is why the paper book still exists

Where the cast sits
  • Kit — Ines, until the suspension
  • Marianne Ubi — the investigation, and her own reference
  • Renner — the roster, which is how he justifies every part of it
Glossary

Spellings, invented words, ranks and titles. Your future self will thank you.

Terms
  • the Cut — the Farrow Cut, never "the canal"
  • fourth Tuesday — the barge, and never said out loud
  • the book — the paper log, and the only evidence in the novel
Titles and ranks

keeper — the job, and what they call each other on the roster

Spellings to keep
  • Farrow Cut (capitalized)
  • lock house (two words)
  • Dunlow Court (never abbreviated)
Slang and oaths
  • "level" — fine, safe, nothing happening
  • "blank" — the manifest column, and what they all pretend it means
  • "days" — the transfer, and the whole book's want
Open threads

Everything you promised and haven't paid off yet.

Open questions
  • Who is the barge's factor? — raised ch 1, deliberately never answered
  • Where did Renner's March payoff go? — raised ch 19
Planted, not paid off
  • The port keys in Renner's fleece pocket — ch 2
  • Ines's photocopies of the log, posted to herself — ch 7
Known contradictions

Ch 5 says eleven entries and ch 9 says twelve. Twelve is right from ch 1 onward — fix ch 5.

For later books
  • Marianne Ubi's own redundancy lands the week after the arrest
  • Prue's college offer, accepted from a different address

What you get

Premise and tone
What the story is about and how it feels.
Cast register
One line about each character.
Places
The places in your story.
Rules of the world
How magic, technology or law works in your story.
Timeline
What happens when, before and during the story.
Factions
The groups in your story and what each one wants.
Glossary
Invented words and how to spell them.
Open threads
Questions the story has not answered yet.

Try it with your own idea

Story bible guide

What a story bible is, what goes in each section, and how to keep it up to date.

What it makes

This story bible template is the document you check when you cannot remember whether the hospital was St. Vincent's or St. Grace's in chapter four. It gives you eight sections, each a list you add rows to, built for the kind of long project where that question comes up constantly.

  • Premise and tone — one paragraph on what the story is, and three or four words on how it should feel. The section everyone skips and then wishes they had.
  • Cast register — one line per character: name, role, the one fact about them that must stay true. Not full profiles; a register you can scan.
  • Places — every named location, with what distinguishes it and who controls it.
  • Rules of the world — how magic, technology, law or money actually work, written as constraints rather than capabilities. What it costs, who is forbidden, what it cannot do.
  • Timeline — dated events, including the ones that happened before chapter one. The most valuable section in any series, and the one hardest to reconstruct later.
  • Factions — organizations, families, guilds, companies, with what each one wants and who it answers to.
  • Glossary — invented terms and their spellings. Spelling especially. Half of all continuity errors are a word spelled two ways.
  • Open threads — every promise you have made to the reader that you have not yet paid off, with the chapter it was made in.

That last section is what turns a reference document into a working tool. A long story generates unresolved questions faster than a writer can track them, and a list of them with chapter numbers is the difference between a satisfying ending and three loose ends nobody mentions again.

Each section has an optional "fill from my premise" button that drafts three to six starter rows from your premise and whatever you have already written, so the suggestions belong to your story rather than a generic fantasy world. Edit or delete anything it produces. Download the bible as Markdown or JSON, and it saves to your browser as you type.

How to use it

A bible is written in passes, not in one sitting.

  1. Start it late, not early. The best time to begin a story bible is around chapter five, when the world has made some decisions for you. Writing it before you draft tends to produce a document you then feel obliged to obey.
  2. Write the premise and tone paragraph in your own words. It is the section that stops a long project drifting into a different book, and it is the one you should reread when a chapter feels off and you cannot say why.
  3. Fill the glossary as you invent, not in a batch. Every time you coin a word, add it with its spelling and a one-line definition. Two minutes then saves an afternoon of search-and-replace later.
  4. Write rules as limits. "Healers can close wounds" is a capability, and capabilities make stories easier. "Healers can close wounds, and the injury moves to them for a day" is a rule, and rules make stories. Anything without a cost is worth rewriting.
  5. Date the timeline in story time. Days since the opening scene works as well as calendar dates and is easier to keep consistent. Include the backstory events.
  6. Add an open thread the moment you make a promise. A locked door, an unexplained scar, a letter nobody has read. Write it down with the chapter number, and strike it out when you pay it off.
  7. Use the fill button on sections you have not thought about. Factions and places are the usual blind spots for writers who plan characters first.
  8. Reread the bible before every act break. Fifteen minutes, four times a book. It will catch more continuity errors than any amount of proofreading.

Filling the template is deterministic, unlimited and needs no account. The section-fill button is the only part that uses AI.

Craft tips

The bible's job is to be checkable in ten seconds. Long prose entries defeat the purpose. One line per row, scannable, with the detail in the draft where it belongs.

Record decisions, not descriptions. "The city is beautiful in autumn" is writing. "The city's council meets only in autumn" is a decision that constrains plot. A bible full of the first kind is a mood board.

Write down the things you think you will obviously remember. Those are the ones that change. A character's eye color survives; the year their father died mutates every time you mention it.

Keep a "contradictions" note at the bottom. When you find that chapter four and chapter twenty disagree, do not stop drafting to fix it. Write the contradiction down and keep going. Fixing it later takes ten minutes; losing the drafting session costs a week.

Rules should generate plot, not permit it. Before adding a rule, ask what story it makes impossible. A magic system with no prohibitions removes tension rather than adding wonder, because a reader who cannot predict what is impossible cannot feel suspense.

Version the bible at each book. In a series, download a copy when a book is finished and start the next from it. Knowing what was true at the end of book two is essential when book four contradicts it, and it is also how you spot which changes were deliberate.

Track what the reader knows, not only what is true. A column or a note for "revealed in ch. N" turns the bible into a tool for managing information, which is most of what plotting a mystery or a slow reveal consists of.

Prune it. A bible that has grown to forty pages stops being consulted, and an unconsulted bible is worse than none, because you trust it. Once a book, delete everything that has not been checked.

Keep it next to the writing, not in another application. The single biggest reason story bibles fail is friction: if checking a fact takes four clicks, you will guess instead. Whatever tool you use, the bible needs to be one keystroke from the draft. In DreamPress the bible goes in with the story and stays in its memory as the chapters accumulate, which is the whole point of writing it down. Fifteen free credits daily, no card.

The long answer, with a filled example, is at what is a story bible.

Story bible FAQ

Is this story bible template free?

Yes, free and unlimited, with no account. The optional "fill from my premise" button uses AI: 6 free runs an hour. Sign up for 20 an hour, or go Pro for no limit.

Do I need an account?

No. Filling the template, saving it locally and downloading it all work for anonymous visitors with no limit.

What is a story bible?

A reference document for a long work: the facts, names, rules, dates and unresolved threads that a novel or a series has to keep consistent. Television writers' rooms have used them for decades, and they are just as useful for a solo novelist forty chapters into a serial.

What is the difference between a story bible and a series bible?

Scope only. A series bible covers several books and usually adds a per-book summary and a note on what each installment is allowed to change. The eight sections here work for both; add a "book summaries" list in the Notes area if you are running a series.

Can I use this as a world building template?

Yes. The Places, Rules, Factions and Glossary sections are a world-building template in everything but name. If you are building a world before you have a story, start with Rules and Factions, since those generate conflict, and leave Premise and Tone until you know what story you are telling in it.

Can I download it?

Yes, as Markdown for a notes app or JSON if you want to load it into something else.

Will it be saved if I close the tab?

Yes, in your browser's local storage. It is not uploaded to an account, so it will not follow you to another device and clearing your browser data will remove it. Download a copy regularly if the project matters.

When should I start a story bible?

Around chapter five for most projects, or immediately if you are working in an invented world with names and rules. Starting too early produces a document you obey; starting too late means reconstructing facts from the draft, which takes hours.

How long should it be?

Short enough to read in fifteen minutes. If it takes longer than that, it has become an archive rather than a reference, and you will stop checking it.

Is anything I type sent anywhere?

Only if you press the "fill from my premise" button, which sends your premise and that section's contents to our servers to draft suggestions. Everything else stays in your browser, and nothing you write here is published or shown to anyone.

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